
Listen to 'Another Way To Die'
#421
Posted 19 September 2008 - 07:47 PM
#422
Posted 19 September 2008 - 07:48 PM
#423
Posted 19 September 2008 - 07:50 PM
#424
Posted 19 September 2008 - 07:56 PM
I think it's a decent track - not excellent, not crappy, just decent. "You Know My Name" made a far bigger impression on me, but I think once the fully arranged version of "Another Way To Die" is heard in the opening titles, people might warm up to it more.
How dare you bring your balanced opinion into this forum!

Look, the rules are simple. you either love it or hate it. You either can't stand to hear it a second time (and thus gain a more informed perspective) or you adore it and want to have its musical children. If you start applying common sense to things, then where will we be?
Now if you'll excuse me, I have some opinions to present as absolute fact on another board.
#425
Posted 19 September 2008 - 08:11 PM

Edited by NMMan, 19 September 2008 - 08:12 PM.
#426
Posted 19 September 2008 - 08:21 PM
#427
Posted 19 September 2008 - 08:27 PM
#428
Posted 19 September 2008 - 09:19 PM
Very very original and fresh if you ask me. It's dark and sexy.
Very good job!

#429
Posted 19 September 2008 - 09:34 PM

#430
Posted 19 September 2008 - 09:42 PM
The Independent reviews 'Another Way to Die'
First Listen: Another Way To Die, James Bond Theme, Jack White and Alicia Keys (Rated 3/5)
Bond gets the better of White and Keys
The beefy guitar riff bursts in, followed by piano notes picking out the unmistakeable James Bond tune to announce the song that will have fans salivating for the next instal-ment of the 007 chronicles.
The months of speculation over the soundtrack to the forthcoming Bond film Quantum of Solace – released in six weeks – ended yesterday when the title track got its first airing on Jo Whiley's Radio One show.
Another Way to Die is the result of an unlikely duet – the first in Bond history – between a blues rock star and a soul singer. The White Stripes' idiosyncratic Jack White and the Grammy-winning singer Alicia Keys stepped in after a collaboration between Amy Winehouse and the producer Mark Ronson collapsed.
If the aim was to match the edgier, darker side of the agent captured by Daniel Craig, the song succeeds – from the piano which picks out the original Bond tune with a sinister twist, to the dark, fuzzy guitar riff that is instantly recognisable as belonging to White. What's more, their voices blend as they sing out alternate lines, the urgency of White's vocals and Keys' more powerful and accomplished voice first alternating, then simultaneous in the chorus.
But, as a song in its own right, Another Way to Die, on first hearing, sounds unlikely to join the ranks of the most successful Bond theme tunes.
Paul Stokes, the news editor of the New Musical Express, is yet to be convinced. "I thought their voices blended really well and they seemed to be quite different characters," he said. "But my concern is that it doesn't really feel like a Bond theme. It has the right chord progression and sinister sound, and is a million times better than the last one by Chris Cornell, which was not only the worst Bond song ever, but the worst song, so it's a step in the right direction. But it is a missed opportunity. It doesn't feel like a swelling Bond theme. It's making nods towards it, but just falls between doing something radical and not being retro enough.
"I'd prefer to see someone like Muse move it into a contemporary era, or the Last Shadow Puppets."
Some had already heard the tune to Another Way to Die on a Coca Cola Zero advert, prompting the displeasure of White, who has since suffered a fit of artistic pique. After the musician heard his notes pushing the virtues of "Bloke Coke", his entourage retorted: "Jack White was commissioned by Sony Pictures to write a theme song for the James Bond film Quantum Of Solace, not for Coca Cola... Any other use of the song is based on decisions made by others, not by Jack White."
Some very harsh comments about 'You Know My Name' from the editor of NME!
Yeah, but I'm more concerned by his calling YKMN "not only the worst Bond song ever, but the worst song". What, the worst song ever?
#431
Posted 19 September 2008 - 09:59 PM
#432
Posted 19 September 2008 - 10:30 PM
Seriously, that reviewer needs to get his ears examined if he's calling "You Know My Name" not only the worst Bong song ever, but the worst song of all time.
Agreed. I liked "You Know My Name"


