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What Bond movie do you feel like watching?


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#2101 Lukas

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Posted 01 May 2013 - 01:58 AM

'Thunderball' done...

 

Still my least favourite Connery film, and one of the series actually. The moments on land are great, good espionage and character development, but the underwater sequences still bore me, even in HD.

 

And the finale is quite boring - that overly dramatic, sped-up mess between Bond and Largo should have been thought out better. Still, we all have our little opinions!

 

But I did notice for the first time the old tattoos on Connery's arms. Looks like a big old bruise with what EON did to try cover them up! :D

 

I thought the underwater stuff was much more exciting in HD! To each their own! I agree that the end was completely rushed and that "sped up" camera work not only messes with my eyes but causes me to cringe. Love Thunderball as a whole, however.



#2102 seawolfnyy

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Posted 03 May 2013 - 02:43 AM

Watching Skyfall, which still looks as great on my 42" as it did in IMAX.



#2103 thecasinoroyale

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Posted 03 May 2013 - 07:27 AM

'You Only Live Twice' done...

 

This was one of my favourite Connery films, but it's slipped down a notch on this viewing.

 

I don't know why, but I could really see how people said Connery did seem bored during this. He lost his spark somewhere and it really does show - flat delivery of lines and very little expression during scenes. I can't imagine it was written like that, but it was a big shock to actually see what many people have said before.

 

Still, it's always fun and the Little Nellie flying sequence stood out how great the production and SFX team were to make that as exciting as they did. Good characters and brilliant sets - the volcano lair always does look remarkable when you see it.

 

Special mention to Karin Dor for actually being a pretty naff villain compared to Fiona Volpe who came before her. And I used to think she was something special! And I love Osato and his use of the phrase 'Ah-so' twice in a scene. I need to use it more, it sounds so wise.

 

And I never noticed something until lastnight, as the gunbarrel iris pulls out on the space capsule, it makes a "wooshing" sound as it does. Never heard that until now - rather nifty. Thanks Blu-ray!

 

Bond50 will continue with 'On Her Majesty's Secret Service'...



#2104 Satorious

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Posted 03 May 2013 - 09:32 PM

They had a Bond week at one of the local cinemas last week (Skyfall, Goldeneye, TLD, TSWLM, OHMSS, Goldfinger). What surprised me most was out of them all, OHMSS on a big screen was effortlessly the biggest highlight. The Blu-ray lovely as it is - just doesn't even begin to compare. This film completely blew the others away! It's always been "one" of my favourites, but I am now tempted to say it "IS" my favourite. There will never be another one like this film. The fact Peter Hunt never made another Bond was a huge loss to the series.



#2105 ViperSRT87

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Posted 04 May 2013 - 04:37 PM

After school is over this week I'm going to celebrate with a White Russian and a Bond flick! Not sure If I'll be in the mood for a Connery or a Roger Moore tho? I've re-watched Dalton's recently, Man I wish he did more :() and my father and I are watching Brosnan's together when we have the time. Or do I rock out Lazenby? Ahhh too many choices!!!! haha



#2106 thecasinoroyale

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Posted 10 May 2013 - 12:53 PM

'On Her Majesty's Secret Service' done...oh boy.

 

I really thought after not seeing it for a while it would grow on me more than it had in the past, but sadly I was wrong. I want to like George Lazenby, and in BTS clips I do, but his portryal as James Bond is awful. He's like a petulant child, throwing his toys out of the pram and sulking by not getting his own way. And the god-awful delivery of his wooden one-liners is cringe worthy. And why the hell does his Boind talk to himself so much, as if he's narrating the adventure for us? He ruins sequences that could be decent by these delivieries when they are not needed - "He's branched off!" springs to mind.

 

I even wanted to like the story itself away from Bond, but I still find it a little boring. It's only when Bond is identified that it picks up for me, all the back and forth before hand, and I'm sorry, but the most un-convincing love story with Tracy taking place. After only a couple of meetings, arguments and a slap, they fall in love too quickly for me to believe it.

 

Awful sped-up action sequences, a boring finale fight with Bond and Blofeld and bad use of the blue-screen didn't win me over at all, and I'm sorry to say it.

 

The attack on Piz Gloria is the stand out moment of the film for me and all of 5 minutes of it, with the Monty Norman theme and a real battle of good and evil, it's a great sequence. After all that, the ending still does hit home, I think Lazenby's best acting in the film and a tender moment, haunting and powerful.

 

Safe to say I won't be revisiting this Bond anytime soon, and I can't see why people rate this as one of the best Bond films out there.

 

This never happened to the other fella'.



#2107 ViperSRT87

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Posted 10 May 2013 - 01:50 PM

Hmmm I'll be curious to rewatch OHMSS. I thought the movie was good and I am of the mind that Lazenby would have improved with time. At the very least I think a LTK type movie with Lazenby going after Blofeld in DAF. However I do agree about the sped up fights. They seemed to be over the top. Wonder how I'll feel about it after a rewatch? I'm probably going to go through Connery's and OHMSS in order once I'm finished with my papers. He is the original but I have seen his movies the least!!!!! Must fix this lol. 



#2108 The Shark

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Posted 10 May 2013 - 01:56 PM

 

The attack on Piz Gloria is the stand out moment of the film for me and all of 5 minutes of it, with the Monty Norman theme and a real battle of good and evil, it's a great sequence.

