Well, overall the numbers are good for QoS. When a film opens up with a nearly $70 million dollar opening weekend in the U.S., you know there's pent-up demand for the product. The anticipation and excitement for the movie was there and it was reflected in the opening weekend grosses. Everything AFTER that weekend is simply word-of-mouth and referrals (or lack thereof). As well as QoS did, it still left a lot of money on the table. It should be closing in on $200 million U.S. dollars right now, and not struggling to match CR's US gross.
This movie should have done better. The stars were aligned for it. The advertising was there. The demand was there.
You forgot one: the recession was and still is there.
But the movie didn't resonate with people the way Casino Royale did...
Really? You talked to all those people personally? Or is that just your own humble opinion?
Forester's mandate was to build upon the foundation that CR set...
He did. You missed it.
The audiences seemed to be willing to go along with Craig on this film even though the film itself wasn't as good as previous entries.
You're right, it was better.
So, question for ya: are your opinions more or less valid than anyone else's? You present them as absolutes (the new film didn't resonate, Forster didn't build well on Campbell's foundation, QOS just wasn't as good), so that's why I'm asking. The one thing you're basing your opinions on, BO, has a pretty big mitigating factor you fail to mention, ie the recession.
But even allowing that Forster's film didn't punch all the buttons CR did: so? CR in comparison is very much a more audience-friendly film, both the story (falling in love) and the telling. QOS does indeed build upon that, and surprisingly so with content and tone. If it was the dud some paint it as, that $539m would be a lot less IMO. Pretty clear, QOS is no LTK, in fact it succeeds in telling a similarly dark Bond tale where the earlier film failed completely - isn't that a feather in Forster's and EON's caps? LTK: they went there and we can pat them on the head for that even if the film itself sucked bad and bombed at the BO; QOS: went to a similar well but got everything right - and it's reflected in the BO numbers. No QOS isn't a happy-happy joy-joy Bond film like TSWLM, but would that really satisfy? Haven't we had enough - decades' worth - retread Bond films by now? Isn't it about time EON stretched that envelop a bit? And with Craig in CR and now with QOS, seems they have, to the tune of over $1 billion (and counting).
Fleming wrote GF, yet he also wrote YOLT. Aren't we glad that EON has managed - finally - to get such a YOLTish film in the can, and well enough to earn the big BO bucks it's raking in? If there'd been no recession, QOS would likely be knocking on $200m's door about now, so any expectation EON/Sony had for it 6 months ago IS being met IMO. That it's in that neighborhood is a triumph, for the type of Bond film it is (ie singular, throwing out the LTK comparison as naff cuz the films are worlds apart in terms of quality, you have to go all the way back to OHMSS to make any sort of valid comparison IMO).
23 will likely be more standard-issue Bond, but not cuz QOS underperformed IMO. They finished the story arc begun in CR in two films (very wise IMO), now EON can let their Bond-horses run free.
Look at it this way: QOS did what OHMSS couldn't even do - put a very adult-themed Bond film into theatres, AND made a mint from it. Again, hard to see anything but a triumph for EON/Sony/Craig in that. JMHO (which I recognize as such
).