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The Spectre Gunbarrel and Bond Theme usage?


199 replies to this topic

#151 thecasinoroyale

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Posted 27 October 2015 - 09:28 PM

The gunbarrel is...

 

Spoiler


#152 Mr. Arlington Beech

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Posted 27 October 2015 - 09:55 PM

The gunbarrel is...

 

Spoiler

I’m noticing, that at least so far, in all of the Gunbarrels of the Craig era the iris doesn’t move.



#153 Armand Fancypants

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Posted 27 October 2015 - 10:34 PM

Hmph, I'm noticing that the only one that got the musical arrangement right was QoS...



#154 coco1997

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Posted 27 October 2015 - 10:39 PM

Hmph, I'm noticing that the only one that got the musical arrangement right was QoS...

 

What's wrong with the musical arrangement of the Spectre gunbarrel?



#155 antovolk

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Posted 27 October 2015 - 10:49 PM

Hmph, I'm noticing that the only one that got the musical arrangement right was QoS...


It's the only one with the "classic" structure. This essentially tries to combine both the classic and Arnold's TND/TWINE structure into one cue.

Edited by antovolk, 27 October 2015 - 10:50 PM.


#156 Mr. Arlington Beech

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Posted 27 October 2015 - 11:57 PM

 

Hmph, I'm noticing that the only one that got the musical arrangement right was QoS...


It's the only one with the "classic" structure. This essentially tries to combine both the classic and Arnold's TND/TWINE structure into one cue.

 

Does it starts with Hamlisch's TSWLM and Arnold's TND/TWINE arrengement or with the "classic" one??



#157 Armand Fancypants

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Posted 28 October 2015 - 12:11 AM

Edited.

 

Moderator note: Do NOT post leaked footage on this site. 


Edited by sharpshooter, 28 October 2015 - 12:22 AM.


#158 The Shark

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Posted 28 October 2015 - 12:23 AM

Sounds like the bit over the studio logos was tracked in from the final scene of SF ("You know, we've never formally been introduced..."), although the addition of the vibraphone at 0:04 makes me think it's an arrangement. Weird.

 

Everything that follows appears to be a mashed together re-recording of The Name's Bond from CR. This is definitely Arnold's Bond theme, not Newman or Barry's.



#159 Mr. Arlington Beech

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Posted 28 October 2015 - 12:27 AM

It's kind of weird to see and (hear) the logos of MGM and then Columbia with James Bond Theme as background music, but then it comes the Gunbarrel sequence with the “classic” arrangement so.... it's fine for me.

Now, I think the SF Gunbarrel's music is the one with the most awkward arrangement of James Bond theme, according to the traditional standards of this sequence.


Edited by Mr. Arlington Beech, 28 October 2015 - 12:49 AM.


#160 RMc2

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Posted 28 October 2015 - 12:52 AM

Loved the new gunbarrel.

 

Didn't notice his gun until you pointed it out, though!



#161 DamnCoffee

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Posted 28 October 2015 - 01:39 AM

Loved the gunbarrel! Anyone else notice how Bond faded into silhouette!



#162 antovolk

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Posted 28 October 2015 - 01:42 AM

Hmph, I'm noticing that the only one that got the musical arrangement right was QoS...


It's the only one with the "classic" structure. This essentially tries to combine both the classic and Arnold's TND/TWINE structure into one cue.
Does it starts with Hamlisch's TSWLM and Arnold's TND/TWINE arrengement or with the "classic" one??

Starts with the classic one, before going into the TWINE/TND-style arrangement over the dots and barrel.

#163 DamnCoffee

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Posted 30 October 2015 - 05:09 PM

Had a go at putting it back at the beginning - SPECTRE Style! ;)

 


Edited by DamnCoffee, 31 October 2015 - 12:26 AM.


#164 Guy Haines

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Posted 31 October 2015 - 01:53 PM

Had a go at putting it back at the beginning - SPECTRE Style! ;)
 


I like it! Especially the "Think on your sins" at the start.

Re the SP opening;

Spoiler


#165 201050

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Posted 07 November 2015 - 01:52 AM

Maybe now we'll have 25 fewer gun barrel threads every month.

#166 Gobi-1

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Posted 07 November 2015 - 02:02 AM

While this is the closet we've gotten to a traditional gun-barrel in the Craig era

Spoiler
Maybe Bond 25 will get this right once and for all.



#167 Agent 76

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Posted 07 November 2015 - 12:10 PM

Although for many fans it doesn't really matter if the gunbarrel is at the beginning, the end or not present at all, for me it was a really pleasant surprise to see it back where it really belongs (IMO, of course :D) .

 

Since I was a little kid, it always was a part of the experience of going to a Bond movie that I was most eager to see.

 

 

 

Ps: Tomorrow Never Dies gunbarrel scene is still my favorite



#168 Professor Pi

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Posted 07 November 2015 - 05:13 PM

I think with the throwback to the static Maurice Binder look, Mendes is telling us he's delivering a very old school Bond.  And I like the printed words after, explaining as it does much of influence the "dead" characters have over the living (a William Faulkner theme from As I Lay Daying too, but probably not intended by the writers.)