 

 

 

Funny, I'm a big fan of OHMSS and that bit's one of my least favourite moments in the film. What with Barry's dated 62 recorded plastered over a very contemporary film, that otherwise contains a score using Moog modulars and electric bass. Sticks out like a sore thumb.

 

Wish they'd gone with Barry's original cue.

 



#2109 thecasinoroyale

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Posted 14 May 2013 - 07:46 AM

'Diamonds Are Forever' done...

 

Why is this slated as much as it is? I don't understand. Connery is such a welcome sight as Bond after George Lazenby, and he looks like he's really enjoying this film more than 'You Only Live Twice'. For an older Bond, we still see him in lots of the action scenes and stunt work, which adds to the enjoyment of having him back.

 

I always get a little bored with the smuggling plot during the opening act, but I suppose it's just the way the story has to go to build up steam. Jill St.John is a great Bond girl, full of life and gives a few good one-liners to boot. Charles Gray, well he does a good enough job as Blofeld but it's obviously nothing spectacular now, but the bonus of Mr.Wint and Mr.Kidd as the killer henchmen make up for it.

 

Great action and great fun. It's clear the series was turning into a tone for Roger Moore to take up, but that adds to the enjoyment of these Bond adventures where nothing was taken TOO seriously. I'm ignoring Blofeld in drag. DAMN, I said it!

 

My opinion of Connery has changed a lot with these new viewings like I didn't think it would - I actually have rated him higher now in playing Bond. There are some down moments, but lots of highs and without him in 1969 I didn't know how much I missed him!

 

Exciting times ahead for the Roger Moore era, with 'Live And Let Die' coming soon...



#2110 Ed83

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Posted 16 May 2013 - 06:45 AM

Watching For Your Eyes Only tonight.



#2111 thecasinoroyale

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Posted 17 May 2013 - 07:15 AM

'Live And Let Die' done.

 

Nothing changes for me in this film - still really enjoyable and a great debut for a Bond actor, especially Roger Moore.

 

Graet stunt work, I appreciate it everytime I see it from the opening New York runaway taxi to the speedboat chase.

Great characters, especially the villain, a sheer modern produce of the times and worked so well with the duality of Kananga and Mr.Big.

Great soundtrack, one of the best in the series and really encompasses the era it's in while maintaing that dangerous Bond sound.

Great James Bond. Roger Moore looks like he's done this before, and deals the wit, punches and tension perfectly.

 

JW Pepper is still annoying and loud, but humorous in places unlike his return in 'The Man With The Golden Gun'.

 

Speak of golden guns, that is the next film to watch soon...



#2112 The Dove

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Posted 17 May 2013 - 07:34 PM

Haven't watched a Bond in a while...thinking tonight will be a good night to put on Casino Royale...



#2113 ViperSRT87

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Posted 21 May 2013 - 03:58 AM

Well I watched Die Another Day this evening. It is a mixed bag for me. I enjoy Brosnan's performance and overall I do not find the film completely horrible, but it is just sooooo over the top. I really wish Brosnan got a proper send off in a more serious Bond film. Something reminiscent of Goldeneye in terms of style and mix of humor and serious would have been great. Still it does rank low on my list as most of the other Bond movies are better. Although I'd say Goldeneye is one of my highest. Not sure where to go next. I never really understood Quantum of solace. Maybe I'll give that one another go. 



#2114 thecasinoroyale

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Posted 21 May 2013 - 07:34 AM

'The Man With The Golden Gun' done...

 

Still the least favourite of the Roger Moore era. Some entertaining points in this and good traces of espionage, but enough low points and cheesy moments to make it a little daft.

 

The soundtrack for one, with it's comical little flares and brass makes it too "Carry On..." for me, especially as Bond fights the sumo wrestlers and escapes on the speedboat, that little Bond flourish at the end.

 

Moore does good with what he's got, and the potential is there to expand on great elements, like the duality of him and Scaramanga, the action sequences (get rid of that slide whistle and it's perfect) and tone down Nick Nack and Mary Goodnight...and leave JW in Louisianna.  I think it's the final film of the early era to really be a thriller, before the films turned to action/adventures.

 

Still, claer to see the break-up of direction from Broccoli and Saltzman, so out with Harry and leave it to Albert to deal with for the next one coming soon...'The Spy Who Loved Me'...



#2115 Agent 76

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Posted 21 May 2013 - 09:42 PM

 

 

The attack on Piz Gloria is the stand out moment of the film for me and all of 5 minutes of it, with the Monty Norman theme and a real battle of good and evil, it's a great sequence.

 

 

 

Funny, I'm a big fan of OHMSS and that bit's one of my least favourite moments in the film. What with Barry's dated 62 recorded plastered over a very contemporary film, that otherwise contains a score using Moog modulars and electric bass. Sticks out like a sore thumb.

 

Wish they'd gone with Barry's original cue.

 

 

that is one amazing piece of music. John Barry is a genius.



#2116 x007AceOfSpades

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Posted 21 May 2013 - 10:10 PM

Bond Film Rankings will be done

 

Currently up to The Living Daylights, and the following ratings are...

 

Dr. No - 4.5
From Russia With Love - 5
Goldfinger - 3
Thunderball - 5
You Only Live Twice - 3
On Her Majesty's Secret Service - 5
Diamonds Are Forever - 2.5
Live And Let Die - 4.5
The Man With The Golden Gun - 4.5
The Spy Who Loved Me - 4
Moonraker - 3
For Your Eyes Only - 5
Octopussy - 2
A View To A Kill - 4
The Living Daylights - 5



#2117 jmarks4life

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Posted 22 May 2013 - 01:21 AM

Goldfinger

#2118 Ed83

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Posted 23 May 2013 - 05:10 AM

Watching The World Is Not Enough tonight.



