CR
#31
Posted 01 December 2006 - 09:40 PM
- The look he has when he gets the implant and says, "OW." That look said, "Don't ever do that again. Ever."
#32
Posted 01 December 2006 - 11:51 PM
#33
Posted 03 December 2006 - 12:22 AM
#34
Posted 03 December 2006 - 12:58 AM
However, a cheeky moment im not sure whether anyone has noticed. In the lift when Dryden goes up to his office in the PTS it shows the floor numbers '4' '5' '6' and stops before 7.
i.e. before Bond has got this 2nd kill and become 007 they didnt show the number 7 on the elevator....
am i a genius or just a bit loopy?!
#35
Posted 03 December 2006 - 02:18 AM
#36
Posted 03 December 2006 - 02:31 AM
The most disturbing drownding scene ever.
Probably the most disturbing death in a Bond movie...
#37
Posted 03 December 2006 - 04:59 AM
heyyy You may have something there...every line delivered by Craig is a moment, the film is full of it. Its the most subtle touches that polish off this fine film.
However, a cheeky moment im not sure whether anyone has noticed. In the lift when Dryden goes up to his office in the PTS it shows the floor numbers '4' '5' '6' and stops before 7.
i.e. before Bond has got this 2nd kill and become 007 they didnt show the number 7 on the elevator....
am i a genius or just a bit loopy?!
#38
Posted 03 December 2006 - 06:14 AM
Eva Green in the main title sequence - OUTSTANDING idea
Ah yes, I was definitely the only one of my friends to pick up on that.
Do you think that was foreshadowing her treason? I wonder if anyone who had not read the novel before seeing the film picked up on that.
#39
Posted 03 December 2006 - 11:52 AM
In the pre-title sequence, the close up on Craig's face after he finishes "drowning" his first kill. The camera holds on him for just the right amount of time (a little longer than you would expect, which only serves to give the shot more weight), then the cut back to Dryden saying "made you feel it, did he?" And Arnold's music, which is something I've never been a huge fan of, is just perfect here in this scene. It's very subtle, and it's not even a melody, it's more of a rhythmic device---but it's eerie, and it adds a sense of the foreboding to the proceedings. Just perfect!
That
#40
Posted 03 December 2006 - 07:11 PM
#41
Posted 04 December 2006 - 01:21 AM
#42
Posted 04 December 2006 - 05:00 AM
Gotta' love it.
#43
Posted 04 December 2006 - 07:31 AM
#44
Posted 04 December 2006 - 06:00 PM
Vesper's reaction to Bond's claim that her cover name was "Stephanie Broadchest" in the dossier and Bond's "I'm afraid you'll have to take my word for it."
Plus, Bond's answer to Vesper's question about his lamb was great.
"Ow" was pretty funny, too.
Edited by Icarus, 04 December 2006 - 06:01 PM.
#45
Posted 09 December 2006 - 04:28 AM
"How the hell does he know these things??!!"
Gotta' love it.
Seconded. One of the failings of the Brosnan era is that it teems with cozy, knowing "That's my James" moments, rather than moments that cement a bond between Bond and the audience-but, when used sparingly, they can be quite effective.
#46
Posted 09 December 2006 - 05:19 AM
Also, this was brought up in another thread, but I thought the fact that Bond was referred to as "007" only once was quite effective. When the MI6 technician looked at the screen and said, "It's 007!", I felt a rush and it was just a really cool moment.
#47
Posted 09 December 2006 - 01:28 PM
She saved his life twice but he couldn't save hers.just after vesper presses the red button to save bond.
he sists up looks at her and asks
'are you ok'?
Actually I found that a little corny.'wouldn't dream of it'
and
'that last hand nearly killed me'
^^What Taylor eloquently said. The whole opening fight scene, the filming, pacing and acting was mindblowing.
#48
Posted 09 December 2006 - 01:49 PM
or his distaction as she exits.Bond's look as Vesper enters the casino is priceless.
Even that sort of mundane line was exciting.Also, this was brought up in another thread, but I thought the fact that Bond was referred to as "007" only once was quite effective. When the MI6 technician looked at the screen and said, "It's 007!", I felt a rush and it was just a really cool moment.
