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Rank the James Bond Films (Best to Worst)


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#751 Publius

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Posted 27 July 2012 - 08:31 PM

And at the risk of sound childish...... where are the QOS (insanely) fanatics now??!!!

Right here!

I did go on sabbatical as I did a few months after Casino Royale... the only difference is the longer gap meant I took forever to come back. Also, this time around I'm trying to stay relatively spoiler-free, which isn't easy.

And I still think Quantum of Solace is one of the deeper and most intelligent Bond movies. I also still think the brutal efficiency with which everything was handled was the primary factor in turning people off, followed closely by some of the frenetic camerawork and sloppy editing.

I even still like the beat of Another Way to Die, and about half of the lyrics... however it does have some real duds in there that sour me on an otherwise perfect opening credits. But after the adrenaline rush of what I still consider the all-time greatest pre-credits sequence, I can forgive a few "shoot 'em up, bang bangs"...

#752 O.H.M.S.S.

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Posted 03 August 2012 - 09:18 PM

PERFECT

1. On Her Majesty’s Secret Service: George Lazenby as the vulnerable 007 and Diana Rigg as the memorable Tracy doing admirably well. Exciting action scenes combined with an engaging romance and a shocking ending make for the best Bond film in history. 10/10
PLATINUM medal

2. From Russia with Love: Intriguing Cold War thriller with a vast amount of interesting characters. Atmospheric cinematography and skilfully directed. Certainly a deserved runner-up among the Bonds. 10/10
PLATINUM medal

3. The Living Daylights: The gritty interpretation of Timothy Dalton brings back the spirit of Ian Fleming to the series. A terrific blend of Cold War espionage and convincing stunts. TLD is the best Bond since OHMSS. 10/10
PLATINUM medal

4. Thunderball: Better directed than his predecessor and combining all the good elements of the genre. Starts off mysteriously and evolves in a mind-blowing widescreen spectacle while still remaining loyal to its source. Sean Connery at his best. 10/10
PLATINUM medal

5. GoldenEye: After six years of waiting GE brings Bond back with a bang. Everything is in the right place and the story faces Bond with his past but also provides an enormous range of memorable characters. Accompanied by Eric Serra’s underrated music score. 10/10
PLATINUM medal

FANTASTIC

6. Goldfinger: The episode which established the genre. Not quite the best of the series as many may claim but nonetheless full of unforgettable moments and characters. 9/10
GOLD medal

7. The Spy Who Loved Me: Roger Moore’s finest. Thanks to a comfortable performance by the man himself as well as the good story, great score, stylish cinematography and most of all Ken Adam’s exquisite sets. 9/10
GOLD medal

8. Dr. No: A compelling detective story well-crafted by Terence Young with suave Sean Connery, sexy Ursula Andress and menacing Joseph Wiseman. 9/10
GOLD medal

9.Licence to Kill: Dalton’s terrific acting skills are used to the advantage of a more character driven plot and dark realism. A solid action movie that involves the viewers on an emotional level. 9/10
GOLD medal

EXCELLENT

10. Casino Royale: A Bond reboot with a good story, Daniel Craig who makes a solid James Bond and Eva Green who leaves no-one unmoved. 8/10
SILVER medal

11. Octopussy: A perfect mix of Indian exoticness and a great Cold War atmosphere surrounding the East and West German border as well as involving a crazy Soviet general. 8/10
SILVER medal

12. You Only Live Twice: Beautifully scored and wonderfully photographed, this Bond is given one of the most exotic touches of the whole series. Also featuring some brilliant sets by grandmaster Ken Adam. 8/10
SILVER medal

13. The World Is Not Enough: Thrilling action scenes and in-depth characters contribute to a Bond film which is superior to the average ones but not quite as brilliant as the genre classics. Both thumbs up for Sophie Marceau and Brosnan’s mature performance in the lead. 8/10
SILVER medal

14. The Man with the Golden Gun: Roger Moore and Christopher Lee’s interplay is highly entertaining and the lush location cinematography creates a nice atmosphere. Pity about some of the sillier moments though. 8/10
SILVER medal

GOOD

15. For Your Eyes Only: An excellent spy story and a needed return to realism showing Moore’s bad side. However, sometimes it feels a little too pedestrian. 7/10
BRONZE medal

16. Quantum of Solace: Fairly entertaining albeit a bit confusing and somewhat rushed, QOS is a good Bond film with some touches of sheer beauty. But the pace is too fast and prevents it from excelling into one of the better entries. 7/10
BRONZE medal

17. Moonraker: Michael Lonsdale, John Barry, Derek Meddings and Ken Adam are the real stars of this visually impressive but narratively flawed space adventure. 7/10
BRONZE medal

18. Live and Let Die: Low-key but fairly entertaining debut entry for Roger Moore. The well-executed boat chase and the mysterious Baron Samedi are among the highlights of the film. The climax ends ridiculously however. 7/10
BRONZE medal

19. Tomorrow Never Dies: Sometimes somewhat overly relying on the established formula but a confident Pierce Brosnan and well-directed action accompanied by an excellent music score make it a fairly solid Bond flick. 7/10
BRONZE medal

MEDIOCRE

20. A View to a Kill: Despite Christopher Walken, a good music score and some high-altitude action the movie feels too tired and suffers from a colourless cinematography. 6/10

21. Diamonds Are Forever: If you want to create the exact opposite of the classy OHMSS, it might work with Roger Moore’s innocent fun but not with a Sean Connery who never looked so unenthusiastic and bored as in this misplaced camp fest. John Barry and some stunt work are the few redeeming factors. 6/10

22. Die Another Day: Not only being the worst Bond so far but also a massive missed opportunity. DAD starts of well but goes downhill and turns into a xXx rip-off leaving behind all the stylishness that separates Bond from the usual action mess. 5/10

#753 tdalton

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Posted 19 August 2012 - 01:09 PM

Time for a re-ranking of the films.
  • Licence to Kill
  • Quantum of Solace
  • The Living Daylights
  • From Russia With Love
  • Dr. No
  • From Russia With Love
  • For Your Eyes Only
  • Casino Royale
  • Thunderball
  • Live and Let Die
  • GoldenEye
  • The Spy Who Loved Me
  • A View to a Kill
  • Octopussy
  • Moonraker
  • The World is Not Enough
  • You Only Live Twice
  • Tomorrow Never Dies
  • Diamonds Are Forever
  • Goldfinger
  • Die Another Day
  • The Man With the Golden Gun

Edited by tdalton, 19 August 2012 - 01:22 PM.


#754 seawolfnyy

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Posted 19 August 2012 - 09:13 PM

1. The Spy Who Loved Me
2. On Her Majesty's Secret Service
3. Casino Royale
4. From Russia With Love
5. Thunderball
6. Dr. No
7. The Living Daylights
8. For Your Eyes Only
9. Goldfinger
10. Live and Let Die
11. Quantum of Solace
12. Licence to Kill
13. You Only Live Twice
14. Goldeneye
15. Octopussy
16. The Man with the Golden Gun
17. Diamonds are Forever
18. Tomorrow Never Dies
20. A View to a Kill
21. Moonraker
22. Die Another Day

Time for a re-ranking of the films.

  • Licence to Kill
  • Quantum of Solace
  • The Living Daylights
  • From Russia With Love
  • Dr. No
  • From Russia With Love
  • For Your Eyes Only
  • Casino Royale
  • Thunderball
  • Live and Let Die
  • GoldenEye
  • The Spy Who Loved Me
  • A View to a Kill
  • Octopussy
  • Moonraker
  • The World is Not Enough
  • You Only Live Twice
  • Tomorrow Never Dies
  • Diamonds Are Forever
  • Goldfinger
  • Die Another Day
  • The Man With the Golden Gun

you have FRWL on there twice

#755 tdalton

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Posted 19 August 2012 - 09:27 PM

you have FRWL on there twice


Thanks for the heads up. :)

Not sure how I managed to put that down instead of OHMSS, and then had a few of them off by one as well. Definitely should have proofed that a bit better before hitting "submit"
  • Licence to Kill
  • Quantum of Solace
  • The Living Daylights
  • From Russia With Love
  • Dr. No
  • For Your Eyes Only
  • Casino Royale
  • Thunderball
  • Live and Let Die
  • On Her Majesty's Secret Service
  • GoldenEye
  • The Spy Who Loved Me
  • A View to a Kill
  • Octopussy
  • Moonraker
  • The World is Not Enough
  • You Only Live Twice
  • Tomorrow Never Dies
  • Diamonds Are Forever
  • Goldfinger
  • Die Another Day
  • The Man With the Golden Gun


#756 DamnCoffee

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Posted 19 August 2012 - 11:15 PM

Posted Image
From Russia With Love / On Her Majesty's Secret Service / Goldfinger / Thunderball

Posted Image
Dr. No / Casino Royale / GoldenEye / Live and Let Die / Octopussy / The Spy Who Loved Me / The Living Daylights / Licence to Kill / The Man With The Golden Gun

Posted Image
Quantum of Solace / Moonraker / Diamonds Are Forever / Tomorrow Never Dies / For Your Eyes Only / A View To A Kill


Posted Image
Die Another Day / The World Is Not Enough / You Only Live Twice



#757 seawolfnyy

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Posted 20 August 2012 - 12:32 AM

i noticed that i left of the world is not enough, which i had ranked 19

#758 roger no more

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Posted 20 August 2012 - 03:02 PM

Best: SPY/MR/YOLT/TB
Good: TND/TWINE/FYEO/GD/OCT/DAD
OK:OHMSS/AF/LALD/TMWTGG/TLD/DAF
No Comment: DR/FRWL/AVTAK/GE
Dislike:CR/QoS/LTK...