#2119 x007AceOfSpades

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Posted 23 May 2013 - 05:45 AM

Continuing with the Bond Film Marathon...

GoldenEye.
Exit Dalton, enter Pierce Brosnan. Pierce Brosnan, the Bond EON was finally able to snag after all these years, was set to star as the super spy in the first Bond film in 6 years. With a somewhat lighter tone, but still dark and slightly realistic, Bond was back. With an original story and great direction behind it, what could possibly go wrong?

 

In 1986(before the events of The Living Daylights), James Bond 007 and Alec Trevelyan 006 are on a mission to destroy Soviet Chemical weapons at a facility in Russia. The missions goes haywire and 006 is killed in action, but Bond manages to escape finishing the job ("For England, James!"). Nine years later Bond is tailing Xenia Onatopp, a suspected member of Janus, a crime organization, only to fail when she escapes in a Tiger Helicopter armed with EMP's. Xenia and General Ourumov later attack a Severnaya Bunker and take the disk controlling the GoldenEye weapon, using it in the process to target the bunker and destroy. Once the building is destroyed, a survivor, Natalya escapes and manages to contact Boris, a fellow worker who agrees to help her by coming to St. Petersburg, Russia. Bond then heads to St. Petersberg as well to meet with Russian Mafia Boss, Valatine Zukovsky, who then arranges a meet with Janus. Bond then goes to his scheduled meet with Janus, who is actually revealed to be Alec Trevelyan, who survived the explosion and was left with a scar across his face. Trevelyan explains his actions as an act of revenge for Britain being involved in the death of his parents and anyone who dares to stop him shall be killed. After Escaping several near-death and loud encounters, Bond and Natalya work together to stop Trevelyan from using the GoldenEye for wrong needs.

 

GoldenEye, like Dalton's film, was taking Bond into a world where humor and gadgets won't win you your fight. It's skill, precision, wit, and technique that does. It was another modernization of the character, though it does still have some humor in slight moments and a few gadgets, it's serious and not silly. The name, GoldenEye was taken from the estate Ian Fleming used to write the Bond stories at in Jamaica. Being wholly original, the outcome was perfect. The highest grossing Bond at that time. It had a post-cold war era Bond beginning to adjust and having to face an old friend, turned villain. Brosnan was a brilliant Bond, and a great successor to Timothy Dalton.

 

It's easily the most action packed in the franchise, for it's time, and the sequences are wonderful. From the espionage filled prologue, to the archives shootout to the St. Petersburg tank chase to the finale at the cradle in Cuba. With John Barry opting out, Eric Serra stepped in to compose a great, underrated score that was Remanent to the Cold War era and went hand & hand with the overall tone of the film perfectly. There's not really much I can say, other than Pierce Brosnan kicks off his tenure as Bond with a loud bang and the ride doesn't stop. Pierce Brosnan is James Bond (1995-2002)

 

The Ratings:

Dr. No - 4.5
From Russia With Love - 5
Goldfinger - 3
Thunderball - 5
You Only Live Twice - 3
On Her Majesty's Secret Service - 5
Diamonds Are Forever - 2.5
Live And Let Die - 4.5
The Man With The Golden Gun - 4.5
The Spy Who Loved Me - 4
Moonraker - 3
For Your Eyes Only - 5
Octopussy - 2
A View To A Kill - 4
The Living Daylights - 5

Licence To Kill - 5

GoldenEye - 5

 

Tomorrow Never Dies is NEXT!



#2120 x007AceOfSpades

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Posted 23 May 2013 - 09:17 PM

Tomorrow Never Dies. Two years later, Brosnan reprises his role as 007 in the much anticipated, heavily packed action, follow up. The differences is a silly plan by a silly villain, and nothing by action. It's a decent Bond film, but feels more like an action film.

Bond is spying on an arms race near the Russian Border, detailing his whole recon op, but his recon mission turns to survival when he is to escape immediately when a British Admiral decides to attack the location. Bond escapes on an L-39 with Nuclear torpedoes and his mission is done. Meanwhile, a media mogul has a plan to start conflict between the Chinese and the British (and the Americans down the road) and start World War III and be the sole news broadcaster to cover it. It's up to Bond to stop him before it's too late.

Right off the bat, you'll notice that it's shorter than the last couple of films and runs a bit faster (like a much worse Bond film, Quantum Of Solace) and that There isn't much charm for the character. You'll basically notice that it's an action film. It's bang bang, shoot 'em up, which is a shame because while it's good, it doesn't feel worthy enough to live up to the great GoldenEye. It feels that this was just rushed into production in order to capitalize on the previous film.

The music score is one of the highlights, as John Barry recommended David Arnold, who would then go on to score the film until 2012. Arnold's score does sound very reminiscent of Barry's work, but Arnold does a good job creating his own style and applying it. As for the locations, it's not bad, but it's not great. With China being the main point towards the second and third acts, the Stealth Boat is probably the best and coolest for the entire film, as well as the shoot out that goes on inside of it.

Like I said It's a lot of fun and an entertaining action film, but for Bond, it falls slightly a bit short, but should still be seen. Brosnan's next two films would slowly continue this trend and decline further.

