The Skyfall Gunbarrel
#661
Posted 13 November 2012 - 03:31 PM
I'm guessing next time they'll reuse the Skyfall one though, as it's the first "proper" one Craig has filmed and was filmed with the intention of being at the beginning. Proper pacing and a great stance compared to Quantum's quick walk.
#662
Posted 13 November 2012 - 03:39 PM
#663
Posted 13 November 2012 - 03:42 PM
Other than that i loved the turn and shoot, and the pose he held with one arm held out to the side.
Edited by PPK_19, 13 November 2012 - 03:43 PM.
#664
Posted 13 November 2012 - 04:09 PM
True, but that was an after effect (turning him to the silhouette and fading). They could easily use the exact same gun barrel and just freeze him when he shoots and move it back and forth like the old gun barrels. That'd be an easy fix.I could see them reshooting the gunbarrel again for BOND 24, as SKYFALL's ends on a very distinct freeze frame aimed at almost giving the impression of a Bond silhouette as we head into the 50th anniversary logo. I think the effect may look a bit odd at the start of the movie.
#665
Posted 13 November 2012 - 04:34 PM
#666
Posted 13 November 2012 - 04:39 PM
#667
Posted 13 November 2012 - 04:52 PM
#668
Posted 13 November 2012 - 10:50 PM
#669
Posted 14 November 2012 - 01:36 AM
It's a sequence that has almost nothing at all to do with the actual films. Just because it is in the beginning doesn't damage the film at all, same with being at the end. It's just preference. The poll is hilarious, someone clearly needs to take a step back and do something else not related to Bond for awhile...
#670
Posted 14 November 2012 - 02:14 AM
#671
Posted 14 November 2012 - 04:42 AM
Well it actually does make sense at the end for this film. Though as this is the non-spoiler section I'll leave it at that.
Yeah, it makes sense from the right perspective, but I don't think it would have taken away from the "end moments" had it not been there, not for me anyway. I can appreciate what they were trying to "convey," but in all honesty I just want it at the beginning again. Not a big deal, just my preference.
#672
Posted 14 November 2012 - 09:20 PM
In regards to the music cue which hasn't been discussed much yet, I'm surprised it worked with
Spoiler
I was, too, but I'm glad it didn't do the awful thing from the Eurobond era where it jumped to the end of the (already horribly mangled) theme.
#673
Posted 14 November 2012 - 10:19 PM
In regards to the music cue which hasn't been discussed much yet, I'm surprised it worked withSpoiler
I was, too, but I'm glad it didn't do the awful thing from the Eurobond era where it jumped to the end of the (already horribly mangled) theme.
Yes, thank you, I too noticed David Arnold bungled it on TND and TWINE.
#674
Posted 15 November 2012 - 02:14 AM
#675
Posted 23 November 2012 - 11:41 PM
The theater I saw the film in last night turned on the lights literally as soon as the white dots from the gun barrel hit. Friday night in a different theater it wasn't a problem, but here it certainly took away from it when the lights were on and people weren't even paying attention. Before the gun barrel was like a little burst of excitement. Like David Arnold said, in those 20 seconds potentially the best Bond ever is about to begin. Now the audience could care less which is a shame, as it does work well at the end of this film. That's the main reason I hope it'll finally be back in place next time around.
Having seen the film two weeks ago, I neglected to comment on the gunbarrel placement until now. Having been very critical of it's placement at the end of the film again as demonstrated by my earlier posts, I now have to admit that the gunbarrel worked very well at the end, especially following the last scene of the movie. That said though, the gunbarrel still would have worked just as well at the beginning, and now that things are set up nicely for Bond 24, let's hope the next movie begins with the gunbarrel where it rightfully belongs.
And also regarding my earlier posts, I had seen several posters here who not only appeared to be tired of the gunbarrel appearing at the beginning, some actually seemed adamant that it never be used at the beginning again! And they made it sound like the vast majority of the core Bond fans were tired of it at the beginning too.