#759 Stubris

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Posted 02 September 2012 - 11:41 AM

ON HER MAJESTY'S SECRET SERVICE
CASINO ROYALE '06
FROM RUSSIA WITH LOVE
FOR YOUR EYES ONLY
THE LIVING DAYLIGHTS
THE SPY WHO LOVED ME
GOLDENEYE
OCTOPUSSY
DR NO
LICENCE TO KILL
GOLDFINGER
MOONRAKER
QUANTUM OF SOLACE
YOU ONLY LIVE TWICE
THUNDERBALL
THE WORLD IS NOT ENOUGH
A VIEW TO A KILL
TOMORROW NEVER DIES
LIVE AND LET DIE
THE MAN WITH THE GOLDEN GUN
DIAMONDS ARE FOREVER
DIE ANOTHER DAY

#760 Scaramanga_68

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Posted 02 September 2012 - 03:47 PM

Here we go...

1. The Spy Who Loved Me
2. Goldfinger
3. For Your Eyes Only
4. Casino Royale
5. On Her Majesty's Secret Service
6. Octopussy
7. Moonraker
8. Diamonds Are Forever
9. The Man With The Golden Gun
10. From Russia With Love
11. Thunderball
12. You Only Live Twice
13. Dr. No
14. Quantum Of Solace
15. Live And Let Die
16. A View To A Kill
17. Tomorrow Never Dies
18. Licence To Kill
19. The World Is Not Enough
20. Golden Eye
21. The Living Daylights
22. Die Another Day

#761 Pam Bouvier

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Posted 02 September 2012 - 05:41 PM

Being a teacher, I'm using a scale we're all at home with :)
A+: Casino Royale (this comes within a hair of LTK because it was the story that started it all and the film was more than worth the decades of waiting for it. Felt like pure Fleming from start to finish.)
A : LTK, TLD, Goldeneye, FRWL, LALD,OHMSS, FYEO, Thunderball
A-/B+: Dr. No, DAD, Goldfinger, Octopussy, TMWTGG,QS, TSWLM
B/ B- : AVTOK, TWINE, TND, DAF, YOLT, Moonraker
No C's or below beacuse their is no such thing as an "average" Bond film (imo).

#762 SecretAgentFan

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Posted 03 September 2012 - 10:58 AM

I´m curious how my ranking will change after having seen them all in film order on the new blu-rays.

Until then I try to not watch any of them so I can really watch them in their pristine quality with a fresh eye.

#763 JazzyBond

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Posted 19 September 2012 - 11:34 PM

After just finishing my annual Bond-a-thon here goes :

A+ CR,FRWL, OHMSS, GE, TB
A GF, QOS, TLD, TSWLM, TWINE, DN
B+ AVTAK, FYEO, OP, LTK, LALD
B. TND, DAD, YOLT, MWTGG, MR, DAF

As mentioned above there are no "C" Bond movies!

#764 Kriegler75

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Posted 26 September 2012 - 06:37 PM

1. 0HMSS
2. GF
3. FRWL
4. CR
5. LALD
6.TSWLM
7. FYEO
8. TLD
9. GE
10. YOLT
11. LTK
12. TWINE
13.DN
14. TB
15. MR
16. TND
17. TMWTGG
18. AVTAK
19. QOS
20. DAD
21. DAF
22. OP

Have to say my list changes from day to day. As a kid I loved OP now I find it cringey and RM looks far to old as he does in AVTAK. My ranking of DAF is based on the fact it follows up from such a heart breaking ending in OHMSS with just a ridiculous film. My top 4 changes all the time and I suppose deep down CR is my favourite in that it was the Bond film I wanted to see ever since I started reading Flemings book when i was 16, 21 years ago.

#765 FredJB007

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Posted 26 September 2012 - 07:14 PM

OK...here goes......remember now, I'm in my late 50's, so my view is of the whole series watching them from the very beginning-
they were all very brand new and dated for that time.

1. FROM RUSSIA WITH LOVE
2. ON HER MAJESTY'S SECRET SERVICE
3. GOLDFINGER
4. CASINO ROYALE
5. FOR YOUR EYES ONLY
6. THUNDERBALL
7. DR. NO
8. GOLDENEYE
9. YOU ONLY LIVE TWICE
10.THE SPY WHO LOVED ME
11.THE LIVING DAYLIGHTS
12.LIVE AND LET DIE
13.THE WORLD IS NOT ENOUGH
14.LICENCE TO KILL
15.QUANTUM OF SOLACE
16.OCTOPUSSY
17.DIAMONDS ARE FOREVER
18.TOMORROW NEVER DIES
19.MOONRAKER
20.DIE ANOTHER DAY
21.A VIEW TO A KILL
22.THE MAN WITH THE GOLDEN GUN

#766 JazzyBond

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Posted 28 September 2012 - 01:37 AM

1) CR
2) FRWL
3) OHMSS
4) TB
5) GE
6) GF
7) QOS
8) DN
9) TSWLM
10) TLD
11) TWINE
12) AVTAK
13) FYEO
14) OP
15) LTK
16) LALD
17) TND
18) DAD
19) YOLT
20) TMWTGG
21) MR
22) DAF

#767 Golden Claw

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Posted 03 October 2012 - 08:08 AM

As on 3/10/12:

A Grade
1) Licence To Kill
2) On Her Majesty's Secret Service
3) The Living Daylights
4) Doctor No

B Grade
5) Casino Royale (2006)
6) From Russia With Love
7) Live And Let Die
8) The World Is Not Enough

C Grade
9) Thunderball
10) The Man With the Golden Gun
11) Goldfinger
12) Octopussy
13) GoldenEye

D Grade
14) For Your Eyes Only
15) Diamonds Are Forever
16) Quantum of Solace
17) Never Say Never Say Again

E Grade
18) The Spy Who Loved Me
19) You Only Live Twice
20) Tomorrow Never Dies

F Grade
21) Moonraker
22) Die Another Day
23) A View To A Kill

Edited by Golden Claw, 03 October 2012 - 08:10 AM.


#768 Jarvio

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Posted 10 October 2012 - 02:11 PM

Ok, I have finally just re-watched every bond film again. And here is my new list.

NOTE: I love most bond films. So just because something is low doesn't mean I don't like it. It is extremely difficult for me to rank different bond films (especially with different bond actors), because I enjoy many bond films for different reasons.
My opinion is different from the masses. But that's just what it is - an opinion. And I have given reasons for all my choices.
This wasn't easy.

So here we go:

1. Live And Let Die
I admit that much of this is to do with nostalgia as it was my first bond film. But the bottom line is, LALD is so very enjoyable to me, from start to finish. I feel that it is an all-rounder, and I love the whole voodoo theme to it. Baron Samedi is my favourite henchman and I love the scene where he comes out of the ground – very memorable and iconic. Also a fine introduction to Moore. And Solitaire was a great bond girl. Kanaga was a good enough villain, but his death was stupid. The crocodile escape was obviously a great scene, and this film also has my favourite incarnation of Felix Leiter.

2. A View To A Kill
Seriously, why all the hate? People probably think I’m stupid for ranking this so high. This saddens me, because every time I see this film, I dearly love it. To me, it is just pure entertainment from start to finish. Sure, bond is old. And sure, Stacey Sutton leaves a lot to be desired. But in place of those, IMO tiny flaws, we have excellent action sequences, such as the city hall fire, fire engine chase, the whole mine sequence, and of course, the golden gate bridge fight. This is one of the most memorable bond films there have been. And Max Zorin is simply a brilliant villain. So slate DAD and MR all you want. Criticise TMWTGG and DAF as you please. But AVTAK? It’s better than these. (Although California girls was obviously not needed whatsoever). But brilliant film nonetheless. I hope it will get more praise one day...

3. Licence To Kill
A great, great bond film, and a fine performance from Dalton. He was great in both of his movies, and I only wish he had done more. LTK may be a little different from the norm, but I just love what it has to offer – great action, different story, and a SUPERB main villain in Sanchez. The road chase is the icing on the cake in this great, entertaining movie. Dario was a great henchman also. I love how Sanchez valued loyalty, and the whole bond framing krest thing was excellent. Haters gonna hate, but to me this film is entertainment from start to finish.

4. Octopussy
OP is pure fun. And I love it for it. Roger moore trying to disarm the bomb as a clown is one of my favourite bond scenes ever. Yes, it may be seen as silly, but I still like it. I actually see it as tense, which is ironic seeing as the clown suit makes it seem like comedy. Kamal Khan was a decent enough villain. Orlov not so much. The knife throwing twins – brilliant. The train scene – brilliant. This sure is a film that keeps me entertained. (The tarzan yell was stupid though).

5. Dr No
This is my favourite Connery film. Is that controversial? I don’t know. But considering this was the first ever in the series, it’s bloody good. The action isn’t exactly in your face in this one, but I love the way the film flows and I think the build-up to the main villain is terrific. Honey Rider is hands down my favourite bond girl, who IMO, has yet to be matched. I love to just chill out to this film, and it is a fine introduction to both Connery and the bond franchise in general.

6. You Only Live Twice
I really can’t see why YOLT is not that popular. To me, it’s very entertaining, and the opening of the volcano is one of the most memorable and iconic moments in the bond universe, not to mention Blofeld’s face finally being revealed. The little Nellie sequence was cool, and I thought Tiger Tanaka was a very good ally to bond. Loved Tokyo. Connery, unlike what others say, did a great performance in this film for me – I really can’t see why people criticise it. The only shortcoming in this film is the bond girls. But Helga Brandt makes up for that in that she was a pretty good villainess. Overall a great, memorable, and fun bond film.

