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Elvis, the King...


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#121 Mr_Wint

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Posted 21 January 2009 - 08:36 PM

As for the topic, I don't laugh out loud when a person
a. falls down a stairway
b. lose his toupee
c. eat an apple
d. show his underwear

On the contrary, I think this corny and utterly pointless type of villain is totally out of place in a Bondfilm.

Tell that to Jaws, who
a. drops a block on his foot
b. flaps his arms as he falls into a circus tent
c. stands like an idiot in a clown suit while his prey gets away
d. gets into a sappy romance with a girl with pigtails and braces

You listed a couple of things Jaws did, I listed everything Elvis did. That's the difference.

#122 Judo chop

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Posted 21 January 2009 - 09:36 PM

As for the topic, I don't laugh out loud when a person
a. falls down a stairway
b. lose his toupee
c. eat an apple
d. show his underwear

On the contrary, I think this corny and utterly pointless type of villain is totally out of place in a Bondfilm.

Tell that to Jaws, who
a. drops a block on his foot
b. flaps his arms as he falls into a circus tent
c. stands like an idiot in a clown suit while his prey gets away
d. gets into a sappy romance with a girl with pigtails and braces

You listed a couple of things Jaws did, I listed everything Elvis did. That's the difference.

Though you did not list everything Elvis does, I agree. And it is a very important difference.

#123 Judo chop

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Posted 21 January 2009 - 09:44 PM

Elvis is QoS's double-taking pidgeon.

That's all I have to say on the matter. I will now exit, stage left, and allow this thread to fester on. Into eternity, it would appear.

Shame on you, Plank. Shame on you for lazily comparing the inspired and courageous written creation known as Elvis to the personifying of animals.

#124 plankattack

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Posted 21 January 2009 - 09:52 PM

Elvis is QoS's double-taking pidgeon.

That's all I have to say on the matter. I will now exit, stage left, and allow this thread to fester on. Into eternity, it would appear.

Shame on you, Plank. Shame on you for lazily comparing the inspired and courageous written creation known as Elvis to the personifying of animals.


You're right my friend. I do the pidgeon a great disservice by lumping his infamous moment in Venice in with the most ineffectual, un-memorable (apart from that goofy look he gives the driver in the box at Tosca), completely redundant character in the history of the franchise.

I'm sorry Pidgeon. Please accept my apologies. That's right, my apologies. (Right there, that was a double-taking Plankattack).

#125 Judo chop

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Posted 21 January 2009 - 09:57 PM

You're right my friend. I do the pidgeon a great disservice by lumping his infamous moment in Venice in with the most ineffectual, un-memorable (apart from that goofy look he gives the driver in the box at Tosca), completely redundant character in the history of the franchise.

I'm sorry Pidgeon. Please accept my apologies. That's right, my apologies. (Right there, that was a double-taking Plankattack).

I'm beginning to understand your aversion to this thread.


ps. “Redundant”? :(

#126 plankattack

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Posted 21 January 2009 - 10:01 PM

ps. “Redundant”? :(

Well, he doesn't do anything. He's just there! He's taking up space while doing nothing. Therefore - redundant. Or is it redundent?

You're right. I'm regretting coming in to this thread. Like Elvis at the desert hotel, I should have waited out in the car.

Edited by plankattack, 21 January 2009 - 10:02 PM.


#127 Judo chop

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Posted 21 January 2009 - 10:07 PM

ps. “Redundant”? :(

Well, he doesn't do anything. He's just there! He's taking up space while doing nothing. Therefore - redundant. Or is it redundent?

Yes, but when’s the last time a Bond villain’s henchman did nothing, was written without even a suggestion of menace, and was, in all ways, completely abused?

Never. Therefore, not redundant. Unique.

You're right. I'm regretting coming in to this thread. Like Elvis at the desert hotel, I should have waited out in the car.

Don't hurt my feelings, plank. You are to feel welcomed in all of my threads.

#128 Judo chop

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Posted 17 February 2009 - 08:58 PM

***ELVIS SIGHTING REPORTED***

Man with silly moustache who bears a striking resemblance to one of the greatest Bond henchmen and the ONLY Bond anti-henchman of all time, was last seen walking Liam Neeson up a flight of stairs.

#129 Daddy Bond

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Posted 17 February 2009 - 09:02 PM

***ELVIS SIGHTING REPORTED***

Man with silly moustache who bears a striking resemblance to one of the greatest Bond henchman and the ONLY Bond anti-henchman of all time, was last seen walking Liam Neeson up a flight of stairs.


