
"xXx" and "xXx2"
#1
Posted 08 August 2002 - 03:12 AM
In a separate interview, the writer compares her to a Gen-X update of a 007 siren. Argento says she has never seen a Bond movie, adding "They are very sexist. My character is stronger, sometimes smarter."
Now I'm no philosopher, but if she's never seen one, how would she know? Then again, this is a woman who "has a gallery of comely tatoos," the first of which she got while high on hashish in Amsterdam at age 14.
In the Diesel interview, the writer does make a reference to his straddling an airborne Corvette like a skateboard and adds "Funny how James Bond never sky-surfed in his Aston Martin." I don't know if that was meant to be sarcasm or what. But the obvious reply is because it would be stupid. I wonder if this will inspire any copycat incidents.
#2
Posted 08 August 2002 - 03:30 AM
And it's also funny how James Bond has done nearly everything xXx is doing, only Bond did it better. And whatever xXx is doing that Bond hasn't, Bond never had any use to do or wasn't stupid enough to do. Bond does it for Queen and Country, not for the thrill of it alone.
#3
Posted 08 August 2002 - 03:42 AM

#4
Posted 08 August 2002 - 08:32 AM
We have moved on from criticising a movie we haven't seen and are now criticising an actress in that movie for criticising a movie she hasn't seen.
And what bearing has the number of tattoos she's got have on anything?
#5
Posted 08 August 2002 - 10:04 AM

#6
Posted 08 August 2002 - 01:35 PM
#7
Posted 14 August 2002 - 08:20 PM
I also have a feeling BLUE CRUSH is going to knock it out of the number 1 spot next week.
xXx is a catch-the-trend-of-the-minute pretender. It proves people still want their secret agent to where a tux and call himself Bond, James Bond.
#8
Posted 14 August 2002 - 09:36 PM
#9
Posted 14 August 2002 - 09:45 PM
#10
Posted 14 August 2002 - 10:42 PM

#11
Posted 15 August 2002 - 02:43 AM
#12
Posted 15 August 2002 - 04:27 AM
Can I keep my avatar?
#13
Posted 15 August 2002 - 04:01 PM
#14
Posted 15 August 2002 - 04:50 PM
#15
Posted 15 August 2002 - 05:16 PM
Zenact, is correct about the attempt to change marketing. I read the marketing guy at Sony said they were going to emphasize the positive reviews it's received (*cough* *cough*) to woo the older demographic concerned about those kinds of things (like quality). Um, too late; 8 months of "this is really stupid, but LOUD and COOL for those who thought TFATF was cool" non-stop advertising (they started at The Super Bowl) has sealed it's fate with public perception.
Anyway the numbers for the first 5 days: all sinking quickly (even on Saturday & Tues where everything usually goes up)
Fri: $17,311,194
Sat: $15,234,194 (-12%)
Sun: $11,960,715 (-21.5% )
Mon: $5,017,652 (-58%)
Tues: $4,806,579 (-4.2%)
It should drop anywhere from 50-60% over the weekend from last.... quite a start to a "franchise".
MBE
#16
Posted 15 August 2002 - 05:22 PM
Hey, I like Vin Diesel, but it was all that Bond bashing that turned me off.
Who else thought is was pretty stupid of them to alienate Bond fans? Hey, Sony, Bond fans like to go see spy movies and you made them feel like this WASN'T their kind of movie.
#17
Posted 15 August 2002 - 05:33 PM


All the Bond bashing was silly and as you say in the end counter-productive, it just served to alienate a sizeable fan base. It also came off as Sony sourgrapes over their failure to get their own Bond.
MBE
#18
Posted 15 August 2002 - 07:03 PM
#19
Posted 15 August 2002 - 11:01 PM
Bond is much better off at MGM -
A studio known for artistic integrity and respect for it's fan base.
(Umm...can anyone tell me if the sarcasm tags still work?)
#20
Posted 15 August 2002 - 11:46 PM
While James Bond has always been a worldwide phenomenon, Vin Diesel is completly unknown in Europe (at least in Germany). He has no star power at all over here. Even Jean-Claude Van Damme is more popular than him and TFATF is long forgotten. It won't work, especially since Goldmember stars in the same month (October).
#21
Posted 16 August 2002 - 03:16 AM
#22
Posted 16 August 2002 - 12:41 PM
Genuine question - it's obvious that the first weekend of the new Bond is going to be compared to this.
#23
Posted 16 August 2002 - 01:12 PM
#24
Posted 16 August 2002 - 01:25 PM
But folk do pay an awful lot of attention to the opening weekend figures, don't they. Instant information; if DAD doesn't beat xXx instantly, whatever its long term prospects, it may be "Bond is dead, over, done with, ta-ta" when those figures come in which could well have a marked impact on its longer term prospects.
Which would be a shame.
#25
Posted 16 August 2002 - 01:59 PM
#26
Posted 16 August 2002 - 04:00 PM
Whenever you hear about a "new record opening" you have to ask how many screen it was on compared to which movie they are claiming to have beat. And, FYI, studios lie about screen numbers as well. The movie can be on 10 screens at the same multiplex, yet studios will only count the theater as 1 screen. That boosts their per-screen average and creates, yes, another record!
Admissions should be the only test of how well a movie is performing. It's about numbers of people, not $$$. But that would make too much sense.
And it you did that Hollywood might discover they haven't had a "record" movie after GONE WITH THE WIND.
And, for the record, THUNDERBALL is still the most successful Bond when you adjust for inflation or measure by addmissions.
#27
Posted 16 August 2002 - 04:25 PM
Originally posted by zencat
This whole opening weekend gross thing is a joke. It all about number of screens. A big movie use to be released on about 2500 screens and it would gross 50mil. That was bigs news. Now studios open their movies on 6000 screens and when they make 51mil the studios scream, "A new record!"......
And, for the record, THUNDERBALL is still the most successful Bond when you adjust for inflation or measure by addmissions.
Good point - THUNDERBALL also only cost $5M and its worldwide gross upon release was $141M. Recent blockbusters may take $50M but may have cost half that to make. You do the maths - surely something that makes many times its cost back is more successful than something that only doubles it cost. Also consider that ticket prices were much cheaper in 1965 and the film was shown in far less cinemas. I understand that GOLDFINGER holds the record as the fastest grossing film of all time. That made its costs back in the UK alone before it even reached the states! Everything is relative and nothing, repeat nothing will match the success of the mid 60's Bond films in terms of admissions related to profits. I rest my case.

#28
Posted 16 August 2002 - 04:50 PM
#29
Posted 16 August 2002 - 05:11 PM
#30
Posted 16 August 2002 - 05:23 PM