7. The Living Daylights
This is a very strong entry in the bond franchise. As I said earlier, Timothy Dalton performed very well as bond in both of his films. TLD was a fine introduction to Dalton. This film was a big change in the franchise at the time, and it pulled it off really well. It is very strong storywise, and I particularly enjoyed the explosive milk bottles, saunder’s death, and bond fighting necros on the net hanging from the plane. Some great moments here. (Not the Cello chase though!) The villains were not strong – but Koskov’s weakness worked well for his character. He had to be like a cowardly weasel in order to make MI6 believe in his defection. Brad Whittaker on the other hand was kind of poor. Kara was ok but not great, and at times annoying. Overall a very good film, with just a couple of shortcomings.

8. For Your Eyes Only
Another fine entry from Moore. Nothing wrong with this one (well except Bibi). Not much to say except it’s a solid entry, a strong performance from Moore, a decent bond girl in Melina, and an average villain. The highlight of the film for me was bond scaling the cliff – great stuff.

9. The Spy Who Loved Me
Dare I say it? This film (whilst still a great bond film) is kind of overrated. Yes I like it. But so many people cite it as Moore’s best. For me it’s really not. To be honest, Jaws is an example of a henchman that I don’t particularly like. I mean, nothing hurts him – it’s too far. And also, for me the film started to get boring as soon as they entered the Liparus, and the whole Liparus/Atlantis climax seemed to go on a bit long. And Stromberg? Not the strongest villain (although it was cool how he killed the woman and the 2 professors). Despite my slight criticisms though, the Egypt scenes were brilliant, as was the underwater car. And the PTS is probably the best in the series. A great bond film, but slightly overrated.

10. Goldeneye
By far Brosnan’s best. Not my favourite bond film, but a great introduction to Brosnan, and had some great moments. Particularly the PTS. 006 was a fine villain portrayed by a fine actor. Perhaps my favourite scene from the film is when Boris keeps clicking the grenade pen – I love the anticipation.

11. On Her Majesty’s Secret Service
Overrated, but only because so many fans cite it as the best. IMO it really isn’t. Some of the camera work on some action sequences are quite bad – even for their time. But I'll forgive it. My main gripe is, dare I say it, Tracy. She seems to be in love with bond much too soon, and I find it a bit unbelievable. Ruby is an awful, awful bond girl. Ok, so now I’ve got the negative out the way, I will say that this is a very memorable film, unique story, probably the best Blofeld, and fine locations in the alps with great skiing sequences. Lazenby wasn’t great, but not terrible either. A strong bond film overall.

12. From Russia With Love
I’ve always liked this one, and one of the main reasons is that I think it’s a really good introduction to SPECTRE. Yes I know they’re mentioned in Dr No, and that Dr No himself is a member, but it’s not until FRWL that we get a real glimpse of SPECTRE, and ‘see’ Blofeld for the first time. The interaction and co-operation between the 4 villains (Blofeld, Klebb, Kronsteen, Grant) is really good. I also enjoyed the sniper scene with Kerim and Krilencu. But my favourite part of the entire film is the whole train sequence with red grant, which I thought was executed brilliantly. The poison shoes were pretty damn cool too.

13. Diamonds Are Forever
Not a very liked bond film by many. But I like it. Why? Because not only is it fun, but it also has some truly great moments. The moon buggy chase is just brilliant. As is bond climbing to the top of Willard Whyte’s building. And Wint and Kidd made for some entertaining viewing. The oil rig was ok, but Blofeld was a little weak I thought. I thought he was a good villain, but just didn’t suit the role of Blofeld. The one thing I don’t like about this film is the Blofeld clone – a bit silly. But otherwise, this is a very enjoyable film for me, and somewhat of a guilty pleasure.

14. The Man With The Golden Gun
Again, another guilty pleasure. But I must admit, I see more flaws in TMWTGG than DAF. The plot just seems a little slow and doesn’t seem to go anywhere. But having said that, the villain is excellent, the funhouse scenes are great, the island is cool, and the car chase (minus that stupid slide whistle) is brilliant. Admittedly though, a lot of my enjoyment of this film is due to nostalgia, as I believe it was the second one I ever saw.

15. Goldfinger
A great bond film, don’t get me wrong. But I just don’t think it’s one of the best like so many do. The story is great and the villain is strong. There’s lots to like. There’s also some great moments, such as the woman painted in gold, and the actual fort knox operation sequence with the planes and the gas. Brilliant stuff. And let’s not forget the golf scene. Oddjob I don’t much like though. He was ok, and I understand that he inspired the ‘larger than life’ henchmen. But I just hate the fact that he feels nothing when bond wacks him in the face with a metal pole. IMO that is just stupid. And that is why I think Oddjob (and Jaws too) are a bit silly. Good film though nonetheless.

16. Quantum Of Solace
This is a decent film but at the same time I’m of two minds with it. It seemed to be, I dunno.... lacking? It seemed more like a Bourne film than a bond film at times, and much of the story required further explanation IMO – seemed rushed. The opera scene was pretty damn cool though, as was the burning building climax. And craig gave it his finest. Bond girl was ok, villain was weak. But my main criticism – The PTS. Perhaps the worst PTS in the series. That camera is just... crap.... But anyway, good film, and I particularly like the fact that the film never drags.

17. Casino Royale
This film was very well done. And Daniel Craig is a brilliant bond IMO. Now don’t get me wrong – nothing is wrong with CR in my eyes, nothing. It was very well done. But it is so hard for me to rank amongst the others due to being so different. It almost feels like a different series. Vesper was a great bond girl, and this film seemed very story-orientated, which worked well. The film is a little long, but has some great moments nonetheless, such as the bond being poisoned scene and the torture scene.

18. The World Is Not Enough
Well, there's some good things about this film, but also parts of it seem rather boring. The best thing about this film IMO is Elektra King. She is a fine villainess, and the scene at the maiden's tower where she has pierce strapped down is pretty good. The PTS is ok , although a little long. I liked the bomb in the pipeline scene as well as Valentin's return. And the inflatable jacket/sphere was cool. Renard was fairly weak though. All in all, ok film.

19. Tomorrow Never Dies
It's an ok film by all means. But it just doesn’t keep me as entertained as some other bond films. Elliot Carver is a bit ridiculous. But then again, he is a good homage to those over the top villains, so I liked him in that respect. The stealth boat climax was ok I guess, and the Kaufman scene was pretty good. And what's not to like about the huge poster of Carver being ripped during the fall? Bond's free-fall was good too. But for some reason, overall the film doesn't seem to be as good as the sum of it's parts... Very close with TWINE.

20. Thunderball
I like this film more than what I used to. I used to think it was really boring. But I eventually warmed to it a bit, mainly due to some excellent scenes. Just about every scene involving Fiona Volpe was great – she is one fine villainess. Largo was a decent villain. And another great scene is when Angelo hijacks the plane, then is left to drown. Lots of good stuff in this film. It is still overall a low ranker on my list though, just because.... well, I don’t know why... just because I like 19 films better than it. I guess I still find the film slightly boring in places, for example, a lot of the underwater fights near the end of the film, which did get a bit too much for me.

21. Die Another Day
Now, I DO enjoy DAD overall. But in terms of bond, it's definitely down there. Obvious reasons really - terrible CGI, matrix-like sequences, Jinx, Jinx's awful dialogue, invisible car, Mr Kil etc etc.... Some of DAD’s very few good points include the PTS, the fencing fight, miranda frost, grave’s death, and graves killing his father. The whole face surgery thing was kind of interesting I guess. And I don't mind Gustav Graves as a villain actually. But many, many problems with this film just cannot save it from being a low ranker in the bond cannon for me. And I know that it's been mentioned before, but... the para-sailing scene is really quite bad.

22. Moonraker
There are three good things about MR. For instance, the centrifugal scene is absolutely brilliant, and is one of my favourite bond moments ever. The chang fight is pretty good also. And the song was good. But other than that.... no thanks. I was never keen on Jaws in TSWLM, but he is unbearable in MR. Why make him fall in love? How stupid. The love scenes are just unforgivable. They are just shameful and have no place in a bond movie. Drax is very one-dimensional (although at least he's evil, which a bond villain should be). Holly Goodhead I don’t mind, but she really could have acted better. My main problem with this film (other than the jaws love scenes) is the entire space sequence. The whole super-race thing made me wanna cry with embarrassment. It doesn’t belong in a bond film. Sci-fi? Yes. Bond? No. And the laser fight in space? Jesus, don’t get me started on that. How the hell is this film considered better than AVTAK? How?

Edited by Jarvio, 15 October 2012 - 01:22 PM.


#769 Vauxhall

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Posted 11 October 2012 - 12:41 AM

Haven't tried one of these lists for a few years, so thought I was best to get it out the way before SKYFALL kicks in. Rustled it up fairly quickly based on which movie I'd rather watch if I had to choose only one, and then worked backwards. Slightly surprised with how much DIAMONDS ARE FOREVER has grown on me in recent years, but I admit I'm in a minority on this one, so I'd best keep quiet! Still haven't found the right place for QUANTUM OF SOLACE either.
  • Casino Royale
  • From Russia With Love
  • On Her Majesty's Secret Service
  • Goldeneye
  • Moonraker
  • Dr No
  • Quantum of Solace
  • Licence to Kill
  • Goldfinger
  • Diamonds Are Forever
  • The Spy Who Loved Me
  • Thunderball
  • The Man With the Golden Gun
  • The Living Daylights
  • You Only Live Twice
  • Tomorrow Never Dies
  • For Your Eyes Only
  • Octopussy
  • Live and Let Die
  • The World Is Not Enough
  • Die Another Day
  • A View to a Kill


#770 kronsteen63

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Posted 11 October 2012 - 04:42 AM

1. Goldfinger - 5 stars - Perfectly captures and combines the gritty spy elements of the novels with the flashy, larger-than-life elements that have become a staple of the film series. It's a perfect balance of realism and fantasy that hasn't been matched since. I have always preferred the darker, more plausible nature of the books, but the appeal of the films goes far beyond that, and it's an important reason why the Bond legacy has lasted as long as it has.

