Night shoot clapperboard
Very, very glad to see these wide-angle lenses (35mm, 27mm) being used, that sort of thing for Bond interiors fell out of favour after the 60s and 70s unfortunately.
I knew Deakins would be a class act.
Do you know what angle lenses the last two films used, Shrubster?
It’s slightly difficult to talk about the last two in comparison to the others, because they were not filmed using anamorphic lenses. But that aside, CR does make some attempt to use wide-angel photography in a bold way (as does GE for that matter), but nothing as striking and beautiful as films like GF, TB and MR. QoS, well, who can say, we are never actually permitted to focus on anything long enough to tell. Seriously, it’s pretty conventional and dull from what I could make out.
This lack of the wide-angle photography started with FYEO. John Glenn (a man with all the visual artistry of your average suburban accountant) used what looks like the dreadfully dull 52mm for most of his interior dramatic sequences. His films remain the most photographically banal, with a possible challenge form TWINE.