#433
Posted 19 September 2008 - 10:40 PM
Its just his opinion, we may disagree but he is entitled to it. I get his point about it not being a good song in its own right, but in fairness i dont think Bond songs are, they are uniquely Bondian, which i thinks kinda the point.Seriously, that reviewer needs to get his ears examined if he's calling "You Know My Name" not only the worst Bong song ever, but the worst song of all time.
#434
Posted 19 September 2008 - 11:15 PM
#435
Posted 19 September 2008 - 11:17 PM
Yet oddly i not overly fond of the Connery era ones (although saying that i LOVE Diamonds Are Forever). Ain't fandom a funny thing?I can't say I really care for it. To be honest, most Bond themes outside of the Connery era haven't tickled my fancy.
#436
Posted 20 September 2008 - 01:37 AM
#437
Posted 20 September 2008 - 02:06 AM
I think AWTD will chart very high, best showing in a long time for a Bond tune. It'll hit big.
Really? How high does Jack White usually chart? Alicia Keys has charted high, but this is not really her demographic's cup of tea. If that means anything.
Out of curiosity, what number would you peg for it, blueman?
#438
Posted 20 September 2008 - 02:06 AM
Apparently... Obviously he's exaggerating, but it's still a pretty stupid thing for the editor of a respectable music magazine to say.Yeah, but I'm more concerned by his calling YKMN "not only the worst Bond song ever, but the worst song". What, the worst song ever?
#439
Posted 20 September 2008 - 02:12 AM
Apparently... Obviously he's exaggerating, but it's still a pretty stupid thing for the editor of a respectable music magazine to say.Yeah, but I'm more concerned by his calling YKMN "not only the worst Bond song ever, but the worst song". What, the worst song ever?
NME was the great UK musical publication of the later 1960s and their glory days are long gone. Everyone knows that editors for NME are normally dick suckers, especially this one.

#440
Posted 20 September 2008 - 02:43 AM
Way to ignore the rest of my post (and everyone else's) to nitpick my choice of words. Look at what you wrote "the people that say they love it are in denial" and you'll clearly see that you were diagnosing the mental state of other people.Where in my post do I diagnose people as having a mental illness?
If you didn't mean that, however, feel free to take it back. I don't hold any hard feelings.
Haven't you noticed that much of the "pro" faction has consisted of the neutral and mildly pleased, just because much of the opposition has taken toHow dare you bring your balanced opinion into this forum!


#441
Posted 20 September 2008 - 02:53 AM

#442
Posted 20 September 2008 - 03:00 AM
Way to ignore the rest of my post (and everyone else's) to nitpick my choice of words. Look at what you wrote "the people that say they love it are in denial" and you'll clearly see that you were diagnosing the mental state of other people.Where in my post do I diagnose people as having a mental illness?
If you didn't mean that, however, feel free to take it back. I don't hold any hard feelings.Haven't you noticed that much of the "pro" faction has consisted of the neutral and mildly pleased, just because much of the opposition has taken toHow dare you bring your balanced opinion into this forum!
flamessetting forest fires over this? Talk about weird.![]()
Wow.... was YKMN this provocative and divisive?
#443
Posted 20 September 2008 - 03:05 AM
Yes, or at least reasonably close. I remember engaging in a lengthy debate with at least one other forum member over whether I was "qualified" to say YKMN was a good song (I wasn't even trying to force that opinion on him, just defending it as valid for myself and others). He claimed his education enabled to objectively measure the subjective value of music.Wow.... was YKMN this provocative and divisive?