2. From Russia With Love - 5 stars - By keeping things simple, sticking to classic espionage, and featuring a memorable fight onboard a speeding locomotive, this is James Bond at his absolute best. Sean Connery is a lot more comfortable this time around, adding depth to the character that many of the subsequent films unwisely chose to ignore.

3. On Her Majesty's Secret Service - 5 stars - Nothing short of incredible, and extremely faithful to the novel. George Lazenby may be forgotten, ignored, and criticized by the general public due to his decision to relinquish the role of 007 after one outing, but I've always felt he filled Connery's shoes quite nicely. He doesn't try to overly imitate his predecessor, and delivers some the most entertaining fight scenes of the entire series.

4. Casino Royale - 5 stars - Effectively takes 007 back to his darker, more grounded roots as a haunted and vulnerable assassin of Her Majesty's Secret Service. The somewhat campy, unrealistic style of the more recent Bond films called for a complete series makeover. Daniel Craig plays James Bond perfectly, and is by far the most faithful interpretation of the original character that we have ever seen.

5. The Living Daylights - 4.5 stars - A top-notch Bond flick full of espionage, action, and something that has been absent from the series for years: the true spirit of Ian Fleming. After 12 years of experiencing the ups and downs of Roger Moore's more light-hearted films, Timothy Dalton brings a hard, rough-around-the-edges demeanor that translates into a darker, more realistic interpretation of the character.

6. You Only Live Twice - 4.5 stars - While I admit it's a little bit more far-fetched and fantastical than it needs to be, it's still one of my all-time favorites, possibly due to the stirring cinematography. This is easily the best-shot Bond film until Casino Royale came along. The revelation of Ernst Stavro Blofeld is memorable, and the endless parodies of his nasty facial scar, white cat, and monochromatic jumpsuit fail to take anything away from the menacing performance by Donald Pleasance.

7. Dr. No - 4.5 stars - It's clear that the producers, and even Sean Connery, are still trying to figure out the formula that ultimately provided the blueprint for every single spy franchise that came after it, but the important parts are there: a pretty girl, a sinister villain, exotic locations, etc. Compared to some of the more flamboyant Bond films, this one keeps things simple, which works toward its advantage.

8. Thunderball - 4 stars - This is the first one that feels like the character has been fully established and the producers have truly begun to get a grasp on the icon they are responsible for. Though slightly inferior to the first three films, it remains one of the better entries in the series. This is the last time Connery seems to be genuinely enjoying himself in the role of James Bond, and he is more than comfortable playing the part. It's slightly bogged down by overly long underwater sequences, though.

9. Live and Let Die - 4 stars - It departs from the darkness of the book in order to cater to Roger Moore's more light-hearted approach to the character. Despite this, it (slightly) tones down the campy atmosphere of the previous film, and increases the action. The boat chase is one of the most memorable scenes of the series, and Yaphet Kotto plays a convincing villain.

10. GoldenEye - 4 stars - The first post-Cold War 007 flick also marks the first time that Bond finds himself in Russia, full of references to the roots of the character as well as new, relevant threats to world peace. Pierce Brosnan fills the role that Timothy Dalton prematurely relinquished, providing the most suave interpretation of the character. This is the only really excellent Bond film of his era, which was by no means his fault, as he always showed promises of being a memorable James Bond had he been treated with the right material.

11. For Your Eyes Only - 4 stars - All seemed lost as Roger Moore's long stint as James Bond plunged further into the realm of self-parody, but For Your Eyes Only takes a step back and injects enough of Ian Fleming's Bond to make it one of the strongest films of its era. Things are much simpler this time around, and the story is grounded in more realism than the other Moore entries.

12. Licence to Kill - 3.5 stars - Timothy Dalton's second and unexpectedly final appearance as James Bond remains the darkest and most violent film of the series. Many viewers are turned off from the lack of semi-family-friendly fantasy that most Bond films try to incorporate, but there are enough classic elements to keep this one a solid entry. This time around, many of the darker moments of the books that had been omitted from the earlier films are mixed together to create a tense, moody revenge flick.

13. Quantum of Solace - 3.5 stars - Expectations were as high as they have ever been after Casino Royale, which I feel is the main reason this one left such a bad taste in so many peoples' mouths. I still feel that it's a very solid Bond film. It's also the first direct continuation of a previous 007 picture, which allows it to address the doors left open at the end of the last one. However, the continuation factor also prevents it from feeling like a standalone film, requiring the audience to re-watch Casino Royale beforehand just to get a better sense of what is going on.

14. The Man with the Golden Gun - 3.5 stars - Fan polls and magazine surveys consistently place this one near the bottom of the Bond film rankings, but I always consider it to be one of the better Moore-Bond films. Christopher Lee does everything he can with a somewhat poorly developed character, making him one of the better villains in the series. Nick Nack is a useless henchman, and it's a stretch to see him provide any sort of physical challenge to James Bond. Oh wait, it's Roger Moore. Maybe not. All in all, a solid if not entirely memorable Bond thriller.

15. The Spy Who Loved Me - 3.5 stars - I've always thought that this one was a bit overrated by fans. However, Moore has finally found his niche as James Bond, and for the first time seems completely comfortable in the role. This occasionally works to his detriment, though, as he clearly prefers exploring Bond's silly side. One of the best aspects of the film is the return of the epic pre-titles sequence, this time involving that famous ski jump escape. Oh, and Jaws is actually cool in this one.

16. Octopussy - 3 stars - Obviously another big budget, larger than life production. But in comparison to some of the more stellar Bond films, it fails to evoke much more of a reaction than, "meh." My bias as a Bond fan is really the only reason it earns as many stars as it does, and it doesn't hurt that this is the fourth film in a row to feature a fantastic and memorable pre-titles sequence.

17. Diamonds Are Forever - 2.5 stars - The first Bond film to reduce itself to campiness and self-parody. The opening is strong, and gives a sense of menace as 007 threatens what appear to be international terrorists in his frantic search for Blofeld. The toughness doesn't last, however, as the rest of the film feels more like a comedy than anything else. Some of the funny one-liners actually manage to work, which makes it worth repeat viewings even for the casual fan.

18. A View to a Kill - 2.5 stars - This entry gets a lot of hate, and I guess some of it is deserved. The action scenes are well-executed as usual, but for some reason they aren't that memorable. Christopher Walken and Grace Jones are villainous and interesting, their scenes being the best parts of the film. The plot itself is a carbon copy of Goldfinger, just dumbed-down and involving microchips instead of gold bars. At this point, it's obvious that Roger Moore retired from the role about 2 movies too late, and his age distracts from the film.

19. The World is Not Enough - 2.5 stars - This one feels overly long and bloated, going for flair over substance. After the previous entry, though, this should come as no surprise. Pierce Brosnan obviously relishes the role of Bond, and it's not really his fault that everything comes out somewhat messily. Sophie Marceau's role as Elektra King is interesting in that she gives us a memorable Bond girl AND a unique villain, but her performance is countered by Denise Richards' appalling role as a nuclear physicist (I just threw up in my mouth a little while trying to fathom that role choice).

20. Tomorrow Never Dies - 2.5 stars - It seems like the series began throwing in all the cliche elements of the formula, and omitting everything else that has set the Bond series apart from the other spy films it has inspired. It is the first in a series of action-packed Bond films that are otherwise hollow and uninteresting. Pierce Brosnan is much more comfortable in the role of Bond, which the producers obviously mistook as a sign that they should portray him as untouchable and invincible. Michelle Yeoh is one of the most unique and entertaining Bond girls, but apart from her and Bond, nobody else really shines.

21. Moonraker - 2.5 stars - This one sends James Bond to a place he should never go: outer space. The combination of science fiction and comedy that hasn't been displayed to this level since Diamonds Are Forever makes for one of the weakest entries in the franchise. Jaws makes an encore appearance, but he is reduced to a slapstick character who is more interested in taking orders from his girlfriend than crushing fools who get in his way. There are enough moments that help make it entertaining, though. The opening sequence involving one parachute and two free-fallers is awesome, and the film manages to be suspenseful at times, such as Bond's near-death experience in the centrifuge chamber and his escape from the ventilation chambers beneath the space shuttles.

22. Never Say Never Again - 2 stars - Kevin McClory did everything he could to match the magnitude of the official James Bond series, and in many ways he does. The locations are exotic, the villains are diabolical, the women are willing, and Sean Connery returns as Bond. However, the whole thing just seems like one big effort to make a movie that nobody really cares about. A young Kim Basinger is a much better Bond girl than a lot of the official ones, and Barbara Carrera brings a new dimension to the femme fatale that separates her role as Fatima Blush from Lucianna Paluzzi's excellent Fiona Volpe in Thunderball. But the storyline and substance of the film are incredibly boring and it ends up being about 30 minutes too long. The lack of a decent film score also hinders the production value and fails to create the same atmosphere as the official series.

23. Die Another Day - 1.5 stars - Hands down the most ridiculous, campy, and far-fetched Bond film ever made. Even the title is completely cliche. As a huge James Bond fan, I can safely say this is the only 007 film that I don't really like all that much. That being said, it has one of the strongest openings of any Brosnan-Bond film, with an explosive mission in North Korea that quickly becomes compromised, leaving Bond in a position we've never seen him in before as an international prisoner. Unfortunately, it doesn't take that long before the film's premise has been fully established and the rest of the film becomes embarrassing to watch.