I've heard there are several Elvis lookalikes in Las Vegas - skinny guys with bowl haircuts working at the various casinos as anti-bouncers.

#130 Double-Oh Agent

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Posted 18 February 2009 - 09:16 AM

***ELVIS SIGHTING REPORTED***

Man with silly moustache who bears a striking resemblance to one of the greatest Bond henchmen and the ONLY Bond anti-henchman of all time, was last seen walking Liam Neeson up a flight of stairs.

And although he was barely in Taken, he was a much better henchman character in that film than his ridiculously forgettable and completely underwhelming Elvis role in Quantum Of Solace.

#131 Judo chop

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Posted 18 February 2009 - 02:47 PM

***ELVIS SIGHTING REPORTED***

Man with silly moustache who bears a striking resemblance to one of the greatest Bond henchmen and the ONLY Bond anti-henchman of all time, was last seen walking Liam Neeson up a flight of stairs.

And although he was barely in Taken, he was a much better henchman character in that film than his ridiculously forgettable and completely underwhelming Elvis role in Quantum Of Solace.

Well, that sure makes a lot of frickin’ sense. He's better doing nothing in TAKEN than he is doing nothing in QOS? Care to expound? I thought zero always equaled zero.

And for being so "ridiculously forgettable", you seem to spend a lot of time talking about him, DOA.

#132 Double-Oh Agent

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Posted 19 February 2009 - 09:23 AM

***ELVIS SIGHTING REPORTED***

Man with silly moustache who bears a striking resemblance to one of the greatest Bond henchmen and the ONLY Bond anti-henchman of all time, was last seen walking Liam Neeson up a flight of stairs.

And although he was barely in Taken, he was a much better henchman character in that film than his ridiculously forgettable and completely underwhelming Elvis role in Quantum Of Solace.

Well, that sure makes a lot of frickin’ sense. He's better doing nothing in TAKEN than he is doing nothing in QOS? Care to expound? I thought zero always equaled zero.

And for being so "ridiculously forgettable", you seem to spend a lot of time talking about him, DOA.

I didn't say Anatole Taubman's character did nothing in Taken, I said he was barely in Taken. And yes, he didn't do much in the film, but at least he looked menacing. That's better than anything Elvis did in Quantum Of Solace.

As for the seeming to "spend a lot of time talking about him" line, I haven't spoken about him in weeks, certainly on this thread, so I don't know where you get that. It sounds like you're being a little bit touchy there Judo, no offense. :(

I know you love Elvis and you know I hate Elvis so we never will agree. I guess when a new pro-Elvis comment comes up I just can't stop taking shots at a character I had high hopes for leading up to opening night only to find him extremely disappointing upon finally viewing the film. Elvis, the super-quick editing, the misplaced gunbarrel, and the desecration of Mathis are the four things I am most disgusted with in QOS (not necessarily in that order mind you) and I just can't remain silent on them, sorry. It's nothing personal. :)

#133 Judo chop

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Posted 19 February 2009 - 05:07 PM

I guess when a new pro-Elvis comment comes up I just can't stop taking shots at a character I had high hopes for leading up to opening night only to find him extremely disappointing upon finally viewing the film. Elvis, the super-quick editing, the misplaced gunbarrel, and the desecration of Mathis are the four things I am most disgusted with in QOS (not necessarily in that order mind you) and I just can't remain silent on them, sorry. It's nothing personal. :)

I do understand. I understand things from both sides of the fence. I understand the need to slam that which disgusts, which, for me, includes Brosnan’s dramatic breathing, his bony frame and most of his films, and I understand the frustration the other guy feels when his pro-Bond conversations seem to be inevitably harangued by the same 3-4 people saying the same things over and over again.

I know it’s not personal. It’s just tiring. No offense meant or taken.

I know you love Elvis and you know I hate Elvis so we never will agree.

If there’s one thing any Bond fan should know, it’s that you should never say ‘never’. :(
I would like you to understand Elvis as I do. In the hopes that you are still willing to keep an open mind and haven’t come to a point where you’re just going to dig your feet in, I’d like to open this discussion with you again.

Your complaint is that he does nothing, that he’s a useless boob. You were anticipating a lethal henchman, and were given a waste of space, and this makes you angry.