 

The Ratings:

Dr. No - 4.5
From Russia With Love - 5
Goldfinger - 3
Thunderball - 5
You Only Live Twice - 3
On Her Majesty's Secret Service - 5
Diamonds Are Forever - 2.5
Live And Let Die - 4.5
The Man With The Golden Gun - 4.5
The Spy Who Loved Me - 4
Moonraker - 3
For Your Eyes Only - 5
Octopussy - 2
A View To A Kill - 4
The Living Daylights - 5

Licence To Kill - 5

GoldenEye - 5

Tomorrow Never Dies - 3.5



#2121 thecasinoroyale

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Posted 24 May 2013 - 07:12 AM

'The Spy Who Loved Me' done...

 

Always one that I've seen dozens of times, the Moore eras 'Goldfinger' so to speak - a well produced, clever film with lots of the elements that people love in a Bond film.

 

I think the locations still are some of the best, they look great and all areas of the film, from Austria, to Giza in Egypt to Sardinia and out in the Atlantic ocean all look crisp, magical and rich in detail. The characters are some of the best, real clear cut villains and heroes with some of the most memorable sequences in the 50 year series.

 

It's great fun, and kudos again to Ken Adam for the Liparus tanker set design and how brilliantly choreographed the final battle is between the submarine crews and Stromberg's men. There's action in every place on screen and no CGI in sight. That's how the Bond films should end more often!

 

And pushing 50, Roger Moore still packs a punch as Bond.

 

'Moonraker' will be on the way soon...



#2122 x007AceOfSpades

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Posted 24 May 2013 - 03:30 PM

The World Is Not Enough .

 

A further progression of Bond films slowly becoming more or less action films than spy films. Though it still is James Bond and it's still a spy film, it's delving further into the fact that for a time, the producers were practically making strictly action films with thin plots, forgettable characters, and loud noises.

 

After retrieving money for Sir Robert King, MI6 is under attack, literally. A massive bomb explodes killing several, including Sir Robert, and Bond goes on a long drawn out chase to track down the culprit. After catching up and realizing it's a woman that he met briefly when retrieving the money, she kills herself and Bond is injured in the process. With MI6 relocating to a safer location, the Scotland Yard offices, they trace down the money to KGB turned terrorist, Renard who is invulnerable to pain, literally and seems to be targeting King's daughter, Elektra, therefore placing Bond in the field to protect her from anything. Bond tracks down Renard to Azerbaijan, posing as a scientist, with the added intent of finding and killing Renard, but his cover is blown by Dr. Christmas Jones, nuclear physicist. After narrowly escaping certain death, Bond learns that Elektra and Renard are in it together, and must do anything to save himself from certain attacks and to stop Renard from triggering a nuclear meltdown.

 

Although it's got maybe one or two less action scenes, the action in this severely drawn out and goes on and feels uninspiring, almost as if you had seen it before. A good example is the prologue, which goes out for nearly 20 minutes. While it's engaging, it needed some heavily editing. Besides the flat generic music score from David Arnold, Brosnan and Denis Richards (Who I'm sure was cast in this after going topless Wild Things) who plays Dr. Christmas Jones have literally zero chemistry together. Aside from the fact she is good looking (at that time) it's a bit hard to believe she's a nuclear physicist in a tank top and short shorts. Yeah, it can be plausible, but still. Then Again that's Bond for you.

 

The villain is a huge step up from Elliot Carver from Tomorrow Never Dies, but the whole "Derr, I feel no painz!" thing was a bit too much. The actual plan he has is quite clever and interesting enough to be up there, no it is up there with Trevelyan from GoldenEye. Oh and Sophie Marceau is gorgeous (a bit random), just needed to throw that out there. The plot is okay, a bit better than the previous film, though somewhat poorly executed, but it's still good to watch. The locations don't seem engaging or exotic like usual in most Bond films, and I blame that the sole fact they chose to focus on the action more.

 

The Ratings:

Dr. No - 4.5
From Russia With Love - 5
Goldfinger - 3
Thunderball - 5
You Only Live Twice - 3
On Her Majesty's Secret Service - 5
Diamonds Are Forever - 2.5
Live And Let Die - 4.5
The Man With The Golden Gun - 4.5
The Spy Who Loved Me - 4
Moonraker - 3
For Your Eyes Only - 5
Octopussy - 2
A View To A Kill - 4
The Living Daylights - 5

Licence To Kill - 5

GoldenEye - 5

Tomorrow Never Dies - 3.5

The World Is Not Enough - 3



#2123 x007AceOfSpades

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Posted 27 May 2013 - 05:06 AM

Felt like watching Casino Royale, but had to watch Die Another Day first, much to my dismay.

 

Die Another Day

Over usage of CGI, flat Bond girl, wooden dialogue, predictable plot twists, terrible direction, no heart. That's the final entry in the Brosnan Era. It was and still will be, the worst Bond film to ever come to existence.

 

Bond on a mission in North Korea to bring down a Colonel using conflict diamonds to trade illegally for weapons, Bond kills him and sabotages his plans, but his captured and tortured. A year or so later, He's released in exchange that the MI6 release a captured Zao, the dead Colonel Moon's right hand man. Bond realizing that there is more to this than what he's being told and realizing there is a traitor somewhere deep in MI6 He gathers info from a contact in China before heading out to Cuba. Upon arriving in Cuba, he meets Jinx, an undercover NSA agent with her own agenda, that's somewhat similar to Bond's. After a shootout in a clinic in Cuba, Zao escapes but leaving behind a diamond. Upon further inspection the diamond bears instant resemblance to the same conflict diamond Colonel Moon was using, though it's engraved with GG: Gustav Graves, a British Billionaire. Bond sets out to find out who Graves really is and it turns out, he really is Colonel Moon. He was never killed, just severely wounded, and underwent DNA Gene therapy to have his appearance altered. Working with Jinx and the NSA, Bond must stop Graves and Zao from using a solar energy source laser called "Icarus" which is to cut the Korean Demilitarized Zone in half in order to bring the two together and unite a powerful military force.