#771 bey-columbo

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Posted 13 October 2012 - 09:07 PM

Excellent, the summit, the toppest :

1. Goldfinger

2. From Russia with Love

3. Casino Royale

4. The Spy who Loved Me

5. Licence to Kill

6. Thunderball

Very goods :

7. Quantum of Solace (too short... but the pretitle is probably the best, such a damn brillant scene !! I love it <3 )

8. The Living Daylights (Myriam d'Abo : not very good... stupid at certain moments...)

9. GoldenEye (the scene where Xenia make a big killing in the base, great !!)

10. On Her Majesty's Secret Service

11. Dr No

Goods, but some important defects :

12. Die Another Day (Icarus and the tsunami, it's too much...)

13. Tomorrow Never Dies (too much gadgets and some unrealistic things.... Michelle Yeoh is not very good...)

14. For Your Eyes Only (the bad acting of Carole Bouquet and the young blond girl, the pretitle with Blofeld.... E.L. Locque is superficial, but his death is well showed. The italian agent is superficial too.)

15. Moonraker (What is too much : Jaws, blond girl, ambulance scene, gondole. But the scene of the death of Corrine is excellent. The hunt scene too, turned in Vaux-le-Vicomte, near Paris.)

16. The World Is Not Enough (Denise Richards is sexy, but not very good for acting. She's better in Starship Troopers because his simplist acting goes on with the style of Verhoeven in this one. Sophie Marceau does not acts very well, she's better in french movies, when she acts good in thoses... LOL )

17. A View To A Kill (What is too much : death of Aubergine, fireman truck chase)

18. You Only Live Twice (What is too much : the landing of the capsule, Bond transforming into a japenese)

Quite good, but important faults :

19. Diamonds are Forever

20. Octopussy (What is too much : the clown dressing, the monkey dressing in the train, the hunt scene, some things in India...)

21. Live and Let Die (What is too much : Baron Samedi, Rosie Carver, the scene of the plane and the old lady) Pepper is funny, but good placed I find.

22. The Man With The Golden Gun (What is too much : Nick Nack, Mary Goodnight, the guy in Scaramanga's laboratory, and several scenes...)

Edited by bey-columbo, 13 October 2012 - 09:11 PM.


#772 quantum of dcraig

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Posted 14 October 2012 - 12:09 PM

1. Casino Royale 2. On Her Majesty's Secret Service 3. From Russia With Love 4. Goldeneye 5. The Living Daylights 6. Goldfinger 7. Quantum of Solace 8. Thunderball 9. License to Kill 10. The World is Not Enough 11. Live and Let Die 12. For Your Eyes Only 13. Tomorrow Never Dies 14. Dr No 15. The Spy Who Loved Me 16. You Only Live Twice 17. Octopussy 18. Die Another Day 19. A View to a Kill 20. The Man with the Golden Gun 21. Moonraker 22. Diamonds are Forever

#773 Redneck007

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Posted 15 October 2012 - 04:10 PM

1. From Russia With Love
2. On Her Majesty's Secret Service
3. Goldfinger
4. You Only Live Twice
5. Casino Royale
6. Thunderball
7. Live And Let Die
8. The Spy Who Loved Me
9. Goldeneye
10. For Your Eyes Only
11. The Living Daylights
12. Octopussy
13. Dr. No
14. The Man With The Golden Gun
15. Moonraker
16. Quantum Of Solace
17. Die Another Day
18. Diamonds Are Forever
19. Tomorrow Never Dies
20. The World Is Not Enough
21. Licence To Kill
22. A View To A Kill

#774 Jarvio

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Posted 18 October 2012 - 10:02 PM

I wanted to edit my old post as my order slightly changed, but it wouldn't let me edit, so....

Here's my updated order:

1. Live And Let Die
I admit that much of this is to do with nostalgia as it was my first bond film. But the bottom line is, LALD is so very enjoyable to me, from start to finish. I feel that it is an all-rounder, and I love the whole voodoo theme to it. Baron Samedi is my favourite henchman and I love the scene where he comes out of the ground – very memorable and iconic. Also a fine introduction to Moore. And Solitaire was a great bond girl. Kanaga was a good enough villain, but his death was stupid. The crocodile escape was obviously a great scene, and this film also has my favourite incarnation of Felix Leiter.

2. A View To A Kill
Seriously, why all the hate? People probably think I’m stupid for ranking this so high. This saddens me, because every time I see this film, I dearly love it. To me, it is just pure entertainment from start to finish. Sure, bond is old. And sure, Stacey Sutton leaves a lot to be desired. But in place of those, IMO tiny flaws, we have excellent action sequences, such as the city hall fire, fire engine chase, the whole mine sequence, and of course, the golden gate bridge fight. This is one of the most memorable bond films there have been. And Max Zorin is simply a brilliant villain. So slate DAD and MR all you want. Criticise TMWTGG and DAF as you please. But AVTAK? It’s better than these. (Although California girls was obviously not needed whatsoever). But brilliant film nonetheless. I hope it will get more praise one day...

3. Octopussy
OP is pure fun. And I love it for it. Roger moore trying to disarm the bomb as a clown is one of my favourite bond scenes ever. Yes, it may be seen as silly, but I still like it. I actually see it as tense, which is ironic seeing as the clown suit makes it seem like comedy. Kamal Khan was a decent enough villain. Orlov not so much. The knife throwing twins – brilliant. The train scene – brilliant. This sure is a film that keeps me entertained. (The tarzan yell was stupid though).

4. Licence To Kill
A great, great bond film, and a fine performance from Dalton. He was great in both of his movies, and I only wish he had done more. LTK may be a little different from the norm, but I just love what it has to offer – great action, different story, and a SUPERB main villain in Sanchez. The road chase is the icing on the cake in this great, entertaining movie. Dario was a great henchman also. I love how Sanchez valued loyalty, and the whole bond framing krest thing was excellent. Haters gonna hate, but to me this film is entertainment from start to finish.

5. Dr No
This is my favourite Connery film. Is that controversial? I don’t know. But considering this was the first ever in the series, it’s bloody good. The action isn’t exactly in your face in this one, but I love the way the film flows and I think the build-up to the main villain is terrific. Honey Rider is hands down my favourite bond girl, who IMO, has yet to be matched. I love to just chill out to this film, and it is a fine introduction to both Connery and the bond franchise in general.

6. For Your Eyes Only
Another fine entry from Moore. Nothing wrong with this one (well except Bibi). Not much to say except it’s a solid entry, a strong performance from Moore, a decent bond girl in Melina, and an average villain. The highlight of the film for me was bond scaling the cliff – absolutely brilliant sequence that has me on edge every time. Great stuff.

7. You Only Live Twice
I really can’t see why YOLT is not that popular. To me, it’s very entertaining, and the opening of the volcano is one of the most memorable and iconic moments in the bond universe, not to mention Blofeld’s face finally being revealed. The little Nellie sequence was cool, and I thought Tiger Tanaka was a very good ally to bond. Loved Tokyo. Connery, unlike what others say, did a great performance in this film for me – I really can’t see why people criticise it. The only shortcoming in this film is the bond girls. But Helga Brandt makes up for that in that she was a pretty good villainess. Overall a great, memorable, and fun bond film.

8. Goldeneye
By far Brosnan’s best, and a great introduction for him. It has some really great moments. Particularly the fantastic PTS. 006 was a fine villain portrayed by a fine actor. Xenia Onatopp was brilliant too, and Ourumov was especially evil. Perhaps my favourite scene from the film is when Boris keeps clicking the grenade pen – I love the anticipation. Other great scenes include the statue park, the tank chase, the train sequence, and the bond/Trevelyan fight on the satellite shield. A fantastic film overall.

9. The Living Daylights
Quite a strong entry in the bond franchise. As I said earlier, Timothy Dalton performed very well as bond in both of his films. TLD was a fine introduction to Dalton. This film was a big change in the franchise at the time, and it pulled it off really well. It is very strong storywise, and I particularly enjoyed the explosive milk bottles, saunder’s death, and bond fighting necros on the net hanging from the plane. Some great moments here. (Not the Cello chase though!) The villains were not strong – but Koskov’s weakness worked well for his character. He had to be like a cowardly weasel in order to make MI6 believe in his defection. Brad Whittaker on the other hand was kind of poor. Kara was ok but not great, and at times annoying. Overall a very good film, with just a couple of shortcomings.

10. The Spy Who Loved Me
Dare I say it? This film (whilst still a great bond film) is kind of overrated. Yes I like it. But so many people cite it as Moore’s best. For me it’s really not. To be honest, Jaws is an example of a henchman that I don’t particularly like. I mean, nothing hurts him – it’s too far. And also, for me the film started to get boring as soon as they entered the Liparus, and the whole Liparus/Atlantis climax seemed to go on a bit long. And Stromberg? Not the strongest villain (although it was cool how he killed the woman and the 2 professors). Despite my slight criticisms though, the Egypt scenes were brilliant, as was the underwater car. And the PTS is one of the best in the series. A great bond film, but slightly overrated.

11. On Her Majesty’s Secret Service
Overrated, but only because so many fans cite it as the best. IMO it really isn’t. Some of the camera work on some action sequences are quite bad – even for their time. But I'll forgive it. My main gripe is, dare I say it, Tracy. She seems to be in love with bond much too soon, and I find it a bit unbelievable. Ruby is an awful, awful bond girl. Ok, so now I’ve got the negative out the way, I will say that this is a very memorable film, unique story, probably the best Blofeld, and fine locations in the alps with great skiing sequences. Lazenby wasn’t great, but not terrible either. A strong bond film overall.

12. From Russia With Love
I’ve always liked this one, and one of the main reasons is that I think it’s a really good introduction to SPECTRE. Yes I know they’re mentioned in Dr No, and that Dr No himself is a member, but it’s not until FRWL that we get a real glimpse of SPECTRE, and ‘see’ Blofeld for the first time. The interaction and co-operation between the 4 villains (Blofeld, Klebb, Kronsteen, Grant) is really good. I also enjoyed the sniper scene with Kerim and Krilencu. But my favourite part of the entire film is the whole train sequence with red grant, which I thought was executed brilliantly. The poison shoes were pretty damn cool too.

