CARTE BLANCHE
#1021
Posted 28 June 2010 - 05:16 PM
IFP need him more than he needs them. The mans worth millions, this is a privilege for him, he is excited, as am I.
Just my thoughts.
#1022
Posted 28 June 2010 - 05:23 PM
BTW, something else he mentioned at the LA signing was how much he LOVES his villains (this in regards to his new novel). That is another thing that could make him a great Bond novelist, the desire to create a really great villain.
Only 333 days to go!
#1023
Posted 28 June 2010 - 05:30 PM
#1024
Posted 29 June 2010 - 04:08 PM
#1025
Posted 29 June 2010 - 04:25 PM
Hey, I just remembered something else JD revealed at the signing. He said the book will take place over 4 or 5 days. Did we know this? Not sure. I'm happy because with all his talk about a "fast pace" etc., I was fearing just a little bit that the book would be too compressed -- a 24 or 48 hour thing. Four or five days is pretty typical of a Bond story, I think.
Yes, Fleming's actual plots would most often boil down to that, even with books that spread a longer period.
#1026
Posted 29 June 2010 - 04:39 PM
#1027
Posted 29 June 2010 - 04:47 PM
I think he said he spends a good seven months outlining his novels and then about two months writing them. Then lots and lots of rewriting.
#1028
Posted 29 June 2010 - 04:54 PM
#1029
Posted 29 June 2010 - 06:18 PM
I found this refreshing. I actually use/pay two proof-readers (one for typos one for continuity) before I ever send a script into the studio, and people always question this. I just think it's part of being a professional.
Now we just need to find, and infiltrate, those two copy editors. Those will be the first eyes to read Project X.
#1030
Posted 29 June 2010 - 08:30 PM
His entire process is very interesting. Deaver said at the signing that he employs two copy editors to go over his book before he ever sends them to the publishers (and to their copy editors).
I found this refreshing. I actually use/pay two proof-readers (one for typos one for continuity) before I ever send a script into the studio, and people always question this. I just think it's part of being a professional.
Now we just need to find, and infiltrate, those two copy editors. Those will be the first eyes to read Project X.
I don't mind proof reading XBond! Hmmmm, be nice to get a proof of it. Having two proof readers just sounds like he is very through. I personally like that fact that he writes for the reader! xbond will be for the reader!
#1031
Posted 30 June 2010 - 01:53 AM
With that said, as excited as I'd like to be about the project, I'm going to have to temper my enthusiasm a bit because of the last novel that we got. Expectations were high for DMC as well, and that didn't turn out all that great, so I'm hesitant to form any kind of expectations for a Bond novel since we really haven't had a great one in a long time, even when we've had every reason to assume that we'd get one (as was the case with DMC)
#1032
Posted 30 June 2010 - 02:15 AM
#1033
Posted 01 July 2010 - 05:20 PM
Anyone read "A Maidens Grave"?
If not then I insist you do. A Thriller set around a hostage siege. He is a thriller writer who just knows how to keep the reader at the edge of their seat. Anything is possible and nothing is predictable in this book. Oh yes, Bond's in good hands!
#1034
Posted 01 July 2010 - 07:32 PM
I would have thought that more people from the "What are you reading" thread would have chipped in more on Jeffery Deaver. Whenever I browse that thread it seems like their are plenty of Thriller readers there. Which one would expect from a Bond forum.
Anyone read "A Maidens Grave"?
If not then I insist you do. A Thriller set around a hostage siege. He is a thriller writer who just knows how to keep the reader at the edge of their seat. Anything is possible and nothing is predictable in this book. Oh yes, Bond's in good hands!
Glad to know that.
#1035
Posted 01 July 2010 - 08:46 PM
I have impressed even myself with the above sadness of the above text
#1036
Posted 01 July 2010 - 09:08 PM
Wonder if we will get a map or diagram in Project X, like in Goldfinger, and the end papers of Colonel Sun. I like a good map. Sets the scene a treat and is also good for reference.
I have impressed even myself with the above sadness of the above text
You made my evening!
#1037
Posted 01 July 2010 - 09:09 PM
I like a good map too. Nothing sad about it.
