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It's also nice to note that for the first time ever, a consciously "back-to-basics" or "down-to-earth" Bond film has outperformed its over-the-top predecessor. So much for realism and grit in Bond movies being automatic box office poison.
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Posted 24 January 2007 - 07:18 AM
Posted 24 January 2007 - 01:34 PM
Yes that always used to annoy me around these forums, people that used The Living Daylights and OHMSS as cast iron PROOF that back to basics Bond would never outgross the silly stuff.It's also nice to note that for the first time ever, a consciously "back-to-basics" or "down-to-earth" Bond film has outperformed its over-the-top predecessor. So much for realism and grit in Bond movies being automatic box office poison.
Edited by kneelbeforezod, 24 January 2007 - 01:35 PM.
Posted 24 January 2007 - 03:13 PM
Yes that always used to annoy me around these forums, people that used The Living Daylights and OHMSS as cast iron PROOF that back to basics Bond would never outgross the silly stuff.It's also nice to note that for the first time ever, a consciously "back-to-basics" or "down-to-earth" Bond film has outperformed its over-the-top predecessor. So much for realism and grit in Bond movies being automatic box office poison.
That argument ignored the fact that those films were simply not well liked, and I used to point out that theres no reason why, if done well, a gritty down to earth action film shouldn't be a huge success.
And I was right... what a remarkable fellow I am
Posted 24 January 2007 - 07:32 PM
Posted 24 January 2007 - 07:45 PM
Yes that always used to annoy me around these forums, people that used The Living Daylights and OHMSS as cast iron PROOF that back to basics Bond would never outgross the silly stuff.It's also nice to note that for the first time ever, a consciously "back-to-basics" or "down-to-earth" Bond film has outperformed its over-the-top predecessor. So much for realism and grit in Bond movies being automatic box office poison.
That argument ignored the fact that those films were simply not well liked, and I used to point out that theres no reason why, if done well, a gritty down to earth action film shouldn't be a huge success.
And I was right... what a remarkable fellow I am
Posted 24 January 2007 - 08:09 PM
Posted 24 January 2007 - 08:25 PM
Posted 24 January 2007 - 09:13 PM
True, besides which AVTAK and TLD are both bad examples of over-the-top and realistic, respectively, as the latter was Dalton in a Dalton-tinged Moore film and the former was just downright schizophrenic.I'd also like to point out that TLD isn't a flop, the film brought in 195 million world wide.
Posted 25 January 2007 - 02:01 AM
ah yes: TLD-LTK... that's what I meant to say...I'd cite YOLT-OHMSS, MR-FYEO, and TLD-LTK instead. Granted, I think more complex factors than "silly = popular, serious = not" were also at work in each case, but the argument had merit...until now.
Posted 25 January 2007 - 02:58 AM
I'm no box office guru, but a final gross of somewhere around $580-585 million sounds about right. Should be enough to clear Moonraker for the #5 spot in terms of admissions overall, and #1 since Live and Let Die.
Posted 25 January 2007 - 04:02 AM
Posted 25 January 2007 - 04:27 AM
Fascinating chart... any idea why there was that huge drop in admissions for The Man with the Golden Gun?
Posted 25 January 2007 - 06:17 AM
Fascinating chart... any idea why there was that huge drop in admissions for The Man with the Golden Gun?
It bombed in the United States (though as always it did make money). Overseas it did okay essentially outgrossing everything from Octopussy to Licence to Kill. I've never really seen any reasons for why it did so poorly in the United States beyond that the critics and fans didn't really care for it. Cubby blamed the story on a tight schedule. It's possible that Nixon's resignation and all the current events of the time associated with that played a part. The Man with the Golden Gun was actually released the same day that Rockefeller was sworn in as the Vice President of the United States under Gerald Ford.
Posted 25 January 2007 - 08:25 AM
Fascinating chart... any idea why there was that huge drop in admissions for The Man with the Golden Gun?