13. Diamonds Are Forever
Not a very liked bond film by many. But I like it. Why? Because not only is it fun, but it also has some truly great moments. The moon buggy chase is just brilliant. As is bond climbing to the top of Willard Whyte’s building. And Wint and Kidd made for some entertaining viewing. The oil rig was ok, but Blofeld was a little weak I thought. I thought he was a good villain, but just didn’t suit the role of Blofeld. The one thing I don’t like about this film is the Blofeld clone – a bit silly. But otherwise, this is a very enjoyable film for me, and somewhat of a guilty pleasure.

14. The Man With The Golden Gun
Again, another guilty pleasure. But I must admit, I see more flaws in TMWTGG than DAF. The plot just seems a little slow and doesn’t seem to go anywhere. But having said that, the villain is excellent, the funhouse scenes are great, the island is cool, and the car chase (minus that stupid slide whistle) is brilliant. Admittedly though, a lot of my enjoyment of this film is due to nostalgia, as I believe it was the second one I ever saw.

15. Goldfinger
A great bond film, don’t get me wrong. But I just don’t think it’s one of the best like so many do. The story is great and the villain is strong. There’s lots to like. There’s also some great moments, such as the woman painted in gold, and the actual fort knox operation sequence with the planes and the gas. Brilliant stuff. And let’s not forget the golf scene. Oddjob I don’t much like though. He was ok, and I understand that he inspired the ‘larger than life’ henchmen. But I just hate the fact that he feels nothing when bond wacks him in the face with a metal pole. IMO that is just stupid. And that is why I think Oddjob (and Jaws too) are a bit silly. Good film though nonetheless.

16. Quantum Of Solace
This is a decent film but at the same time I’m of two minds with it. It seemed to be, I dunno.... lacking? It seemed more like a Bourne film than a bond film at times, and much of the story required further explanation IMO – seemed rushed. The opera scene was pretty damn cool though, as was the burning building climax. And craig gave it his finest. Bond girl was ok, villain was weak. But my main criticism – The PTS. Perhaps the worst PTS in the series. That camera is just... crap.... But anyway, good film, and I particularly like the fact that the film never drags.

17. Casino Royale
This film was very well done. And Daniel Craig is a brilliant bond IMO. Now don’t get me wrong – nothing is wrong with CR in my eyes, nothing. It was very well done. But it is so hard for me to rank amongst the others due to being so different. It almost feels like a different series. Vesper was a great bond girl, and this film seemed very story-orientated, which worked well. The film is a little long, but has some great moments nonetheless, such as the bond being poisoned scene and the torture scene.

18. The World Is Not Enough
Well, there's some good things about this film, but also parts of it seem rather boring. The best thing about this film IMO is Elektra King. She is a fine villainess, and the scene at the maiden's tower where she has pierce strapped down is pretty good. The PTS is ok , although a little long. I liked the bomb in the pipeline scene as well as Valentin's return. And the inflatable jacket/sphere was cool. Renard was fairly weak though. All in all, ok film.

19. Tomorrow Never Dies
It's an ok film by all means. But it just doesn’t keep me as entertained as some other bond films. Elliot Carver is a bit ridiculous. But then again, he is a good homage to those over the top villains, so I liked him in that respect. The stealth boat climax was ok I guess, and the Kaufman scene was pretty good. And what's not to like about the huge poster of Carver being ripped during the fall? Bond's free-fall was good too. But for some reason, overall the film doesn't seem to be as good as the sum of it's parts... Very close with TWINE.

20. Thunderball
I like this film more than what I used to. I used to think it was really boring. But I eventually warmed to it a bit, mainly due to some excellent scenes. Just about every scene involving Fiona Volpe was great – she is one fine villainess. Largo was a decent villain. And another great scene is when Angelo hijacks the plane, then is left to drown. Lots of good stuff in this film. It is still overall a low ranker on my list though, just because.... well, I don’t know why... just because I like 19 films better than it. I guess I still find the film slightly boring in places, for example, a lot of the underwater fights near the end of the film, which did get a bit too much for me.

21. Die Another Day
Now, I DO enjoy DAD overall. But in terms of bond, it's definitely down there. Obvious reasons really - terrible CGI, matrix-like sequences, Jinx, Jinx's awful dialogue, invisible car, Mr Kil etc etc.... Some of DAD’s very few good points include the PTS, the fencing fight, miranda frost, grave’s death, and graves killing his father. The whole face surgery thing was kind of interesting I guess. And I don't mind Gustav Graves as a villain actually. But many, many problems with this film just cannot save it from being a low ranker in the bond cannon for me. And I know that it's been mentioned before, but... the para-sailing scene is really quite bad.

22. Moonraker
There are three good things about MR. For instance, the centrifugal scene is absolutely brilliant, and is one of my favourite bond moments ever. The chang fight is pretty good also. And the song was good. But other than that.... no thanks. I was never keen on Jaws in TSWLM, but he is unbearable in MR. Why make him fall in love? How stupid. The love scenes are just unforgivable. They are just shameful and have no place in a bond movie. Drax is very one-dimensional (although at least he's evil, which a bond villain should be). Holly Goodhead I don’t mind, but she really could have acted better. My main problem with this film (other than the jaws love scenes) is the entire space sequence. The whole super-race thing made me wanna cry with embarrassment. It doesn’t belong in a bond film. Sci-fi? Yes. Bond? No. And the laser fight in space? Jesus, don’t get me started on that. How the hell is this film considered better than AVTAK? How?

Edited by Jarvio, 18 October 2012 - 10:04 PM.


#775 thecasinoroyale

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Posted 19 October 2012 - 10:56 AM

Love the fact Jarvio you have 'A View To A Kill' and 'Licence To Kill' so high up - my 1st and 2nd favourite Bond films! 'LTK' 1st, 'AVTAK' 2nd.

Glad to see the more positive side to seeing the escapism and great action in those films!

#776 Jarvio

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Posted 20 October 2012 - 08:12 PM

Love the fact Jarvio you have 'A View To A Kill' and 'Licence To Kill' so high up - my 1st and 2nd favourite Bond films! 'LTK' 1st, 'AVTAK' 2nd.

Glad to see the more positive side to seeing the escapism and great action in those films!


Hell yeah! I love those 2! Very nice to hear support for them, especially AVTAK which I find severely underrated.

#777 S K Y F A L L

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Posted 22 October 2012 - 05:07 AM

GE GF FYEO FRWL DN TSWLM TWINE QOS CR OHMSS TLD DAD LTK AVTAK DAF TND MR TMWTGG OP TB LALD

#778 tdalton

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Posted 22 October 2012 - 05:12 AM


Love the fact Jarvio you have 'A View To A Kill' and 'Licence To Kill' so high up - my 1st and 2nd favourite Bond films! 'LTK' 1st, 'AVTAK' 2nd.

Glad to see the more positive side to seeing the escapism and great action in those films!


Hell yeah! I love those 2! Very nice to hear support for them, especially AVTAK which I find severely underrated.


I find AVTAK to be quite underrated as well. I don't rate it as highly as you do, but I do quite enjoy the film. It certainly doesn't deserve to be ranked near the bottom of the list as it so often appears to be.

Also great to see someone else who likes LTK.

#779 havok_007

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Posted 22 October 2012 - 07:08 AM

I had an interesting time reading this board when it started in 2002, people seemed to love the new Brosnan flick, Die another Day!
A lot people had it ranked up the top 5! How times have changed. I'm sure those people don't still have that view, I think it was just an era or phase, because I really enjoyed Die Another Day when it was 1st released, but now I when I watch it, it is almost cringe worthy... with some sparkles here and there.
I grew up in the Brosnan era so he is my favorite 007... slightly biased... anyway...

I always have trouble ranking the bond movies 1-22 because there are so many I love on the same level so I think I will just do them all ranked not in order, just out of 5 stars... as far BOND movies go.

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GOLDFINGER - CASINO ROYALE - GOLDENEYE - FROM RUSSIA WITH LOVE - ON HER MAJESTYS SECRET SERVICE

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DR. NO - THE WORLD IS NOT ENOUGH - THUNDERBALL - THE LIVING DAYLIGHTS - YOU ONLY LIVE TWICE - FOR YOUR EYES ONLY - THE MAN WITH THE GOLDEN GUN

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OCTOPUSSY - QUANTUM OF SOLACE - LICENSE TO KILL - LIVE AND LET DIE - THE SPY WHO LOVED ME - TOMORROW NEVER DIES - DIE ANOTHER DAY

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DIAMONDS ARE FOREVER - MOONRAKER - A VIEW TO A KILL


And lets hope we can slot SKYFALL in to the 5 star zone! Sounds like it will be close. Hope everyone enjoys it!

#780 Otis Fairplay

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Posted 22 October 2012 - 06:40 PM

Disclaimer:
This is a most likely overly detailed ranking I wrote some years ago for a now defunct message board. I recently found it idling about on a hard drive, and with the mildest of revisions I now regurgitate it here. If you do bother to sit through this, please note that the revision was so incredibly mild I did not even bother to change the order of the ranking from Worst to Best to the Best to Worst standard asked for here, so you might want to keep that in mind though I suppose it would be a more intriguing read if you don’t.