 

Though Tomorrow Never Dies and The World Is Not Enough do feature somewhat of a thin plot with heavy focus on the action, they're still enjoyable. Continuing with that trend, this installment released for the franchise's 40th Anniversary, was a slap in the face. The idea almost sounds recycled from other previous attempts in a way, and the CGI is extremely bad. See the Iceberg melting scene, thank me later for being right. Halle Berry is easily the worst Bond girl, her character seamed interesting, but with painful dialogue, cringe worthy acting and no chemistry with Brosnan, it's hard to take her seriously as Bond's equal in this.

 

Once again, a terrible flat score from David Arnold, but to make it worse, an ever worse title song by Madonna. The opening action scene in the prologue is fun, but afterwards it's pretty much the same thing you've already seen in prior Brosnan Bond films and action films of that time. The Villain plotline, HA! Am I supposed to take this serious? Is Toby Stephens really being scary? Please, I'd rather be scared of Georgi Koskov, who was a fumbling idiot, than Gustav Graves. It's in a weird way almost like a much worse version of The Spy Who Loved Me, except Die Another Day has no heart or soul. I remember seeing this as youngster in the theater with my father, and being blown away by how "cool" it was, but at that age, anything is cool to you. At a much older age, this is crap. It's a shame to see the franchise hit an all time low with this. It's a shame of what Brosnan's tenure came to be. It could have been what we all wanted to, but that's what happens when you go with the opposite approach to things.

 

As you can see, I don't like this. I'm not young anymore, I'm older, and I hate it with a passion. The producers realized they messed up, and the only way to come back from this pit they dug for themselves, was to go back. Go back to the origins of Commander James Bond, C.M.G., RN. The only way to do that was to adapt and modernize the very first novel: Casino Royale. With This in motion, Pierce Brosnan bowed out of the role.

 

The whole world would seemingly forget about James Bond, until 2006, when a Blonde haired man stepped into the Tuxedo and holstered the Walther PPK and brought to life a more human-like James Bond for the world. Casino Royale, 2006, James Bond would return with Daniel Craig in the lead role and the world was mesmerized that their favorite spy was about to be relevant again for a broader audience.

 

Casino Royale

Four years after the monstrosity that was Die Another Day, EON Productions would return to the origins and go back to Bond's first assignment; Casino Royale. The result was complete reboot with Daniel Craig playing the super spy and Martin Campbell returning to direct. Earning many accolades and critical acclaim, Bond was finally able to connect to audiences around the world and show a much more different side to Commander Bond. A more human, violent, emotional, James Bond.

 

Set in modern times and establishing a new timeline, Commander James Bond has finally earned his Double-Oh status with the MI6 and is established as 007. Upon a lengthy, violent, chase through Madagascar, killing a bomb maker, Bond discovers that the bomb maker was working for a man, Alex Dimitrios, an associate of Terrorist Financier, Le Chiffre, and sets out for the Bahamas to locate him and gather further information. Bond uses his wife to get closer to Dimitrios before setting out to Miami and killing him. After killing him, he realizes that Dimitrios had hired a man to set off a bomb in the Miami international airport, targeting the latest Skyfleet Prototype Airplane. Bond eventually stops the man and is given the assignment of going to Montenegro to enlist in a high stakes poker game, of which Le Chiffre will be at, and collect the winnings and take him down.

 

Bond's only help is the lovely, somewhat mysterious Vesper Lynd, an agent for the British Treasury. Bond escapes many near death experiences. Nearly getting killed by gunfire, having his head nearly chopped off, and being poisoned. But to Bond, it only fuels him to further continue the job and complete the mission, which he does, he wins in the showdown and collects all the earnings. Him along with Vesper are taken captive by Le Chiffre and his men in an attempt to take the money do to him owing money to several terrorist organizations across the globe. Le Chiffre is eventually killed by the same organization that employs him and Bond is rescued. Bond decides for what he thinks is best, to resign from the MI6, and continue a peaceful life with Vesper at his side. Though it's more that what it seems, and that the job isn't actually complete. Feeling betrayal and anger, Bond sets out to complete the job and learns the first valuable lesson: Never Trust Anyone

 

There is so many things that are perfect about this. It's easily one of the best Bond films since, hell, The Living Daylights. It was a much more darker, harder edged, violent James Bond, and to some it was different seeing 007 with a knack for killing people and enjoying it too. This was your dads James Bond, this was pretty much a Bond who to some may not have had all the charm, but was charming and suave in different ways, but knew how to kick major ass. After the decline of the franchise with the Brosnan films, Daniel Craig put on the tux and holstered the PPK and embodied Bond perfectly for a new generation that had critics and movie-goers screaming for more.