At the same time, I agree with you on every accusation you throw at Elvis. I agree that he does nothing. I agree that he’s a boob. I was also expecting a sinister sidekick, and found no such character. We see the exact same behavior. Yet, this causes me to glorify the character even more.

How can that be?

I would be less irritated by attacks (not just yours, but anyone’s) on Elvis if the attacks came with the understanding that he is supposed to be a boob. Accusing Elvis of being a useless henchman is like accusing Lt. Frank Drebin of being too stupid to be a police detective. It’s completely missing the point.

If one is going to say they hate Elvis, any valid attack has to come with this understanding. It has to be in the vein of:

“The writers should not have created a satirical/ironical version of the Bond villain’s henchman. They should have played it straight.”

Of course I don’t agree – we’re up to our necks in serious henchmen and one departure from the formula, or rather, one mockery of the formula isn’t going to hurt anything - but I could engage in arguments based on that premise.

For example:
- Perhaps for some people the tone of QoS is too serious for it to be simultaneously dabbling in satire, and artistically speaking they find the Elvis character to be out of place or distracting.
- Or perhaps a person really, really anticipates the next insidious henchman Bond is going to face and, while appreciating the experiment with satire, wishes the writers had done so with a different character/role (though I don’t think any other role would be better suited for such an experiment).
- Or perhaps they like the idea of a satirical character, but the uselessness of Elvis is a bit too subtle/underplayed and needed to be more in-your-face goofy to successfully make its point.

As long as the premise is understood, I can engage in any discussion. But if anyone derides Elvis solely on the basis that he’s useless – that he fails to do anything - they can expect to hear from me. In part because I can’t bear the bearing of false witness, but in part because I want to help shine a light for those who still cannot see.

Not for my own pride, but for our common love of Bond.

For England.

#134 00Twelve

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Posted 20 February 2009 - 03:54 AM

For Frodo.

#135 Mr. Blofeld

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Posted 20 February 2009 - 03:57 AM

For three bucks a pop! :(

#136 Double-Oh Agent

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Posted 20 February 2009 - 08:36 AM

I guess when a new pro-Elvis comment comes up I just can't stop taking shots at a character I had high hopes for leading up to opening night only to find him extremely disappointing upon finally viewing the film. Elvis, the super-quick editing, the misplaced gunbarrel, and the desecration of Mathis are the four things I am most disgusted with in QOS (not necessarily in that order mind you) and I just can't remain silent on them, sorry. It's nothing personal. :)

I do understand. I understand things from both sides of the fence. I understand the need to slam that which disgusts, which, for me, includes Brosnan’s dramatic breathing, his bony frame and most of his films, and I understand the frustration the other guy feels when his pro-Bond conversations seem to be inevitably harangued by the same 3-4 people saying the same things over and over again.

I know it’s not personal. It’s just tiring. No offense meant or taken.

And I love Pierce Brosnan as James Bond. In fact, he's my favorite 007, and while I can understand that not everyone is going to like him (or the others for that matter), I don't understand why he gets such slagging from so many on here (or some of their reasons) when pre-Casino Royale he was considered the best Bond since you-know-who by most everyone. But cie la vie. That seems to be the trend of the departing Bonds since Roger Moore.

I know you love Elvis and you know I hate Elvis so we never will agree.

If there’s one thing any Bond fan should know, it’s that you should never say ‘never’. :)
I would like you to understand Elvis as I do. In the hopes that you are still willing to keep an open mind and haven’t come to a point where you’re just going to dig your feet in, I’d like to open this discussion with you again.

Your complaint is that he does nothing, that he’s a useless boob. You were anticipating a lethal henchman, and were given a waste of space, and this makes you angry.

At the same time, I agree with you on every accusation you throw at Elvis. I agree that he does nothing. I agree that he’s a boob. I was also expecting a sinister sidekick, and found no such character. We see the exact same behavior. Yet, this causes me to glorify the character even more.

How can that be?

I would be less irritated by attacks (not just yours, but anyone’s) on Elvis if the attacks came with the understanding that he is supposed to be a boob. Accusing Elvis of being a useless henchman is like accusing Lt. Frank Drebin of being too stupid to be a police detective. It’s completely missing the point.

If one is going to say they hate Elvis, any valid attack has to come with this understanding. It has to be in the vein of:

“The writers should not have created a satirical/ironical version of the Bond villain’s henchman. They should have played it straight.”

