Just a short review for now. Skyfall is another stellar entry into the James Bond library, and is a terrific movie for those of us who grew up on the franchise. When the producers said they would set out to make a movie with the feel of the classic Bonds, I was anxious to see how they would be able to pull that off while applying that formula in a modern world. After Casino Royale, I had no doubt this could be done.
Skyfall works on so many levels, most of which give it that classic feel. First, coming off the great (on contrary to what many believe) but fast paced Quantum Of Solace, Skyfall allows each and every scene to develop slowly and naturally, thanks to the great direction of Sam Mendes. I've noticed a fair number of posters here equate this as "boring" and "too slow", but in order to make a film that captures the slow build-up of Bond classics such as From Russia With Love, Mendes wisely allows this film to breathe, thereby building the suspense. Something tells me that younger viewers may not quite understand what suspense is, especially in an era where the quantity of explosions and car chases are more important than the quality of a movie. Fortunately, I think there are plenty of younger Bond fans that will appreciate this film in spite of what today's audiences like.
Skyfall features easily one of the top 3 Bond villians of all time in Javier Bardem's Raul Silva. This guy is an absolute madman in the lengths he goes after Bond and MI6! He's shrewd and knows how to outsmart Bond at every turn, at least until the end. Another former MI6 agent that was corrupted at one point, one almost feels sorry for him, but that's what makes him so memorable.
Skyfall features some of the best cinematography of the entire series. Perhaps not the most picturesque locations ever seen, but the producers capture the locales in a superior manner. Add in more conventional camera work (i.e.: no motion sickness jerky camera movement) and viewers should have no trouble following what is going on the screen, helped again by the slower moving plot. This was a common complaint from viewers who saw Quantum Of Solace, but I don't see anyone having trouble following this film.
The Bond girls are a mixed bag for me as Berenice Marlohe's Severine garners very little screen time, and is hidden in so much makeup, one cannot really detect her natural looks on screen. That said, she does serve to advance the plot, which is more than can be said of some of the Bond girls in earlier films, though she will rank relatively low on my list of the best Bond girls. Naomie Harris, on the other hand gets more screentime and attempts to help Bond initially as a field agent (at least until the end of the PTS). Knowing who she really is by the end of the movie, does this make her an official Bond girl? Regardless, she is charming and very nice looking, and hopefully will continue to be part of the series for a long time to come.
Skyfall serves as the final curtain call for Dame Judi Dench as M. This is far and away M's biggest role in a Bond film and the best performance by a long shot. I'm sure there will be some debate as to whether this was the best way to end her tenure with the series (I've grappled with this myself), but the way she exits certainly does enhance the significance of the very last scene of the film. Add to this the return of Q (played in a wonderfully geeky way by Ben Whishaw), and some good old fashioned gadgetry that most people will find very familiar, the setup for future Bond films has been masterfully put in place for many years to come.
Other aspects of the film that work are the PTS, the only major "traditional" Bond action set piece of the entire film. While certainly one of the longest PTS's in the series, it is riveting from beginning to end, unlike the TWINE and DAD PTS's which got boring pretty quickly. The end of the Skyfall PTS serves as terrific transition into probably the best title sequence since the Connery days. Not only is Daniel Kleinsman back in charge of it, this is his best work of the series, and actually feels more like a Maurice Binder opening, helped even more by one of the best Bond themes since Connery was Bond. Adele's Skyfall theme is a throw back to the Shirley Bassey/John Barry themes from the 60's, all the more enhanced coming off the unique but somewhat dreadful QOS theme. And Thomas Newman does a nice job for his first go around as Bond composer, penning a soundtrack that while modern and "Arnoldesque", at least doesn't drown out the action on the screen. It rather does a better job accompanying the action on the screen and is actually used sparingly in that there are many long stretches without any music. Sometimes less is more, and Newman does a good job in that department. Unfortunately, he did not write the Skyfall theme with Adele, and the best rendition of the Bond theme comes from one of David Arnold's cues from Quantum Of Solace. So if Newman is asked to return, I would like to see what he could do with the theme if asked to write it. Based on what he contributed to this film, he can have the job as long as the producers want him.
In short, Skyfall certainly has the feel of the early Connery classics, in that the writing allows each scene to slowly develop, and that the film has relatively little action outside of the PTS and the ending. And outside of the PTS, most of the action comes in short spurts and relies on good old fashion fight scenes and wit for Bond to accomplish his mission. Future Bond films can certainly take a more traditional route if they like. But hopefully they retain the more gritty style that Daniel Craig has brought to the screen, while making him one of the best Bonds of all time.
Score: 4 stars out of 4
Edited by A Kristatos, 11 November 2012 - 06:12 AM.