Well, let's just say I feel vindicated that I am not the only one who wants to see it back in its rightful place for Bond 24, as the poll results show!
Edited by A Kristatos, 23 November 2012 - 11:42 PM.
#676
Posted 23 November 2012 - 11:49 PM
#677
Posted 24 November 2012 - 01:54 AM
I don't think anyone bothered to read what that particular poll option said, as it's quite sarcastic and kind of puts down those who want the gunbarrel at the beginning.
I understand the poll is sarcastic, but with only two choices (and the second one more to the point), I think most who chose the first really did want the gunbarrel at the beginning.
But irregardless of the poll, I still believe most hard core Bond fans want it at the beginning. But before anyone asks me again, no, I did not take any points off my review of the movie because the gunbarrel was at the end.
#678
Posted 24 November 2012 - 07:33 AM
#679
Posted 24 November 2012 - 07:37 AM
#680
Posted 24 November 2012 - 08:02 AM
#681
Posted 24 November 2012 - 04:34 PM
The opening burst of Bond theme with Craig walking up to the camera screamed 'Bond movie'. As did the remainder of what followed. The gun barrel worked fine at the end, given the context of the last few scenes.
I do agree with you, but I'm also with 00 Brosnan - had the gun barrel been at the beginning, do you think people would complain about how much better it would have worked after the final scene? It makes sense here, as 00 Brosnan said, from the right perspective, but I agree with him that the end moments would not have been ruined either way.
#682
Posted 24 November 2012 - 06:29 PM
#683
Posted 24 November 2012 - 09:44 PM
The gun-barrel opens on a beautiful wide opening shot of Istanbul which would ideally end up focusing on the building (or it could be two establishing shots). Cut to first scene of Bond coming down the corridor (perhaps slightly trimmed at the start). For the final scene, have the Bond theme blasting to "James Bond will return" and the 50th Anniversary logo. For me this works better, but maybe that's just me...
#684
Posted 24 November 2012 - 10:56 PM
I'm still at a loss to understand Mendes' "we couldn't make it work at the start" comment.
The gun-barrel opens on a beautiful wide opening shot of Istanbul which would ideally end up focusing on the building (or it could be two establishing shots). Cut to first scene of Bond coming down the corridor (perhaps slightly trimmed at the start). For the final scene, have the Bond theme blasting to "James Bond will return" and the 50th Anniversary logo. For me this works better, but maybe that's just me...
Same here. The opening shot is very good, but the gunbarrel is... bonder.
#685
Posted 24 November 2012 - 11:59 PM
I'm still at a loss to understand Mendes' "we couldn't make it work at the start" comment.
The gun-barrel opens on a beautiful wide opening shot of Istanbul which would ideally end up focusing on the building (or it could be two establishing shots). Cut to first scene of Bond coming down the corridor (perhaps slightly trimmed at the start). For the final scene, have the Bond theme blasting to "James Bond will return" and the 50th Anniversary logo. For me this works better, but maybe that's just me...
Same here. The opening shot is very good, but the gunbarrel is... bonder.
Ditto from me as well.
#686
Posted 25 November 2012 - 02:18 AM
#687
Posted 25 November 2012 - 03:45 AM
#688
Posted 25 November 2012 - 05:58 AM
blind heart fans try to remove all important 007 elements even the james bond theme..in this way why still need to watch James Bond movie?
#689
Posted 25 November 2012 - 09:27 AM
#690
Posted 25 November 2012 - 01:17 PM
I'm still at a loss to understand Mendes' "we couldn't make it work at the start" comment.
The gun-barrel opens on a beautiful wide opening shot of Istanbul which would ideally end up focusing on the building (or it could be two establishing shots). Cut to first scene of Bond coming down the corridor (perhaps slightly trimmed at the start). For the final scene, have the Bond theme blasting to "James Bond will return" and the 50th Anniversary logo. For me this works better, but maybe that's just me...
Well it is nice that we get that shot of Bond walking out into the sunlight and we suddenly realise we're in Istanbul.