Of course I don’t agree – we’re up to our necks in serious henchmen and one departure from the formula, or rather, one mockery of the formula isn’t going to hurt anything - but I could engage in arguments based on that premise.

For example:
- Perhaps for some people the tone of QoS is too serious for it to be simultaneously dabbling in satire, and artistically speaking they find the Elvis character to be out of place or distracting.
- Or perhaps a person really, really anticipates the next insidious henchman Bond is going to face and, while appreciating the experiment with satire, wishes the writers had done so with a different character/role (though I don’t think any other role would be better suited for such an experiment).
- Or perhaps they like the idea of a satirical character, but the uselessness of Elvis is a bit too subtle/underplayed and needed to be more in-your-face goofy to successfully make its point.

As long as the premise is understood, I can engage in any discussion. But if anyone derides Elvis solely on the basis that he’s useless – that he fails to do anything - they can expect to hear from me. In part because I can’t bear the bearing of false witness, but in part because I want to help shine a light for those who still cannot see.

Not for my own pride, but for our common love of Bond.

For England.

In my defense, it's hard to elaborate on my reasons for Elvis' unsuitability regarding his uselessness and doing nothing in the film simply because he does nothing. His best scene is his intro in Haiti. After that all he does is drink tea, make a watery-eyed goofy smile, fall down stairs, wear a neck brace, and have his pants blown off :( . That's it. Sorry, but I can't get excited about that no matter what the creators' intentions.

I understand and largely agree that Marc Forster/EON meant to make a useless henchman and attempted to do that (kudos to you on being the first one to pick up on that by the way), but I just don't like it, or the result at all, and don't think it was that well done. Of course, I don't think having a "satirical/ironical" character like him in such a prominent role of the top henchman should be in a James Bond film. That should be for films like Austin Powers and other spoofs.

When Bond films have done satirical roles in the past, they have been for lesser roles such as Prof. Joe Butcher in Licence To Kill and Sheriff J.W. Pepper in Live And Let Die and on those occasions, the satirical efforts worked. But they wouldn't have worked had EON satirized the more prominent henchman roles of Dario or Tee-Hee Johnson in those films. Had one of Greene's other henchman been that useless instead of Elvis, that would have worked better (and been easier to accept for me). What's makes it doubly frustrating is that Elvis looked and sounded so promising leading up to the film's release (where we were never given a hint of where the character was headed, which was probably for the best since the negative uproar likely would have been huge) and that promise wasn't realized.

#137 dinovelvet

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Posted 27 March 2009 - 08:53 AM

Just when you thought there were no more Elvis hijinks to discover, lo and behold, the man appears to enjoy a very manly drink indeed - a pina colada! Look at the big glass he puts down at Greene's party, complete with big straw sticking out of it.

Judo, your 10 page in-depth interpretation of this revelation is requested!

#138 Judo chop

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Posted 27 March 2009 - 02:03 PM

Just when you thought there were no more Elvis hijinks to discover, lo and behold, the man appears to enjoy a very manly drink indeed - a pina colada! Look at the big glass he puts down at Greene's party, complete with big straw sticking out of it.

Judo, your 10 page in-depth interpretation of this revelation is requested!

Sung to a familiar tune:


I was tired being a henchman
I’d been at it too long
Like a worn-out recording
Of a favorite song
So while I stood at the pier guarding
I called my mum on the mobile
And when she picked up on her end
We chatted for a small while:

"If you like Pina Coladas
And getting dissed on a plane
If you’re not into violence
If you have only half a brain
If you'd like half-eaten apples
While wearing a neckbrace
Then I'm the Bond fan that you've looked for
Write to me and escape."

I didn't think about my bossman
A guy who goes by Mr. Greene
But me and my old bossman
Have fallen into the same old dull routine
So I wrote to the paper
Took out a personal ad
And though I'm nobody's poet
I thought it wasn't half bad

"Yes I like Pina Coladas
And getting dissed on a plane
I'm not much into guarding
Though I am into shame
I've got to meet you by tomorrow noon
And cut through all this red-tape
At a hotel in the desert
Where we'll plan our escape."

So I waited with high hopes
With my gun pointed straight
But when I saw my bossman running
I knew my odds weren’t great
The hotel started burning
And the smoke made me cough
Then we laughed for a moment
And my pants, they blew right off!!