#49
Posted 10 December 2006 - 11:14 PM
I thought exactly the same thing. I was expecting it to get to 7. That's just the sort of thing you come to expect in a Bond movie!!every line delivered by Craig is a moment, the film is full of it. Its the most subtle touches that polish off this fine film.
However, a cheeky moment im not sure whether anyone has noticed. In the lift when Dryden goes up to his office in the PTS it shows the floor numbers '4' '5' '6' and stops before 7.
i.e. before Bond has got this 2nd kill and become 007 they didnt show the number 7 on the elevator....
am i a genius or just a bit loopy?!
What I've noticed is that many of the brilliant little details referred to in this thread are little glances, looks or utterances of lines by Craig - a huge testament to his acting prowess, I would say.
#50
Posted 11 December 2006 - 03:03 AM
Daniel's Bond doesn't have that. He gives every iota into every line. Granted, his script was 10000000x better than any of Pierce's, in terms of dialogue, but that was a difference I picked up on.
So my answer would be, every time Craig does anything on screen.
And Dinner Jackets. So tongue-in-cheek....but not. COOL, instead of lame tongue-in-cheek. And therein, I believe, lies the greatest strength of the film itself.
"That last hand, nearly killed me" was the widest grin I had on my face, probably during the entire film. Even though I knew it was coming from the blogs, it still gets me every time.
#51
Posted 11 December 2006 - 03:09 AM
It made me think of how she called Bond a "relic of the Cold War" in Goldeneye.
#52
Posted 11 December 2006 - 04:40 AM
"That last hand, nearly killed me" was the widest grin I had on my face, probably during the entire film. Even though I knew it was coming from the blogs, it still gets me every time.
That really has to be one of the best lines of the entire series.
#53
Posted 11 December 2006 - 09:37 PM
I thought it was a nice, knowing touch when M said that she missed the Cold War, near the beginning.
It made me think of how she called Bond a "relic of the Cold War" in Goldeneye.
I loved that one too, I wonder if the line was on purpose. A direct reference to GE and that line.
#54
Posted 11 December 2006 - 09:40 PM
I thought it was a nice, knowing touch when M said that she missed the Cold War, near the beginning.
It made me think of how she called Bond a "relic of the Cold War" in Goldeneye.
I loved that one too, I wonder if the line was on purpose. A direct reference to GE and that line.
I assumed it was...and a nod to the fact that this M is very different from the Brosnan M.
#55
Posted 11 December 2006 - 10:05 PM
I assumed it was...and a nod to the fact that this M is very different from the Brosnan M.
Yes, I am sure it was a reference to Goldeneye. However, Judi Dench insists in all her interviews, that this is the same person as the M in her other Bond movies.
#56
Posted 11 December 2006 - 10:16 PM
All the above, and more, are wonderful. I'm surprised no-one mentioned the obvious, though! The incredible coda ("..the name's Bond..."). So simple, yet a perfect marriage of script, performance, music etc. Really made it feel like the whole wonderful film existed just as a preamble to that moment. Exactly how it was intended, I'm sure.
Andy
UK
#57
Posted 11 December 2006 - 10:19 PM
And welcome to CBn!
#58
Posted 11 December 2006 - 10:27 PM
Well that wasn't really a 'little' detail, it was one of the main parts of the film! lolAll the above, and more, are wonderful. I'm surprised no-one mentioned the obvious, though! The incredible coda ("..the name's Bond..."). So simple, yet a perfect marriage of script, performance, music etc. Really made it feel like the whole wonderful film existed just as a preamble to that moment. Exactly how it was intended, I'm sure.
And welcome to CBn!
#59
Posted 14 December 2006 - 04:11 PM
#60
Posted 14 December 2006 - 04:15 PM
I assumed it was...and a nod to the fact that this M is very different from the Brosnan M.
Yes, I am sure it was a reference to Goldeneye. However, Judi Dench insists in all her interviews, that this is the same person as the M in her other Bond movies.
Yeah I keep hearing that but if the character is written differently (as I believe it is, somewhat), what can she do?