#169 Hockey Mask

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Posted 07 November 2015 - 06:33 PM

Although for many fans it doesn't really matter if the gunbarrel is at the beginning, the end or not present at all, for me it was a really pleasant surprise to see it back where it really belongs (IMO, of course :D) .

Since I was a little kid, it always was a part of the experience of going to a Bond movie that I was most eager to see.



Ps: Tomorrow Never Dies gunbarrel scene is still my favorite

I was one of those that never seemed to care where the placement was but seeing it at the beginning again was pleasing.

Edited by 00Hockey Mask, 07 November 2015 - 06:34 PM.


#170 AMC Hornet

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Posted 08 November 2015 - 06:05 AM

I liked the overlay of the Skyfall ending intro onto the MGM/Columbia logos - it just built up the anticipation to the long-overdue payoff when those white dots started rolling across the screen.

 

Never mind the 'out-of-synch-with-the-previous-gunbarrel-intros' aspect. Never mind the 'fades-to-black-without-the-dropping-and-opening-iris' aspect - Craig finally got the turn-and-shoot pose just right (yes, you can see the pistol in his right hand - was anyone surprised when he turned and shot first?).

 

Seems Brosnan is the only one who gets the reflections-in-the-gunbarrel treatment. I can live with that - at least they got the gunbarrel aspect right.

 

"Welcome back, Mr. Bond - it's been awfully dull 'round 'ere lately."



#171 coco1997

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Posted 08 November 2015 - 06:22 AM

Seems Brosnan is the only one who gets the reflections-in-the-gunbarrel treatment. I can live with that - at least they got the gunbarrel aspect right.

 

I like the idea of that little component of the gunbarrel sequence being unique to Brosnan's era. 



#172 deth

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Posted 08 November 2015 - 11:16 AM

 

Seems Brosnan is the only one who gets the reflections-in-the-gunbarrel treatment. I can live with that - at least they got the gunbarrel aspect right.

 

I like the idea of that little component of the gunbarrel sequence being unique to Brosnan's era. 

 

 

Indeed. It fits with the overall slick and techy presentation of the those films.

 

Although I would have loved the wobble and the Iris opening up... there wouldn't have been a good way to do that considering the next shot was a black screen with text.



#173 antovolk

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Posted 10 November 2015 - 02:09 PM

Allow me to interrupt your regularly scheduled horse manure with....

THE SPECTRE GUNBARREL MUSIC! Albeit it doesn't have the build up that we get over the studio logos but this is as good as it gets. Thank the folks at Sony for using it in the new short featurette that came out this morning.



#174 The Dove

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Posted 10 November 2015 - 02:40 PM

Excellent!! Thanks for posting, antovolk!!

#175 coco1997

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Posted 10 November 2015 - 03:58 PM

Although I'm happy as a clam that the gunbarrel is back where it belongs, I was let down by the music itself. I miss the late '60s-80s when each gunbarrel cue was distinct.



#176 antovolk

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Posted 10 November 2015 - 05:15 PM

Lol, and as if on cue - turns out a clip of the barrel was shown on Chinese TV



#177 Twingolot

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Posted 11 November 2015 - 05:51 PM

I can't believe they still don't get it fully right with the gunbarrel... Making the gunbarrel move after Bond shoots and opening the iris on the skeleton's cigare could have been such a great intro (with a new bond theme arrangement this would have been even better). 

 

Instead we got the sentence "The dead are alive", which looks a little pretentious to open a Bond movie. 

 

At least we got a decent design. And I do like the Bond theme crescendo over the MGM/Columbia logos (even if it is exactly the same as at the end of Skyfall). Reminds me of the QoS opening.



#178 Gobi-1

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Posted 11 November 2015 - 09:10 PM

I can't believe they still don't get it fully right with the gunbarrel... Making the gunbarrel move after Bond shoots and opening the iris on the skeleton's cigare could have been such a great intro (with a new bond theme arrangement this would have been even better). 

 

Instead we got the sentence "The dead are alive", which looks a little pretentious to open a Bond movie. 

 

At least we got a decent design. And I do like the Bond theme crescendo over the MGM/Columbia logos (even if it is exactly the same as at the end of Skyfall). Reminds me of the QoS opening.

 

I agree. It's close but no cigar.



#179 Professor Pi

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Posted 13 November 2015 - 11:24 AM

The gunbarrel iris in Craig's movies always fades and never moves.  I noticed this when rewatching Skyfall the other day.  I think QoS fades to credits, yes? 

 

Also, the gunbarrel moving after the blood falls down the screen symbolizes Bond's target (from our perspective) dying.  So with SPECTRE's gunbarrel, it kind of forebodes the ending.  "The dead are alive."  Fitting, given all the callbacks (this is the first time they've 'reused' a villain from the official series too.)



#180 AMC Hornet

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Posted 13 November 2015 - 04:32 PM

"Official" series?

I know what you mean, but wouldn't "original" series better describe it?

I'm not interested in seeing a rebooted Dr. No or Goldfinger, but as Blofeld and SPECTRE were ongoing enemies I am happy to see them (back) in this series.