If I ranked them:
Note: 1, 2, and 3 are all just about the same and waver depending upon my mood.
1) For Your Eyes Only
I've always enjoyed it just a little more than TSWLM and OP because it stay pretty consistant. Sure the hockey player are a little wacked, but the film is psuedo-serious and remains so for the duration of them film. The score is great fun too.
2) The Spy Who Loved Me
What can I say? Pure screen magic. Best bond song by far.
3) Octopussy
Almost a perfect mix of TSWLM and FYEO- and OP has the kind of plot I like. The Bond/Octopussy relationship is nice, and I just like the mood of the film. This would be my fave Moore film but it goes a little too far in India. Aside from that, it's great. Great score and romantic theme as well! Great story though... they need another novelist on board for Bond 21!!!!!!!!!!!!!!!
4) Moonraker
Used to dislike it back in my "Timothy Dalton stupor". Now I'd say I like it more than TLD (which slows down near the end). Great villain, locations, look, sets, direction, and score. It also had confidence. TSWLM had more b***s-out gusto than actual confidence. By Moore #4 (like Brosnan #4) they had finely gotten out of the "let's try to keep the series afloat without Sean" rut. Bond was really back IMHO. It seemed effortless, where TSWLM goes overboard (not in a bad way mind you) to be accepted. Great romantic theme.
5) Live and Let Die
Does anyone get reminded of The French Connection? I dunno, it's when Bond is drving the car on the freeway after the driver is killed. The music sounds so much like TFC to me.
Anyway, great Bond. A little tacky, but hey it's the wasteland known as the early 70's. Great (and underrated) villain, a like 22 year-old Jane Seymour (do I need to explain?) and the cab driver ("I sure hope you make friends easy. Right on, Jim!") is absolutely hilarious to me. Talk about the perfect Bond film at the perfect time. This film would not have worked at any other time in the series, that is my firm belief. It also probably saved the series at that point. Such great lines ("Get me a make on a white Pimpmobile" "The one who gets Bond stays alive" "On whose side?" "Did you touch that"?). ROTFLMAO! Delightful Bond camp at it's best- and a coherent plot too. Oh, and Roger Moore is in it? Oh, I didn't even think of him replacing Connery becuase the film didn't give me a minute to do so. Brilliantly handled introduction of a new Bond.
6) The Man With The Golden Gun aka When Nipples Attack
Phu Yuck this film. Gawd awful. TMWTGG and AVTAK are #19 and #20 on my list. The only thing that makes this better than AVTAK is the presence of Lee and that it doesn't put me to sleep like that other one. No plot. Scaramanga was never even after Bond, so Bond actually went off to save Andrea Anders. He failed. And why on earth was MI6 after Gibson? What did he do? He invented something and ran off like a fugitive? Why didn't they analyze the bullet that was sent to them instead of wasting tax payer money by sending Bond to an ugly stripper and the drug store for laxitives? But Scaramanga was NEVER after Bond. Thereofre, wasn't Bond the villain for ticking off the guy until he had no choice but to defend himself?
7) A View To A Kill
Worst Bond ever. Bad action, Keystone Kop rountine. No life to the movie. I don't even want to talk about it.
Edited by Mansfield 005, 12 January 2004 - 08:12 AM.