Yes I liked Pina Coladas
And falling down the stairs
And the sounds of the Tosca
And wearing bad fake hair
If you'd realize I’m all satire
And not just a useless ape
You'd be the Bond fan I've looked for
Come with me and escape


#139 byline

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Posted 27 March 2009 - 02:37 PM

LOL, thanks for the very welcome laugh! B)

#140 Judo chop

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Posted 29 March 2009 - 02:42 AM

I'm watching QOS now. Check out Elvis' face in the clip just after Bond rams his boat into Medrano's.

B)

#141 MattofSteel

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Posted 29 March 2009 - 05:00 AM

The whole discussion was getting out of hand for a second! B)

Definitely a comedic aspect to him, and the term "anti-henchman" absolutely applies. Elvis was a character that was never intended to be anything approaching a regular Bond henchman. There's literally nothing menacing about him. I can't see how that's, after 20 films of largely identical secondary villains, not considered refreshing and original.

For me, the entire theory behind every QoS villain goes back to a line in the first 007 film: "Minnows pretending to be whales, just like you and this island, Dr. No!" Always loved that line, and I think that in consulting the older films (as he claimed to have), Forster et. al adapted this as a philosophy. It applies to Greene (with the swagger and attitude of a total badass, who just physically pales to Bond's abilities) and certainly is the thinking behind Elvis.

Elvis brings nothing to the equation. That's not the debate, to me. It's obvious. That's the point of him standing there. He's pretending to be a whale of a henchman, he just consistently fails. I mean really, utterly fails. I think the real tragedy is that Forster's sense of humour is perhaps too subtle for its own good, and the intention didn't come across properly. I still find him hilarious.

Not that I can speak German/Austrian/whatever, but is he talking to his "mommy" on the phone when you first see him in Haiti? It sounds like he is. That made me howl.

#142 dinovelvet

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Posted 29 March 2009 - 06:07 AM

I'm watching QOS now. Check out Elvis' face in the clip just after Bond rams his boat into Medrano's.

:tdown:


I've got one better - I think I just saw him adjust his wig! Check out the scene a few minutes before that, where Greene and Camille are walking out of the warehouse, as Greene says the words "ants under my skin" B)

#143 Judo chop

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Posted 29 March 2009 - 09:23 PM

I think the real tragedy is that Forster's sense of humour is perhaps too subtle for its own good, and the intention didn't come across properly.

I'm not sure about that. I really think the comedy is meant for the repeat-viewing fan, and not the general audience. Elvis is like a watermark on a dollar bill; something that's supposed to be discovered. Really, truly, an INSIDE joke. I really don't think he'd find his special purpose if his antics were made any more obvious. The neckbrace may even be pushing it. (I do so wish that cut shot of Elvis receiving the eaten-apple had made it to the final reel. If I had just one wish for a "Director's Cut" edition, that'd be it!)

Not that I can speak German/Austrian/whatever, but is he talking to his "mommy" on the phone when you first see him in Haiti? It sounds like he is. That made me howl.

It's true! It was Dinovelvet (I think) who pointed that out first on this thread (again, I only think). He's telling his mommy how beautiful the scenery is.

If I haven't documented it on here yet, let me do so now: It's critical to note that Elvis is the one who gives Bond his first major piece of info on Greene when he snatches the phone from the guard at the gate and calls the Universal Exports number on Bond's business card. Then, after getting the bogus outgoing message on the other end, course yells at the guard, telling him to 'pay attention'.

#144 dinovelvet

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Posted 29 March 2009 - 09:35 PM

I think the real tragedy is that Forster's sense of humour is perhaps too subtle for its own good, and the intention didn't come across properly.

I'm not sure about that. I really think the comedy is meant for the repeat-viewing fan, and not the general audience. Elvis is like a watermark on a dollar bill; something that's supposed to be discovered. Really, truly, an INSIDE joke. I really don't think he'd find his special purpose if his antics were made any more obvious. The neckbrace may even be pushing it. (I do so wish that cut shot of Elvis receiving the eaten-apple had made it to the final reel. If I had just one wish for a "Director's Cut" edition, that'd be it!)


I agree, Judo, its all about "stealth" humour with Elvis. You're not meant to notice him at first, as in all of his scenes, you should be concentrating on what Bond/Greene/Camille are saying and doing. But its on repeat viewings that your attention drifts to other things going on in these scenes, and that's when Elvis comes alive! Its hilarious, I can't stop looking at him now, always on the hunt for new undiscovered Elvisisms.

