CARTE BLANCHE
#1561
Posted 19 January 2011 - 08:11 PM
#1562
Posted 19 January 2011 - 08:12 PM
Definitely a contender for worst cover art in a Bond book.
#1563
Posted 19 January 2011 - 08:16 PM
I could vote. The way to do it (if you already voted in the last poll) is to select the "delete my vote" option, then you'll be permitted to vote anew.
Thankyou. Doing that right now.
You know what it reminds me of? The cover for the Tom Clancy book 'Dead or Alive'.
To be fair that would require Jeffery Deaver's name to be bigger than the title and in this case... they're about the same size.
Yes - it was more the simplicity of the design, the block lettering and the uninspiredness of it.
#1564
Posted 19 January 2011 - 08:19 PM
You know what it reminds me of? The cover for the Tom Clancy book 'Dead or Alive'.
To be fair that would require Jeffery Deaver's name to be bigger than the title and in this case... they're about the same size.
Yes - it was more the simplicity of the design, the block lettering and the uninspiredness of it.
Somewhere in a terrible alternate universe Bond fans are seeing this:
Attached Files
#1565
Posted 19 January 2011 - 08:20 PM
It's hard to call this a photograph. Maybe it used a real photo, but this has been turned into an illustration. Jim's right about TMWTRTT. That used photo elements (like the US Doubleshot). But my point is this one is clearly a straight-ahead photographic cover. It's doesn't go for an illustrated or graphic "feel" as these other "photo" cover do. This is is more like those UK ones.
I wouldn't agree there; that smoke has been as tinkered with as the DMC cover.
Stand by everyone...[/size]
[size="7"]BOOK BOND EXCLUSIVE: CARTE BLANCHE U.S. COVER ART
Oh dear. Oh dear oh dear oh dear.
I know Americans are capable of great design; I've seen it, but in the world of Bond the evidence runs to the contrary. I struggle to think of any US 007 book cover that isn't worse than its UK counterpart or just plain horrible. The DMC one was quite fun I suppose but not a big favourite of mine.
I suppose they just know their market.
#1566
Posted 19 January 2011 - 08:31 PM
Good Christ! Can no one understand my overall point about a "photographic feel" as opposed to an "illustrated feel"? I'm sorry I brought this up. Jeeze!
It's hard to call this a photograph. Maybe it used a real photo, but this has been turned into an illustration. Jim's right about TMWTRTT. That used photo elements (like the US Doubleshot). But my point is this one is clearly a straight-ahead photographic cover. It's doesn't go for an illustrated or graphic "feel" as these other "photo" cover do. This is is more like those UK ones.
I wouldn't agree there; that smoke has been as tinkered with as the DMC cover.
I hate Bond fans.
#1567
Posted 19 January 2011 - 08:45 PM
it's impossible to call it a terrible cover.
No it's not. It's quite easy: it's T-E-R-R-I-B-L-E!!!
It lacks any imagination or creativity. Hopefully the contents will make up for it.
I can make that cover in 10 minutes with MS Paint.
#1568
Posted 19 January 2011 - 08:49 PM
Good Christ! Can no one understand my overall point about a "photographic feel" as opposed to an "illustrated feel"? I'm sorry I brought this up. Jeeze!
It's hard to call this a photograph. Maybe it used a real photo, but this has been turned into an illustration. Jim's right about TMWTRTT. That used photo elements (like the US Doubleshot). But my point is this one is clearly a straight-ahead photographic cover. It's doesn't go for an illustrated or graphic "feel" as these other "photo" cover do. This is is more like those UK ones.
I wouldn't agree there; that smoke has been as tinkered with as the DMC cover.
I hate Bond fans.
I understand it, I just disagree with it! The DMC one, with its high end fashion photography style feels more photographic than this one, which could easily be painted and create the same effect. There's nothing overtly 'photographic' in the designer's approach to the CB cover, although they may well have used photography in the execution.
#1569
Posted 19 January 2011 - 08:52 PM
At least the U.S. cover is clearly a photograph.
#1570
Posted 19 January 2011 - 08:53 PM
Good Christ! Can no one understand my overall point about a "photographic feel" as opposed to an "illustrated feel"? I'm sorry I brought this up. Jeeze!
I hate Bond fans.
I sort of understand your point Zen, but the DMC cover was heralded as wonderful photographic work, and the cover model, Tuuli Shipster, was used throughout the marketing campaign in the UK.
