I'm going to post the first part of what I've got so far, which is a lot more than I thought I'd get done today. I might post a bit more later tonight, but will definitely post more tomorrow. Also, I put placeholder credits in for the writer and director positions (the Bond 23 team) since I don't think that we came up with anybody for those roles.
FADE IN / GUNBARREL SEQUENCE
ISTANBULThe gunbarrel sequence opens up to reveal a night time shot of the Hagia Sophia all lit up. We cut to a shot of the grounds in front of the structure, with a man clad in a black overcoat walking briskly across the grounds. We trail him for a few moments before he looks back over his shoulder nervously, revealing to us that it is James Bond (Daniel Craig).
We cut away from Bond to see a silhouette emerge from the darkness some distance behind Bond. He steps into the light and is revealed to be a cruel-looking, bearded man that we come to find out later is Donovan “Red” Grant (Charles Mesure).
Cutting back to Bond, he has sensed that he is being followed, and has reached into his jacket to ready his pistol. He spots an entrance to an underground structure, the Basilica Cistern, and decides to take refuge there.
Once inside, Bond begins to work his way deep into the structure, hoping to lose his pursuer. He makes his way to a beautifully lit room full of columns, which Bond finds to be filled to ankle-depth with water, causing the ceiling to be reflected on the surface of the water (basing this off of a picture of the Basilica Cistern found on Wikipedia. I don’t know how deep the water actually is in this room, or where in the Basilica it actually is, so I’m taking some liberties with it for the sake of the sequence).
Bond steps into the water, heading towards the other end of the room in an effort to lose his pursuer, when we see Grant emerge from the shadows behind him. Bond is alerted to his presence when he hears his feet sink into the water.
Bond turns around to block the first punch that is thrown by Grant, who goes into full attack mode by firing a fury of punches in Bond’s direction, landing several of them. Bond recovers, landing a couple of shots back at Grant before Grant overpowers him, knocking him back into one of the columns, causing part of it to break off. Dazed, Bond is unable to defend himself as Grant continues to pummel him. Bond finally falls to the ground face-up, his face bloodied and defeated. Grant reaches down, violently flipping Bond over so that he is face down in the water, and holds him there until Bond is dead.
A red-haired woman emerges from the shadows at the other end of the room, flanked by her henchmen.
KLEBB: Very impressive.
Grant nods in acknowledgment to her, not answering, and turns around to leave the cistern.
KLEBB: We’ll be in touch when the mission is put into motion.
One of Klebb’s henchmen marches into the water to the body and reaches for his face, pulling off the mask to reveal that the man is in fact not James Bond.
FADE INTO TITLE SEQUENCE WITH SONG PERFORMED BY ????
Albert R. Broccoli’s EON Productions Presents
Daniel Craig as Ian Fleming’s James Bond 007
In
FROM RUSSIA WITH LOVE
Katheryn Winnick
Tilda Swinton
Charles Mesure
Jesper Christensen
Pedro Armandariz, Jr.
Rory Kinnear
Anna Friel
with
Peter Serafinowicz
and
Judi Dench as ‘M’
Written by
Neal Purvis, Robert Wade, and John Logan
Music by
David Arnold
Directed by
Sam Mendes
UNKNOWN LOCATIONWe fade back in to a meeting that is taking place at an unknown location. Seated at the table are Rosa Klebb (Tilda Swinton), Mr. White (Jesper Christensen), and Ernst Stavro Blofeld (Peter Serafinowicz), amongst other unnamed people.
KLEBB: I have devised a plan to finally eliminate British agent James Bond and for us to get revenge on our fallen comrade Dr. No. I have recruited a low-level Quantum agent, a beautiful young woman which we have determined is a weakness of Mr. Bond’s, who will promise to provide key information about our organization, which is something MI6 has been trying to get for years. She will do this under the condition that Bond meet her personally in Russia so that she can defect to the British. At this point, she will lead him into a trap where our agent Donovan Grant will eliminate Bond.
The rest of the group nods in agreement at the plan, minus Blofeld who voices strenuous opposition to it. He claims that Bond will see right through the plan and it will end up being yet another embarrassment for Quantum. His opinion is outnumbered, causing him to exit the meeting.
LONDONBond enters M’s office, at which point his greeted instantly by the grumblings of his boss who is buried up to her neck in paperwork. She remarks that she needs an assistant to help her deal with the mounting paperwork, as she had recently lost Villiers to a reassignment.
M informs Bond that MI6 had received a tip that a young Russian woman wanted to defect to the British in return for vital information about the Quantum organization, under the condition that Bond would meet her in Russia and bring her back to England personally so she could deliver the information.
BOND: This sounds like a trap.
M: It most likely is, but if we have the opportunity to finally learn something of value about this organization, then we must take the risk.
M reaches into a dossier and hands a picture to Bond. It is the picture of the woman, whose name is Tatiana Romanova (Katheryn Winnick), a beautiful young blonde woman that causes Bond to suddenly look forward to carrying out the assignment.
M: The tip also stated that she expressed you specifically because she had seen a photograph of you and had fallen in love with you.
BOND: She fell in love with a photograph?
M: Apparently. A symptom of the paparazzi-driven culture we live in, no doubt.
BOND: Suppose I don’t meet her expectations?
M: You’d damn well better.
to be continued...