 

Going with a much more realistic approach, the gadgets were gone and so was Q. The villain was a much more human like character with his own agenda and not some elaborate plan that was silly. There was humor, but in a different, black comedy style approach. The locations are fantastic too, spanning from the Czech Republic, England, Madagascar, Bahamas, Florida, Montenegro, and Italy. They were breathtaking and it while it didn't have crazy elaborate sets, it still felt breathtaking and simply awesome. It also had one of the most brilliant chases not just in Bond film history, but in film history. I still recall it as my favorite to this day. The chase featured Bond chasing Mollaka, the bomb maker in Madagascar, through the shanty towns, through a construction site with Bond running head on through dry wall (Any means necessary to catch your target, right?) and through an embassy. Then you had the action scene at the Miami International Airport which was gripping and intense. The poker game at Casino Royale, while to some felt slow, it was actually quite intense, as you didn't know what was to happen next. Then there was the finale in the sinking house in Venice. One of the most

 

Daniel Craig did such a fine job bringing the character to life, with each Brosnan film declining, it seemed the same way with each performance he was giving, but Craig truly brought him to life and made everyone believe he was Bond. He is one of my favorites, only behind Connery, and above Dalton. David Arnold also finally gave a score that didn't sound like something you heard before, or did it? It was different than what he usually gives, but still good and perfect for the film. The theme song "You Know My Name", written and performed by Audioslave and Soundgarden front man, Chris Cornell, is probably one of the best songs for a Bond film. It truly captured the emotions and the feel of James Bond. It's easily my favorite and not just for my love of Soundgarden, but for the fact it was a song that truly felt where it belonged.

 

Casino Royale to some is one of the best and to others, highly overrated, but I disagree. It's one of the most gripping, enjoyable Bond films in a while. It's the one film that redefined the character and his legacy and made him relevant again to everyone. It was for that time, the highest grossing Bond film, and it showed. Everyone enjoyed it. Bond was back and the world was ready to see him return again, and he would two years later in the lackluster follow up, Quantum Of Solace.

 

Current ratings

Dr. No - 4.5
From Russia With Love - 5
Goldfinger - 3
Thunderball - 5
You Only Live Twice - 3
On Her Majesty's Secret Service - 5
Diamonds Are Forever - 2.5
Live And Let Die - 4.5
The Man With The Golden Gun - 4.5
The Spy Who Loved Me - 4
Moonraker - 3
For Your Eyes Only - 5
Octopussy - 2
A View To A Kill - 4
The Living Daylights - 5

Licence To Kill - 5

GoldenEye - 5

Tomorrow Never Dies - 3.5

The World Is Not Enough - 3

Die Another Day - 1

Casino Royale - 5



#2124 x007AceOfSpades

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Posted 27 May 2013 - 10:50 PM

Quantum Of Solace, like Die Another Day, it's much to my dismay...

 

After the critical and commercial success of Casino Royale, everybody wondered how long it would be before Bond would be back, and if it would be a sequel. November 2008 He returned in the lackluster, direct sequel follow up.

 

Opening up minutes after Casino Royale, Bond finds himself being chased by men to be working by the same organization that employed Le Chiffre and the man that killed him, Mr. White. After dispatching them, he makes his way to a safe house in Sienna, Italy to debrief White. The debriefing goes wrong when an agent for the MI6 goes rogue and attempts to kill everyone, putting Bond to work to chase after him through the rooftops of Sienna and kill him, which he does, In semi-cool fashion. Afterwards, Bond travels to Haiti after discovering the rogue agent had a contact down there. Bond meets the contact and kills him and learns that the contact is a hitman hired to kill Camille Montes on behalf of her lover, eco-terrorist, Dominic Greene. Bond heads to the docks to observe the two and learns that Greene was giving Camille to an exiled Bolivian General, Medrano in exchange for a large sum of land in Bolivia. Bond rescues Camille from a certain death after a lengthy boat chase and follows Greene to Austria where he learns that him along with several high-ranking people are involved in an organization called Quantum, the same one that employed Mr. White and Le Chiffre.

 

M learns that Bond's motives are strictly revenge since Quantum is responsible for the defection and death of his girlfriend, Vesper Lynd (Spoiler alert if you haven't seen the previous film.) She revokes his passports and credit cards leaving him with no money and options left to follow Greene and Quantum, but Bond goes to see a man that helped him in Montenegro, Rene Mathis. Mathis was wrongfully accused of being a traitor, but respects Bond and decides to aid him which leads the two to Bolivia. Things get heated in Bolivia: Bond learns that Camille has the same motives as him, as Medrano had killed her family. Discovering an unlikely ally, they set out to work together and fulfill their own personal agenda and find their solace.

 

Now, there are many issues with this, with the obvious being that this didn't feel like a Bond film, but feels rather like a Jason Bourne film, and rightfully so, It does. The story is fine, as I liked the idea of Bond fueled by anger and betrayal and setting out for revenge, but the script was plagued with problems as the WGA 2007-08 strike was intact, leaving the script rushed, and nearly unfinished, which had to hire a fourth man to do on-set re-writes and also had Daniel Craig and director Marc Forster doing re-writes and finishing the script as well. Had the script have been completed and had additional re-writes before the strike started, this could have been one hell of a Bond film. Marc Forster is another problem with this, as he pretty much isn't a Big Bond fan, but took the job anyway. The thing is, Forster really never was right from the get go, He has a unique style, and that style just doesn't fit for Bond. Not to mention he wanted the film done in a certain way. Leaving us with a rushed, frantic feeling film at an Hour and 46 minutes, the shortest in the series.