#1038
Posted 01 July 2010 - 09:30 PM
#1039
Posted 05 July 2010 - 09:21 PM
#1040
Posted 06 July 2010 - 11:48 AM
On the downside, maps and diagrams can be over-used to the point where the author relies on them too much for the purposes of description. If you've ever read Matthew Reilly's SCARECROW, you'll see exactly what I mean - there are no less than fifteen different maps an diagrams throughout the book, and that's not counting the number of times the author recreates texts within the story (for example, he recreates a series of e-mails) and half a dozen world maps that show where the story is moving (ie when the heroes go from Afghanistan to France) at the beginning of each section. Many of the maps are drawn in top-down and side-along views, as well. So altogether there's about thirty charts, diagrams and maps in four hundred and fifty pages, and sometimes it feels like he's drawn the maps up first so that he can plot out the scene and then included them along with a minimum of description. It gets more prevalent as the story goes on (though the final acts have no diagrams at all, oddly).I like a good map. Sets the scene a treat and is also good for reference.
He did it a few times in his previous book, AREA 7. But the difference was that most of AREA 7 was contained within a top-secret Air Force base. Most of the diagrams were there to reflect changes within the actual base at the beginning of each section; for example, when the giant aircraft carrier changed floors, or when the base's water supply was compromised and the lower levels flooded. So much happened in the story that it was often neccessary to remind the reader of exactly where everything was relative to one another. But in SCARECROW, it becomes a problem because Reilly is variously showing his characters at a submarine facility in Siberia, a coal mine in Afghanistan, the lower levels of a castle and the cliff-side roads surrounding it in France, an office tower in London, a supertanker, and the movements of various African air forces over Egypt, among other things. It really gets distracting at times.
So if PROJECT X is to have maps, hopefully Deaver will limit the number he uses.
#1041
Posted 06 July 2010 - 05:39 PM
#1042
Posted 08 July 2010 - 07:16 AM
I've been told the introduction is too long to transcribe but the edition looks like this. I recommend just buying a copy because nobody has been willing to transcribe it in this thread.Is there anyway that someone could email me a transcript of Mr. Deaver's CR introduction or possibly tell me which version of CR should I be looking at?
#1043
Posted 08 July 2010 - 10:30 AM
I've been told the introduction is too long to transcribe but the edition looks like this. I recommend just buying a copy because nobody has been willing to transcribe it in this thread.
Are you sure that's the right version? Cause I own that copy (first Bond novel I ever bought/read) and I don't see any introduction by Deaver. Only thing before the novel itself is a biography of Ian Fleming.
EDIT: Never mind... I just looked carefully at that picture and saw the additional "Introduction by Jefferey Deaver" that mine does not have. Also I saw the other thread which stated that these were released in 2006, whereas I bought mine in 2004. Anyone know if the Bond novels with the Richie Fahey covers and the introductions by various authors were released in the US or were they only released in the UK?
Also, have boards always just added your posts together if you made two consecutive posts? I've been away for a while so I'm not sure if that's new.
Edited by OHMSS Spion 007, 08 July 2010 - 10:33 AM.
#1044
Posted 08 July 2010 - 01:50 PM
Yes, if you post a second post within a minute, it will combine. After of certain amount of time they split. It's been that way for a year or so I think.
#1045
Posted 08 July 2010 - 03:31 PM
#1046
Posted 08 July 2010 - 03:41 PM
I've also noticed that you can get a "preview" of books on iBooks (maybe also Kindle) which is the first few chapters. Good way to sample a Deaver book and get a sense of his style, or if they had this edition of CR (which they don't unfortunately) bingo.
#1047
Posted 08 July 2010 - 04:13 PM
I just want to clarify that that link is to Amazon.co.uk because the edition with Deaver's introduction was never released in the United States.You can also buy it on Amazon. Some there are as cheap at .01. Think as long as you're getting the 2006 edition, you're good.
#1048
Posted 17 July 2010 - 05:32 PM
#1049
Posted 17 July 2010 - 06:14 PM
Just bought a copy from eBay. Can't wait to read the intro!I've been told the introduction is too long to transcribe but the edition looks like this. I recommend just buying a copy because nobody has been willing to transcribe it in this thread.Is there anyway that someone could email me a transcript of Mr. Deaver's CR introduction or possibly tell me which version of CR should I be looking at?
#1050
Posted 18 July 2010 - 12:21 AM
Either that or a blurb about the plot and/or the possible locations.