#444
Posted 20 September 2008 - 03:13 AM
And where is the soundtrack? You'd think it would be available to pre-order by now?The official website for the song, http://www.thirdmanrecords.com/, states that it is "available digitally worldwide 19th September". Which is today.
So - where to download?
It's already on Amazon. I hope it clocks over 70 minutes since 4 will be wasted on this turkey.
#445
Posted 20 September 2008 - 05:54 AM
Yes, or at least reasonably close. I remember engaging in a lengthy debate with at least one other forum member over whether I was "qualified" to say YKMN was a good song (I wasn't even trying to force that opinion on him, just defending it as valid for myself and others). He claimed his education enabled to objectively measure the subjective value of music.Wow.... was YKMN this provocative and divisive?
![]()
I would be fascinated to read what a message board in 1973 would have said about "Live and Let Die". I'd bet good money the responses would be exactly the same.
"'In which we live in?' Arrgh, bad grammar!" "You failed Paul!", "Schizophrenic!", "Aimless mess of electric guitar and weak brass!", "Why didn't they bring in Shirley Bassey!?!", "They picked this over Diana Ross?!!", "Robert Mugabe."
#446
Posted 20 September 2008 - 05:54 AM
#447
Posted 20 September 2008 - 06:56 AM
#448
Posted 20 September 2008 - 08:03 AM
I agree with pretty much all of this article.The Independent reviews 'Another Way to Die'
First Listen: Another Way To Die, James Bond Theme, Jack White and Alicia Keys (Rated 3/5)
Bond gets the better of White and Keys
The beefy guitar riff bursts in, followed by piano notes picking out the unmistakeable James Bond tune to announce the song that will have fans salivating for the next instal-ment of the 007 chronicles.
The months of speculation over the soundtrack to the forthcoming Bond film Quantum of Solace – released in six weeks – ended yesterday when the title track got its first airing on Jo Whiley's Radio One show.
Another Way to Die is the result of an unlikely duet – the first in Bond history – between a blues rock star and a soul singer. The White Stripes' idiosyncratic Jack White and the Grammy-winning singer Alicia Keys stepped in after a collaboration between Amy Winehouse and the producer Mark Ronson collapsed.
If the aim was to match the edgier, darker side of the agent captured by Daniel Craig, the song succeeds – from the piano which picks out the original Bond tune with a sinister twist, to the dark, fuzzy guitar riff that is instantly recognisable as belonging to White. What's more, their voices blend as they sing out alternate lines, the urgency of White's vocals and Keys' more powerful and accomplished voice first alternating, then simultaneous in the chorus.
But, as a song in its own right, Another Way to Die, on first hearing, sounds unlikely to join the ranks of the most successful Bond theme tunes.
Paul Stokes, the news editor of the New Musical Express, is yet to be convinced. "I thought their voices blended really well and they seemed to be quite different characters," he said. "But my concern is that it doesn't really feel like a Bond theme. It has the right chord progression and sinister sound, and is a million times better than the last one by Chris Cornell, which was not only the worst Bond song ever, but the worst song, so it's a step in the right direction. But it is a missed opportunity. It doesn't feel like a swelling Bond theme. It's making nods towards it, but just falls between doing something radical and not being retro enough.
"I'd prefer to see someone like Muse move it into a contemporary era, or the Last Shadow Puppets."
Some had already heard the tune to Another Way to Die on a Coca Cola Zero advert, prompting the displeasure of White, who has since suffered a fit of artistic pique. After the musician heard his notes pushing the virtues of "Bloke Coke", his entourage retorted: "Jack White was commissioned by Sony Pictures to write a theme song for the James Bond film Quantum Of Solace, not for Coca Cola... Any other use of the song is based on decisions made by others, not by Jack White."
Some very harsh comments about 'You Know My Name' from the editor of NME!
#449
Posted 20 September 2008 - 08:13 AM
IMO, YKMN is definitely one of the best Bond songs and a great song as a stand-alone.
#450
Posted 20 September 2008 - 08:38 AM
So Paul Stokes hates Cornell. Gee, can´t somebody criticize something (AWTD in this case) without putting down something else (YKMN)?
In the NME? No.