 

A revenge filled sequel like this shouldn't be compacted and squished together in 106 minutes. 120, 130 at the most. A film of this stature needs breathing room to expand and explain. There's also the fact that like I said, it feels rushed, leaving things to happen to quickly, and giving characters a motive, but no real development to them to make them click with the viewer. The villains plan is something of interest, as eco terrorism is committed around the world, but with the personal agenda of Bond, the plan just kind of comes and leaves. Then there's the editing. Most of the dialogue scenes are edited fine, but the action scenes are just appalling. Lots of quick cuts, and to go with it, direct to dvd cinematography that comprises of shaky cam technique leaving the action scenes falling flat of amazement and feeling like a generic action film scene. The theme song I feel gets a bit too much hate, but I kinda like it for the sole fact its Jack White, and it's kind of catchy, but at the same time, Alicia Keys also ruins it a bit. The score is at times brilliant, and also generic as it's nothing new David Arnold brings to table for the most part, and for that I'm glad he didn't score Skyfall.

 

It's enjoyable to some extent, but it's too rushed, too generic, and flat, and quite frankly, It isn't Bond. This film should be lucky to have a half star above Die Another Day , because if it wasn't for Daniel Craig, the theme song "Another Way To Die", and the beautiful Olga Kurylenko, It's be at the same league of that film. It's a weak follow up that had some sort of potential, but failed. And I was beyond pissed when I left the theater.

 

After this, things went downhill. Forster didn't want to return(that's actually a good thing), production issues, script/story problems, and the MGM financial problem put the 23rd entry on hold for four years. Once Spyglass Entertainment purchased MGM, production resumed with series regulars, Neil Purvis and Robert Wade writing with newcomer, John Logan, and Oscar winning Director, Sam Mendes being propelled to director's chair. Four years past, and When Bond came back, It was an event to behold.

 

Current ratings

Dr. No - 4.5
From Russia With Love - 5
Goldfinger - 3
Thunderball - 5
You Only Live Twice - 3
On Her Majesty's Secret Service - 5
Diamonds Are Forever - 2.5
Live And Let Die - 4.5
The Man With The Golden Gun - 4.5
The Spy Who Loved Me - 4
Moonraker - 3
For Your Eyes Only - 5
Octopussy - 2
A View To A Kill - 4
The Living Daylights - 5

Licence To Kill - 5

GoldenEye - 5

Tomorrow Never Dies - 3.5

The World Is Not Enough - 3

Die Another Day - 1

Casino Royale - 5

Quantum Of Solace - 1.5



#2125 x007AceOfSpades

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Posted 28 May 2013 - 01:26 PM

Skyfall, the final film in the marathon!

 

It's been four years since the the awful Quantum Of Solace and Bond was ready for his return. With the help of John Logan and academy award winning director, Sam Mendes, and the series' 50th Anniversary looming, what could go wrong?

The film opens up with a much more experience Bond, Time has passed since he was targeting the Quantum Organization. Bond goes to a safe house in Istanbul to find all the MI6 agents there dead and the hard drive of a computer that contains a list of all known agents embedded in missions and operations involving terrorists across the globe. Bond along with new field agent, Eve, go on a chase throughout Istanbul, going after the man with the list, Patrice. But when complications and tensions rise, M orders Eve to take the shot above a train. Even though it isn't 100% clean, she takes the risk and hits Bond on accident and Bond is believed to have been killed in action. A few months later, MI6 comes under attack and the main building is destroyed by a bomb, with no leads or traces as to who might have done it and M's authority comes into question and is ordered to step down by Gareth Mallory. Bond resurfaces in London and confronts M, feeling angry and betrayed, but he puts all of that behind and undergoes a series of fitness and marksmanship test after being away for 2-3 months. Bond fails them all, though M lies, because she knows, pass or fail, 007 is the only man for the job.

 

Using shrapnel from his gunshot wound from Patrice, MI6 are able to trace it and determine his next motives: A job in Shanghai, where Bond goes to find, interrogate him, and kill him. Bond eventually meets up with him and a fist fight ensues in a Shanghai skyscraper, but Patrice doesn't talk and simply falls to his death. It is then Bond finds a poker chip to a casino in Macau where he heads next and meets the lovely, but mysterious Severine. Severine tells him that she will take him to the man that employed Patrice and her, but warns him about fear. The Following Day, Bond goes to a deserted island and Severine is taken captive. After all the games and tricks, Bond meets the man behind it all, Raoul Silva. A computer hacker, with a pension of bombs and is revealed to be a former agent for the MI6. Silva is eventually taken custody and put into a prison back at HQ. M tells Bond that Silva is actually Thiago Rodriguez, an MI6 agent, he best (before Bond, but basically his equal) and that he was hacking the Chinese, and she eventually sold him out as he was slowly becoming uncontrollable and he was subsequently tortured. After the new Quartermaster, Q, plugs in Silva's laptop into their system's mainframe, it contains a virus that unlocks all their security and renders Silva free. Bond then Saves M from an escaped Silva from a shootout in public inquiry and takes off with her. Bond realizes that the only way to stop Silva and his revenge fueled plan is to trap him in his own game of shadows. Bond and M, set out for Scotland where they arrive at Bond's ancestral home, Skyfall. It is there where the final confrontation starts and the line in the sand is drawn.