Not that I can speak German/Austrian/whatever, but is he talking to his "mommy" on the phone when you first see him in Haiti? It sounds like he is. That made me howl.
It's true! It was Dinovelvet (I think) who pointed that out first on this thread (again, I only think). He's telling his mommy how beautiful the scenery is.

If I haven't documented it on here yet, let me do so now: It's critical to note that Elvis is the one who gives Bond his first major piece of info on Greene when he snatches the phone from the guard at the gate and calls the Universal Exports number on Bond's business card. Then, after getting the bogus outgoing message on the other end, course yells at the guard, telling him to 'pay attention'.


Ah, brilliant. So not only is Elvis an ineffectual buffoon, he actually hands his boss on a plate to Bond without even realizing it.

And I think it was stromberg who translated Elvis' phone conversation. Yes he is talking to his mother and telling her that the weather is nice. BTW for all of Elvis' failings, he does at least speak three languages - German, French, and English.

#145 Royal Dalton

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Posted 29 March 2009 - 11:34 PM

I agree, Judo, its all about "stealth" humour with Elvis. You're not meant to notice him at first, as in all of his scenes, you should be concentrating on what Bond/Greene/Camille are saying and doing. But its on repeat viewings that your attention drifts to other things going on in these scenes, and that's when Elvis comes alive! Its hilarious, I can't stop looking at him now, always on the hunt for new undiscovered Elvisisms.

It's true! Elvis rules. I love it how he has to be virtually shoved out of Greene's box at the opera because he wants to keep watching Tosca!

Did you guys notice the bit where the wind catches his 'fringe' as they're getting on the jet to Austria? B)

#146 Mr. Blofeld

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Posted 29 March 2009 - 11:51 PM

I noticed that on my first viewing! Since I already knew that Elvis's monk-top fringe was a wig, I howled! :tdown:

Ah, the unrecognized genius of Anatole Taubman... B)

#147 00Twelve

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Posted 30 March 2009 - 01:13 AM

Ha! Yes, Taubman's one of my favorite things about the movie. I'd be just fine to see more subtle background humor (though I'm sure most of us would be fine with a return to a more straight-forward henchman). This time out, though, Elvis is note-perfect. B)

#148 MattofSteel

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Posted 30 March 2009 - 01:16 AM

Oh, I'm definitely on the side with you guys - that it's meant as an inside, repeat viewing kind of thing - I was just offering an explanation as to why so many find him to be nothing special.

And yes, Elvis being the reasoning behind Bond tracking them and then telling the guard to 'Pay Attention' was quite hilarious. I don't know how anyone could have missed that. B)

#149 Judo chop

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Posted 13 August 2009 - 04:16 PM

Remember this announcement?

Ok, now that you remember, and someone tell me if I’m crazy here, but is there any chance that Taubman was cast precisely because he looks like Quentin Tarantino??

Think about it.

CASINO ROYALE is made under the pitiful ‘attacks’ of QT.

EON is slightly and rightly ticked at the persistent public insolence. Ok, so maybe they aren’t outright ‘ticked’… but I think it’s safe to say there’s probably a sentiment that, at its most mild, falls somewhere between amused and annoyed.

So, in the writing of QOS, the character Elvis is conceived, and it’s been decided that the new Bond henchman is going to get a unique and royal treatment… namely, a royal spanking.

THE DISCUSSION:

“Ok. Who should we cast?”, Barbara says to Mike.

Wilson responds dripping with sarcasm, “You know… that Terratino guy is always talking about how much he’d love to be involved in a Bond picture. Why don’t we cast him? I’d love to push him down some stairs!”

<nervous silence>

But then Barb laughs. B)

And then Mike laughs. :tdown:

Now all are laughing. :tdown: :) :)

<but then laughter dies>



Barbara: “Why don’t we?”



Wilson: :S

“Yeah. Why don’t we…”

<Wilson signals for Q, who then appears rolling out the ol’ face-imaging computer. Q sits at the keys, changes the search query from ‘Criminals’ to ‘Actors’ and begins the dig through its archives for the closest match>

Is it possible? Let's get some side-by-side Taubman/Tarantino comparisons going in here!

#150 Tybre

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Posted 13 August 2009 - 04:24 PM

Posted ImagePosted Image

Similar, but not that close, imo *shrug*