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Unofficial Offerings: Out of Competition

“Climax!”: Casino Royale
A live television broadcast was an unassuming screen debut for James Bond and aside from its historical value there are few distinguishing aspects. The basic story is adapted to the constraints of a teleplay fairly well. Unfortunately Bond comes across a rather sketchy piece of writing. Le Chiffre is also considerably watered-down, but Peter Lorre puts up a memorable performance making the character appear thoughtful as well as completely ruthless. Though far from being a lost masterpiece, I still find this broadcast interesting. Had the Bond novels made it to the big screen in the 50’s, this hints at what might have been. The production values might have been a bit higher, but it is doubtful if a major studio would allow much of the novels’ more risqué elements which were to play no small part in the series’ eventual success. The more permissive 60’s was another matter, and good timing was likely a major key to the Bond phenomenon.

Charles K. Feldman’s Casino Royale
True: this is a terrible film by any remotely conventional standard. For one thing it is not making much sense whatsoever. That might have been passable had it not also been alarmingly unfunny, rather a compromising circumstance when it comes to comedies. For a film that is coming apart at just about every conceivable nail it is also remarkably longwinded. Still, as a period piece I think it is not entirely without merits. The film somewhat reflects the Bond series and its cultural standing at the time. In retrospect it might also be called rather prescient, considering the all-out over the top films of the franchise itself was yet to come at the time. If nothing else I think it is an interesting watch for its disastrous production history alone, and for enthusiasts of 60’s kitsch it is a must. And for better or worse, Bacharach’s score is terribly catchy as well. But in the end, to just call this film an acquired taste would be putting it rather mildly.

Never Say Never Again
Considering certain official offerings, I hardly find this film the disgrace to the Bond legacy it is sometimes made up to be. That said, it is easy enough to pinpoint its shortcomings. The remake premise is hardly inspiring, and the bland overall look does not entice much enthusiasm either. An ageing Bond at odds with the times is a promising angle, but unfortunately it gets dropped early on. Instead, unmistakable 80’s touches permeate the proceedings, and non-fetishists of the era might detect a bad taste in their mouths. There are some bright spots though. In spite of turning rather Pink Pantheresque in the end, Fatima Blush is certainly memorable. Still, Sean Connery remains the selling point. He reminds of past glories, but also gets to leave the role with a far stronger performance than in the official series. Though severely lacking in atmosphere, as an alternative take of the cinematic Bond at the time I find this film reasonably un-tedious.

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The Eon Series: Roughly From Worst to Best

Die Another Day
Not much of an original choice, I know. Bur originality be damned: To me this film amounts to a lapse of judgement of rather epical proportions. As an action film it leaves a lot to be desired. As a Bond film, I find it utterly devoid of any charm. It somehow manages to be undercooked and seriously overdone at the same time. Should I crave for a senseless parody of overblown Bond films, I will stick to Feldman’s Casino Royale. The direction, storyline, innuendos and acting all stand out in no redeeming way whatsoever. The use of London Calling brings tears to my eyes for all the wrong reasons. Brosnan may not be my favourite Bond, but I still feel sorry for him having this travesty as his parting salute. There is a remarkably unwarranted smugness to the film, and if it was meant as a celebration of the series’ 40th anniversary the vision of a machinegun wielding gangster bursting out of a giant birthday cake somehow pops up in my mind.

Tomorrow Never Dies
Though GoldenEye was a promising way to bring Bond into a new era the temptation to further semi-reinvent him as a 90’s action hero proved to be too big for the filmmakers to resist, amply illustrated by this film’s pre-title sequence. This also marked the definite return of the cartoonish Bond, signified by silly gadgetry and uncalled-for comedy but with any disarming goofiness replaced by presumably more lucrative product placement. That the film addresses the relevant question of the power of media might have been commendable, had it not made a mockery of the issue in the end. The supposedly character-driven first act may be cringe-inducing enough, but still stands out next to the generic action film clichés, reheated plotlines and gung-ho automatic gunfire that make up the rest of this glossy, undistinguished piece of product. A much forgettable film for sure, which come to think of it might well be its most redeeming feature.

Quantum of Solace
All sound and fury as Bond’s Big Emotional Journey turns out to be a rather pedestrian charter trip along the familiar tourist traps of the late noughties action film? Not quite, but for me probably the most frustrating and ultimately unfulfilling entry of the series. While eschewing the usual Eon safety net of familiarity and self-deprecation is a brave move, on its own merits the film resolutely crashes down a mundane sinkhole of poor pacing, heavy-handed symbolism and general mediocrity I find myself alarmingly reluctant to revisit. A pity, as the film certainly has its moments, it’s decidedly stylish and occasionally the visually most striking offering in some 40 years. But while far from signifying nothing, I find it among the series’ dullest and I do believe dullness is the one vice James Bond cannot afford. Whereas pushing the envelope of a franchise itself pushing 50 is commendable, I do find a distinctly baby-shaped hole in this bathwater.

Moonraker
Putting Bond in space may generally be an ill-advised move, but I think it is a somewhat proper conclusion to a film as devoid of any gravity as this one. Moore shines in this light entertainment extravaganza, Drax’s tirades are memorable if hardly quotable and putting Jaws in a carnival costume is a better idea than one might expect. For me though, the film disintegrates into a breezy cavalcade of slapstick routines, spectacular seductions, silly dialogue, carefree directing and moments of waiting for Bond to punch Jaws in the mouth well before it leaves the atmosphere altogether. The most atoning quality is John Barry’s work: sophisticated, solemn and suggestive, and one might well wonder what film he thought he was scoring. There are notably shoddier films in the series, but I have to be in a very particular mood in order to sit through this one. And by the way, does Drax’s masterfully evil plan not seem somewhat similar to Dr Noah’s?

Diamonds Are Forever
To me, this film stands as the gravest let-down of the whole series. Turning its back on the achievements of On Her Majesty’s Secret Service is bad enough, but in retrospect its erratic, slapdash qualities also firmly established the franchise on a post 60’s, less than spectacular level. I find the film’s execution as bizarre as its storyline. The film seems eager enough to please but leaves me considerably cold, which is rather annoying since there are occasional things I really enjoy. Mr Wint and Mr Kidd makes for an intriguing presence, the sequence of Bond climbing the Whyte House to confront Blofeld and his double has an eerily dreamlike quality I find unique in the series and at least John Barry’s quality control is still operational. But in the end the kitsch, poor acting and desperately unfunny jokes easily win the day. The ending is certainly weak, but nevertheless more than welcome. Circus circus indeed.

Live and Let Die
In many ways Moore’s debut follows the shaky standards set by Diamonds Are Forever, but trails off in some interesting directions. The Movie VoodooTM happenings at San Monique may be more than a little tacky, but still lend the rather mundane story a sense of mystery and peculiar intrigue. Whether Haunted house fun is really desirable in a Bond film may be debated, still once the voodoo is revealed to be all smoke and mirrors so is the film’s appeal as far as I am concerned. The seemingly endless circle of Bond being chased, captured and escaping consuming the film’s latter part is making it perfectly clear it has no real plot worth mentioning. The villain is also seriously sketchy, leaving his henchmen like the gloriously weird Baron Samedi to steal the show with alarming ease. Still, on the strengths of the San Monique sequences and their wacky, bold air of oddity I find the film a stumbling step ahead of its predecessor.

The World Is Not Enough
The idea of a more character-centred film seemed encouraging at the time. Regrettably though, the result seldom rises above the mediocre. The story of treachery and revenge has its merits but labours mostly in vain to captivate. Whether the cast, the script or the director is the main offender is debatable, but the stage-setting first half of the film seems remarkably wooden and the crucial relationships between the main characters fails to come across as terribly convincing. And alas, the drama related payoff presumably aimed for in the finale is sorely missed, much like the attempts to inject Bond with some grit seems gratuitous rather than profound. The film certainly shows some promising ideas but in a regrettable air of complacency few of them are persuaded, the next piece of showcase action or dull one-liner being opted for instead. At least though, I am able to call this film a missed opportunity whilst keeping a reasonably straight face.

A View to a Kill
The Moore era closes with quite an atypical film. For one thing, I think it is its grimmest entry with gags and gadgets relatively few and far between. There is a downhearted feeling throughout the film, Bond sees his allies killed off and generally does not seem to be completely on top of things. An almost autumnal sentiment persists; following the colourful Octopussy the film is notably subdued and depending on tastes possibly pedestrian. That is not necessarily a disadvantage. The same, however, could not be said about the lazy writing and middling to downright poor acting. The villains may be intended to be taken seriously, but Grace Jones and a colossally underachieving Walken are not exactly helpful in that department, much like Roberts hardly does the concept of a more realistic Bond girl any favours. But all in all; though a lacklustre feeling lingers as the credits roll, I think Moore gets to bow out in a dignified manner.

The Man with the Golden Gun
Serial silliness ensues as Bond sets out for Scaramanga, but as often noted there is also a rather nasty undercurrent in the film. Whether the script went through one rewrite too many or too few is an open question. Still I have come to regard it as one of the strongest Bond films of the 70’s. Though less than solidly written, Scaramanga comes across as one of the more interesting villains and Nick Nack has a nice sense of surrealism and ambiguous loyalty to him. Andrea Anders presents a good plot twist that unfortunately does not seem to lead anywhere and making Mary Goodnight’s tremendous incompetence a recurring plot device may not have been the most inspired idea. Though the farcical and the Flemingesque get along poorly I find this a reasonably enjoyable if very patchy entry in the series. Hints of a more low-key, gritty and emotionally engaging showdown between Bond and the title-role are to be found among the debris.

The Spy Who Loved Me
For better or worse a big-budget streamlined film after the surreal touches of its immediate predecessors. Though all-round goofiness is toned down there is still plenty of light-hearted comedy, but there also seems to be an effort to project a more classic, semi-serious feeling illustrated by the gravely and amazingly stiff Stromberg. This film marks the beginning of the better part of the Moore era and he finally makes the role his own. Besides that, I think the film is only partially successful. Major Amasova fails to come across as very interesting, which effectively dampens any drama in her relationship with Bond. Jaws also wears thin well before the finale, as does Marvin Hamlisch’s score. On the up side, the series hadn’t been as visually arresting since the 60’s, and Ken Adam really comes across as the star this time around. All in all I do not this is a poor film in any way, but one that largely relies on the tried and true rather than inspiration.