 

There are several homages to other Bond films in this, and it makes it just the more great in any possible way. One of things that works so well this time around, is the plot. The villain, played brilliantly by Javier Bardem has a simple plan, years in the making, and he plans on executing. His plan is to Kill M and gain his revenge. It's not some elaborate plan, it's simple, and pushes Bond to the limits physically and mentally. It really makes Bond think about if the next step he makes is a good one, or even a safe one. It's up there with Craig's first film, Casino Royale, though both are entirely different, If Craig was to hang up the Tux and holstered PPK, Skyfall would be the one he would be remembered for. It's got everything and then some that make it not just a phenomenal Bond film, but a Phenomenal film. It's a film that grossed over 1.1 billion dollars at the Box office and is totally justified. Bond was finally clicking with everyone. Fans and the average movie-goer.

 

Besides the great story and cast, what makes this film looks so good is Mendes' direction. He knows what film to make. It does have a bit more drama elements to it, but in no way, does it classify it as a drama film. It's a smooth film that run smooth all around. It's a Bond film directed by a Bond fan, and I love it! Besides the direction, Roger Deakins, the cinematographer, has shot the finest looking Bond film to date and easily the best looking Action/Adventure film yet. The colors, the look, the angles, It truly makes the film feel larger than life (especially in IMAX). The Shanghai scenes are for me simply beautiful. the Skyscraper fight scene is one, maybe two shots, but entirely still as you watch two men beat the S*** out of each other. There there's the Skyfall Shootout, which is bar far the highlight of the film and beautifully shot as well. It doesn't contain shaky cam or quick cuts and angles, it's perfect. Then you cut to Thomas Newman's score for the film, which is my favorite in the series. It's cool, beautiful, tense, and so forth. It's one of the best and Newman proves he can score an action film. I truly feel Thomas Newman is the true successor to John Barry in terms of composers.

 

One of the scenes I love the most is the Skyfall shootout. It feels like a western. With Bond, M, and the gamekeeper of the estate, Kincade holding up in a fortified house, and the enemies coming in, it feels like a western. Like the outlaws riding into town and the lawmen having to upkeep the law in the town. It feels special and wonderful all around, and to this day is one of the best action scenes I've seen and the best finale to a Bond film. Skyfall in short is the Daniel Craig Bond film we've all been waiting for and it sure as hell didn't disappoint. It's one in the series that should not be missed.

It's proved to be successful with everyone. Critics and viewers alike. It shows with the box office results and the many accolades it's garnered. It's a great time and feeling to be a Bond fan, as when I walked out of the theater on opening day, I couldn't help but smile, because the four year wait was damn worth it. James Bond is the character I love, no matter how many lackluster films it may have in the series, I love the character. It's a full blown phenomenon now.

 

It's likely we won't see another Bond film until Summer or winter 2015, but I'll be there opening day for the 24th film. Here's to 50 years! It's also Ian Fleming's birthday, the man responsible for creating this character which lead to the films. If it wasn't for him there would be no Bond. Thank you Ian Fleming, for truly nobody does it better than you!

 

Current ratings

Dr. No - 4.5
From Russia With Love - 5
Goldfinger - 3
Thunderball - 5
You Only Live Twice - 3
On Her Majesty's Secret Service - 5
Diamonds Are Forever - 2.5
Live And Let Die - 4.5
The Man With The Golden Gun - 4.5
The Spy Who Loved Me - 4
Moonraker - 3
For Your Eyes Only - 5
Octopussy - 2
A View To A Kill - 4
The Living Daylights - 5

Licence To Kill - 5

GoldenEye - 5

Tomorrow Never Dies - 3.5

The World Is Not Enough - 3

Die Another Day - 1

Casino Royale - 5

Quantum Of Solace - 1.5

Skyfall - 5



#2126 SecretAgentFan

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Posted 28 May 2013 - 02:18 PM

I´m still dragging my feet when it comes to re-watching the Bond films.

 

On the one hand I want to see them on Blu-ray for the first time. On the other hand I have seen many of them so often that I feel I should give it more distance before revisiting them.

 

So these are the films I have not seen in quite a while and would probably view next:

 

- DR.NO

- THUNDERBALL

- ON HER MAJESTY´S SECRET SERVICE

- THE MAN WITH THE GOLDEN GUN

- LIVE AND LET DIE

- FOR YOUR EYES ONLY

- OCTOPUSSY

- A VIEW TO A KILL

- LICENCE TO KILL



#2127 x007AceOfSpades

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Posted 28 May 2013 - 02:21 PM

Definitely need to do Thunderball there, for the fact it's my favorite Bond film, and out of curiosity.



#2128 jmarks4life

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Posted 28 May 2013 - 02:52 PM

I've had my own Bondathon this Memorial Day weekend.

#2129 ViperSRT87

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Posted 28 May 2013 - 03:23 PM

I´m still dragging my feet when it comes to re-watching the Bond films.

 

On the one hand I want to see them on Blu-ray for the first time. On the other hand I have seen many of them so often that I feel I should give it more distance before revisiting them.

 

So these are the films I have not seen in quite a while and would probably view next:

 

- DR.NO

- THUNDERBALL

- ON HER MAJESTY´S SECRET SERVICE

- THE MAN WITH THE GOLDEN GUN

- LIVE AND LET DIE

- FOR YOUR EYES ONLY

- OCTOPUSSY

- A VIEW TO A KILL

- LICENCE TO KILL

You will not be disappointed in the blus SecrectAgentFan. The Connery films and OHMSS look so incredible its like seeing it for the first time! 



#2130 The Dove

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Posted 29 May 2013 - 02:59 AM

Just watched From Russia With Love last night and Live and Let Die today..