Effectively, they're different films (okay, perhaps only slightly different, but still different), and, while such an occasion has yet to happen, I'm sure there'll come a day when for reasons of false nostalgia I'll want to watch THUNDERBALL with all the print scratches and badly-concealed special effects rather than the gleaming new UE version.
Loomis, could you expand on this thought please?
What do you mean by 'badly concealed special effects'?
I know there are quite a few of them in Thunderball, but what does the UE version do to them, as an example or examples?
Thanks in advance, my dear friend.
Well, by "badly-concealed special effects", I'm referring to things like the wires faintly visible in model shots of the Vulcan, which I gather are digitally removed in the UE version.
Gave the DIAMONDS ARE FOREVER UE a spin today, and boy is it a winner. Excellent picture and sound, with bright colours - made me realise, for the first time, that this is one of the best-photographed of all the Bond flicks.
DAF has never been a favourite of mine, but this superb transfer makes me appreciate it much more than before. Adam's sets look amazing. As ever, though, Connery just doesn't appear to be playing the same Bond as before, and Charles Gray is quite hilariously miscast as Blofeld. Curiously, DAF seems both a step down into "juvenile" Bondage after the "serious" ON HER MAJESTY'S SECRET SERVICE, and a step in a relatively "gritty" direction when compared to the previous Connery outing, the goofy YOU ONLY LIVE TWICE (okay, DAF is pretty goofy in parts, too, but overall I'd say it's a little less goofy than YOLT, certainly during its first half).
Perhaps I'm in a minority here, but DAF just doesn't feel like a Bond film to me, more like a lighthearted cops and robbers jewel thief caper comedy thriller, very American in atmosphere (surprise surprise). Still, it's great fun, and it's never looked or sounded better. Along with DR. NO and MOONRAKER, this is the most impressive UE I've seen.