Octopussy
Dressing Bond up in a clown costume may indeed be cutting things a bit close to the bone, but this is a film I have gradually grown to appreciate. This might be Moore’s best performance; he seems comfortable in more serious scenes and is of course having a field-day with the crackpot comedy seeping through. Though the film retreats from the realistic touches of For Your Eyes Only, the Cold War scenario at the centre of the somewhat muddled plot works well and the supporting characters are interesting if rather undercooked. The main problem lies in the film’s inconsistency. The Indian settings are beautiful, but unfortunately suspenseful sequences are pitted against tiresome Raiders of the Lost Egg routines that arguably rank as the series’ all time silliest moments. Things shape up in the more solid final act, but in the end the feeling that the film might have been far stronger had it only been a bit less eager to please persists.

GoldenEye
Not unlike The Spy Who Loved Me, this seems like a conscious effort to present a classic Bond package with its requisite elements to a new audience in a new era. The film makes sure to have some self-deprecating 90’s fun with Bond as an anachronistic icon. One might pick up a rather calculating feeling, but by large I think GoldenEye delivers. Brosnan does well with his far and away best script and unrestrained by the dwindling budgets of the 80’s the film offers plenty of eye candy. Though nothing terribly exciting comes out of it, the idea of a friend going villainous is a nice turn and the first half of the film dares to move rather slowly, nicely setting up quite an intriguing mood. Unfortunately I find the latter part somewhat lacking, and a most unremarkable score coupled with some ill-advised humour are further drawbacks. Still, there is no denying this film was the spectacular comeback the series desperately needed at the time.

You Only Live Twice
To me this 5th film of the series marks a definite step down quality wise, but in retrospect it can not be denied that it turned out to be enormously influential. For the first time, the plot’s main point is tying together more or less inspired fancies from the film’s creative team. As a result the film seldom rises above nonsensical fantasy. For me though, it mostly manages to get by despite this and Connery’s perfunctory appearance. For one thing, Ken Adam’s sense for ridiculous grandeur is rather memorable. And though the film at times might be mistaken for a travelogue, the cinematography do make the most of the sceneries and coupled with Barry’s wonderful score it makes up for much of the silliness, especially in more reflective moments such as the wedding scene. In its own way I think this is an enjoyable film, though it is barely one step ahead of the light entertainment fun that would pretty much dispense with Fleming altogether in the 70’s.

For Your Eyes Only
The first film since On Her Majesty’s Secret Service to use Fleming’s writings in any substantial manner is also stronger than any film since. Not quite an overhaul of the series, but much of the 70’s excesses thankfully was tightened up. The script merges Fleming’s short stories with a rather believable late Cold War plot in a meritorious way while also allowing some meaningful supporting roles. The triangle of Bond, Kristatos and Columbo with Melina as a Nemesis on the sidelines is interesting and well-acted. Unfortunately, the atmosphere of engaging low-key drama is highly volatile. The Winter Violence Comedy Olympics shenanigans in Cortina are rather grating, as are the obviously gratuitous gags like Q in the confessional and the final scene. There are also melodramatic touches and Bill Conti’s score has aged less than gracefully. Still, while not a spectacular film it is a most welcome semi-return to form and in my eyes Moore’s best.

Licence To Kill
Grimness Galore as Bond heads for a gloomy vendetta against a Latin drug lord? Moviegoers at large were apparently not too thrilled with the idea and while its reputation is rather exaggerated the film remains divisive. Still, rarely has Bond been this determined and the idea of him infiltrating the villain’s organisation while being pursued by his own is an interesting angle. But while engaging, the film is not without problems. The script may not make the most of the scenario, and some less than inspiring late 80’s aesthetics coupled with an undistinguished score hardly endears. But Dalton’s regrettably final performance is solid though the story does not call for much nuance, and his scenes with Lowell and Davi in particular work handsomely. Whether this film is the closest portrayal of the literary James Bond or not is debatable, but in the end I think it also stands up well on its own merits even though it may not be all it might have been.

Casino Royale
In the series’ boldest step in some 35 odd years, Casino Royale manages to largely disregard the formula without forfeiting that elusive Bondian touch, with Fleming’s solid if slightly bizarre story anchoring the modern embellishments. Campbell brings much welcome physical realness to the film, Craig commands the role and the overall cast is among the series’ very best. The film is no unmitigated success, though. The script seems slightly ill-balanced, making the story appear both overlong and rushed in places and the Vesper storyline in particular struggles to convince. Some unfortunate dialogue hardly helps matters, but the whole last act seems rather tagged on. The big-scale finale in Venice also distracts from the emotional climax the story strives for. Still, those quibbles are hardly deal breakers. A film of this calibre at a time when the series seemed to be creatively dead in the waters was certainly more than one might have hoped for.

The Living Daylights
Timothy Dalton’s debut may be no radical departure from the direction the series had taken in the 80’s, but to me it is still a standout. For one thing, Dalton may be the finest actor in the role of Bond. Though you can tell his delivery of the occasional quips are somewhat dutiful, he also gets to portray a moody ruthlessness as well as a humane side the big screen Bond rarely hinted at before. There is a tenderness and near innocence to his relationship with Kara, and the largely sensible storyline wisely gives this rather quiet aspect ample room. Touches of both romanticism and darkness also find their way into John Barry’s beautiful, final score for the series. Script wise, plot devices of double-cross and shifting friends and foes may not be fully realised, and some cartoon-like strokes hurts the credibility a bit. Still, I find this a much commendable entry in the series. Though it was not to be, it points in an interesting, believable direction.

Goldfinger
Despite its excellent predecessors, Goldfinger certainly turned out to be the defining moment of the series. The pre-title sequence and Q as we know them, screen time devoted for showing off gadgets and the chummy/psychopathic villain with a cartoonish henchman all join the fun. Though one might lament the loss of more gritty, serious elements, Goldfinger is still charming in a shamelessly entertaining way. I must admit I think the filmmakers apparently spearheaded by Guy Hamilton made the right creative decision at the time, since the storyline might well have come across as somewhat tedious without a more light-hearted approach, pedagogically demonstrated by the source novel. Connery responds well to this slightly different angle and is supported by a good cast and a great score by John Barry. I may find Goldfinger a tad slight compared to the films bookending it, but it remains a classic and a cornerstone of the series.

Dr No
This is a film I find overlooked at times. True, it comes across as rather rudimentary compared to the films that would follow but I still find it very alluring. The introduction of Bond himself is unforgettable, and though one might have issues with the pacing I think Terence Young sets an exemplary note for the series to follow. The relatively low budget is bound to show at times, but I actually think it helps to keep the story lean and focused. Dr No himself is an ominous presence throughout the film, but I particularly enjoy how things take a turn for the darker as Bond sets foot on Crab Key and slowly realises he is not quite as on top of things as he might have imagined. The death of Quarrel and the confrontation with the good doctor: Classic and gripping moments as far as I am concerned, and being no stranger to hyperboles I’ll happily state that I find Commander Bond’s journey upriver nearly as iconic as Captain Willard’s.

From Russia with Love
I think this is quite probably the film that would work best as a stand-alone outside the series and it remains a reasonably taut, lean spy thriller to this day. The script stands out as the tightest of the series, seamlessly weaving in plotlines without distracting from Fleming’s story. The core creative team from Dr No makes Bond’s stay in Istanbul look spectacular, in no small part helped by John Barry’s first full score. The film mostly stays tensely subdued but the possibility of most likely violent eruptions never seems too remote. The pacing may be slow at times, but that greatly aids the presentation of characters like Kerim Bay, Red Grant and the incomparable Rosa Klebb, allowing their respective demise a resonance unusual for the series. Overall the film sports great acting, a gripping story, tight direction and highly effective editing. In retrospect it did not turn out to be a very influential entry in the series, but in many ways it stands as the strongest.

Thunderball
Terence Young returns to the series for a final statement. Following the phenomenal success of Goldfinger tongue-in-cheek touches could hardly be left out, but at heart the film remains serious, occasionally brutal and is, at times, moving in an unapologetic stately pace. For me, Thunderball marks the point where the pieces of the Bond puzzle really fell together: Plenty of edgy action, sparse but effective use of Goldfinger’s sense of entertainment while regaining the wonderful look and air of Young’s two earlier entries. The Nassau sceneries are stunning and the happenings the night of the Junkanoo is one of my favourite sequences in the entire series. To me Thunderball sports a great story, it has Connery at the top of his game, a mostly great supporting cast, some of the series’ most interesting female characters, some wondrous cinematography and a highly evocative Barry score, and I find it the quintessential Bond film.

On Her Majesty’s Secret Service
Admittedly it is a somewhat backhanded compliment to any series to consider one of its most atypical films its best. But while taking some leads from the series’ earliest days, this film defiantly strays into uncharted territory. For a good part it focuses on a somewhat downhearted Bond and contrasting budding romance. As the story moves on to the breathtaking Piz Gloria it turns more conventional, but still blends mean-spirited action with moments of vulnerability. And of course nothing in the series had hinted at the film’s final moments. Lazenby does far better than one might expect and the casting of Rigg and Ferzetti makes the film’s crucial core believable. John Barry rises to the occasion, and Peter Hunt leaves the series in style. It is understandable that this film may be a hard sell and it certainly did time as the series’ ugly duckling. Still, it steadily seems more appreciated. And we know about having all the time in the world, do we not?