I believe there was a blog post or two out there from the photographer, with some behind the scenes shots, especially of the poppies. I can't find it at the moment.
So while I agree that it was manipulated, the UK DMC is, to me, a photographic cover.
#1571
Posted 19 January 2011 - 09:02 PM
(EDIT: Sorry DNS, maybe you missed my exchange with MTM above.)
Didn't you like the cover a few pages back?I can make that cover in 10 minutes with MS Paint.
#1572
Posted 19 January 2011 - 09:18 PM
Maybe I should make my own book covers for this series if the trend continues...
#1573
Posted 19 January 2011 - 09:24 PM
#1574
Posted 19 January 2011 - 09:26 PM
#1575
Posted 19 January 2011 - 09:29 PM
#1576
Posted 19 January 2011 - 10:15 PM
#1577
Posted 19 January 2011 - 10:21 PM
#1578
Posted 19 January 2011 - 10:29 PM
#1579
Posted 19 January 2011 - 10:47 PM
There are many great artists put there working that I think would look miles better, but alas I'm not doing the picking here so I'll just wait and read.
Wonder if the paperback cover is going to be any better?
#1580
Posted 19 January 2011 - 10:52 PM
#1581
Posted 19 January 2011 - 11:51 PM
Not a fan of the US art. I'm of the opinion that we got the better art for DMC, but we got shafted this time. On the other hand, the cover was the best part of DMC. I'd be perfectly happy to buy a book wrapped in old newspaper, if it meant that the contents were enjoyable.
I'd second you on each of those four points Kilroy
#1582
Posted 20 January 2011 - 12:04 AM
I also think the U.S. got the better art with DMC, which was a rarity. But that's a pretty subjective call. They were so radically different. These covers are pretty similar in that they are both minimalist, both have the title centered, and is that the same font? For me, the UK wins this one, but I still think this US cover might be more satisfying in the flesh.
Not a fan of the US art. I'm of the opinion that we got the better art for DMC, but we got shafted this time. On the other hand, the cover was the best part of DMC. I'd be perfectly happy to buy a book wrapped in old newspaper, if it meant that the contents were enjoyable.
I'd second you on each of those four points Kilroy
#1583
Posted 20 January 2011 - 02:44 AM
#1584
Posted 20 January 2011 - 02:46 AM
is the US cover same as Canadian cover?
#1585
Posted 20 January 2011 - 07:03 AM
That American cover is just horrible. Looks like one of those $5 thrillers in the newsagents bargain bins by authors you've never heard of. Looks like someone put in a good 2 minutes work on photoshop for that one.
Edited by jamie00007, 20 January 2011 - 07:04 AM.
#1586
Posted 20 January 2011 - 09:53 AM
I agree, it would be fascinating actually becuase I too am no expert. Just a person with an opinion.It would be fascinating to listen in on the discussions about what goes into these covers. I think it might be as simple as the smaller the market, the more subtle and artistic you can be.
How well do you know these publishers zen? Would you be able to score an interview?
S.
#1587
Posted 20 January 2011 - 09:55 AM
A moody, subtle Flemingesque tale for us Brits.
And a piece of Bensonesque action tat for the Yanks.
The US cover is amazingly cheap and nasty. Disgraceful.
#1588
Posted 20 January 2011 - 10:44 AM
I understand they're trying to sell two different markets. But I'm right there with you. The result didn't have to equal this. This US cover does do something; it makes me appreciate the UK cover even more, because they’re polar opposites. It’s the example of what not to do. The UK cover creates the desired mood under its own steam, without falling upon clichéd repetitions. People can say they’re both bland. But understated, elegant class can’t be beaten when you’ve got something trashy, for want of a better word, in comparison.Just by the look of these covers, you'd think the publishers were trying to sell two entirely different books.
#1589
Posted 20 January 2011 - 11:54 AM
And a piece of Bensonesque action tat for the Yanks.
Bit much, non? I thought the covers to Mr Benson's books were quite distinctive and jolly. Stretching it a bit to clobber Mr Benson by association with anything very much here.
This may be more Deaver-esque if anything.
I think the US cover is distinctive (for good or ill) and hardly unambiguous and if designed to sell hardback books in a depressed fiction market, so be it. It may prove necessary and successful, ultimately. To re-establish a good-as-sixty-year-old name in a bold way - and to try to get a new series going rather than a Faulksian one-off curiosity, this may work - it may have to work.
Pragmatics may have to give way to art.But perhaps not yet.
#1590
Posted 20 January 2011 - 11:58 AM