Posted 02 August 2002 - 02:55 AM
My list:
1. THE?@MAN?@WITH?@THE?@GOLDEN?@GUN
Okay, this is not a movie I'm even going to try defending on an artistic level. Point out all the stupidities in "The Man With the Golden Gun", and I'll agree with you all the way. Still, for some reason TMWTGG is a personal fave: the gorgeous, exotic locations (Macau, Hong Kong, Thailand), the gorgeous, exotic Maud Adams, Christopher Lee, Nick Nack (how cool is this guy?)... somehow it all combines into a breezy, don't-give-a-damn loony burlesque that I find impossible to dislike. At any rate, I think it holds up immeasurably better than "Live and Let Die".
2. THE?@SPY?@WHO?@LOVED?@ME
Another Bond with a climax that goes on forever (oo-er Missus!). A lot of the effects now look very dated, but there are certainly plenty of great things about "The Spy Who Loved Me".
3. FOR?@YOUR?@EYES?@ONLY
Definitely the most adult of the Moore Bond movies, with by far the best script. Moore tries very, very hard indeed to give a much more "realistic" portrayal of Bond (but he reverted to what Q called his "adolescent antics" for "Octopussy" and AVTAK), and in all fairness he pulls it off pretty well. Some great action scenes, particularly the long ski chase. But a number of flaws keep it from being the best Moore outing in my book: an uninteresting heroine in Carole Bouquet, a boring villain in Julian Glover, and a general lack of engaging supporting characters (only Topol has any charisma). It also goes on too long and the last half hour really drags, with a very boring underwater scene. There are also some elements which make the film look painfully dated: the Thatcher scene and Bill Conti's horrifying disco-flavoured score, for example. The pre-credits helicopter tussle with a guy in a bald cap supposedly meant to be Blofeld plays very badly nowadays.
4. LIVE?@AND?@LET?@DIE
Far and away the most hideously dated of all the Bond films, due to its portrayal of blacks in both the United States and the Caribbean as a united community of voodoo-crazed criminals with a hatred of whites. So embarrassing that it should be an automatic choice for the bottom of my list, were it not for the fact that it's reasonably well put together as a film. It leaves a nasty taste in the mouth, but I?@do think it's a better movie than:
5. MOONRAKER
Nowhere near as bad as it's made out to be; there are actually plenty of very funny lines and some good action scenes. Michel Londsdale as Drax is a memorable villain. The pre-credits freefall is still exciting, and "Moonraker" - while nowhere near among the best of the Bonds, and, let's be frank, still something of an embarrassment - is definitely watchable as brain-in-neutral, campy fun, the ideal Bond film to slump drunkenly infront of on Boxing Day after the Queen's Speech (if you're a Brit, of course). I'd take it over "Diamonds Are Forever" any day.
6. A?@VIEW?@TO?@A?@KILL
Something oddly endearing about such an absurdly old James Bond. The script isn't actually all that bad, it's just that the execution is uninspired. It plays like a film that no one had their heart in, but Moore is still fun to watch, even though he's as old as the hills and does things like cook quiche. Not a bad score from John Barry.
7. OCTOPUSSY
I'd rather see James Bond in space than in a clown costume.