It bombed in the United States (though as always it did make money). Overseas it did okay essentially outgrossing everything from Octopussy to Licence to Kill. I've never really seen any reasons for why it did so poorly in the United States beyond that the critics and fans didn't really care for it. Cubby blamed the story on a tight schedule. It's possible that Nixon's resignation and all the current events of the time associated with that played a part. The Man with the Golden Gun was actually released the same day that Rockefeller was sworn in as the Vice President of the United States under Gerald Ford.
Any theories as to why LALD was so popular? I was amazed to see it was the fourth biggest Bond of all time, I had no idea. I knew Moonraker was huge and I figured that was Rog's biggest hit. So, was Rog what the people wanted to see? Or was it the more American atmosphere? I'm guessing a lot of black audiences who otherwise wouldn't be interested in Bond came to see it.
Posted 25 January 2007 - 08:57 AM
Could the summer release have helped? TMWTGG got a winter release like the first seven films, and the rest of Moore's went back to the summer schedule, so maybe the window for possible blockbusters had changed from the 60s?I'm sure there are probably a number of other reasons. Perhaps some of the Moore fans around here might have more insight on this.
Posted 25 January 2007 - 08:46 PM
Posted 25 January 2007 - 09:08 PM
Posted 25 January 2007 - 09:21 PM
Getting back on track with this thread...........to put
CR's Boxoffice into perspective the film lies in 7th place
on the UK alltime list in its home currency.
CR needs only to gross a little more than 700,000 pounds
to take 6th place away from 'HARRY POTTER and THE CHAMBER OF SECRETS'.
In 1st place is TITANIC with around 69mil pounds, the other places below are filled by the LOTR trilogy and HARRY POTTER and THE
PHILOSOPHERS STONE (or SORCERERS STONE for US people).
Its quite an achievement when a Bond film can match these family
orientated films which have/had a larger potential audience.
Roll on Bond 22!!
Posted 25 January 2007 - 10:03 PM
UK box office currently exceeds $106 million
Posted 25 January 2007 - 10:10 PM
Posted 25 January 2007 - 10:28 PM
Posted 26 January 2007 - 10:58 PM
CBn rounds up all the latest details
Posted 28 January 2007 - 06:20 PM
Posted 28 January 2007 - 06:25 PM
Box Office Mojo's weekend estimates place Epic Movie as the highest grossing film at the US box office totalling $19,200,000.
Casino Royale is placed 27th with an estimate of $600,000. This brings the overall US gross to approx $165,311,000. CR's theatre count has been reduced from 661 to 364.
Edited by Tiin007, 28 January 2007 - 06:45 PM.
Posted 28 January 2007 - 06:36 PM
Posted 28 January 2007 - 06:46 PM
Posted 28 January 2007 - 06:53 PM
Posted 28 January 2007 - 07:19 PM
Edited by English Agent, 28 January 2007 - 08:24 PM.
Posted 28 January 2007 - 08:56 PM
True, besides which AVTAK and TLD are both bad examples of over-the-top and realistic, respectively, as the latter was Dalton in a Dalton-tinged Moore film and the former was just downright schizophrenic.I'd also like to point out that TLD isn't a flop, the film brought in 195 million world wide.
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I'd cite YOLT-OHMSS, MR-FYEO, and TLD-LTK instead. Granted, I think more complex factors than "silly = popular, serious = not" were also at work in each case, but the argument had merit...until now.
Any theories as to why LALD was so popular? I was amazed to see it was the fourth biggest Bond of all time, I had no idea. I knew Moonraker was huge and I figured that was Rog's biggest hit. So, was Rog what the people wanted to see? Or was it the more American atmosphere? I'm guessing a lot of black audiences who otherwise wouldn't be interested in Bond came to see it.
Posted 28 January 2007 - 10:30 PM
CR's theatre count has been reduced from 661 to 364.