Yeah, I think someone else already pointed this out, but I think much of the shock comes from our own personal expectations for a Chris Cornell song entitled "You Know My Name" and which would serve as the theme for the most radical Bond movie in years. Once you get that out of the way, you can appreciate (or dislike) the song on its own merits.The best thing to do, is throw out all expectations. I was expecting something way different when I hit play on the file I had...and I was still shocked (not in a bad way though). Honestly though, it does take one or two listens to get used to, this literally is nothing we've ever heard before associated with the Bond series.
I doubt many people had such concrete ideas about what "Die Another Day" or "The World is not Enough" were going to sound like.
If I could whistle, I'm positive I'd have an easier time whistling YKMN than NSNA, not to mention most of other the Bond songs. For me, I think TLD is the only one among them all that's natural to whistle.Actually, the other Brosnan garbage, especially the ones written by David Arnold (as well as ALL the other 21 Bond songs, and I'm including even Never Say Never Again), have a major advantage over YKMN: you could sing and whistle along.
Can you cease with the lazy generalizations already? And the egotistical proclamation of your opinion as fact?I'm not trying to offend anyone, and excuse me if I do, but only the new Top 10 generation could narrow down a cinematic feel to the description "orchestra and horns", and call YKMN "emotionally charged".
Once again, people can love this song as much as they want to, I have no problem with that. But that doesn't mean YKMN is appropriate and deserves the praise.