Sudden Death : Bond's Reaction
#61
Posted 18 July 2007 - 03:21 AM
#62
Posted 21 July 2007 - 01:30 AM
I dont know why people bash the film.
#63
Posted 07 August 2007 - 04:17 AM
No, I don't think I have it backwards. When a character like Bond compares having sex with Vesper with "the sweet tang of rape" and describes the body of blacks in a negative manner, I find it hard to view him as a pleasant guy.
"Rape" has more than one definition (consult your OED), and a pretty good argument has been made in the literary forum that Fleming was using the other sense of the word. Beyond such academic matters, how Bond treats women is ultimately more important than what he thinks of them, and the Bond of the books is a far more humane and chivalrous figure than the playboy of the screen. Unlike Connery, Moore and Lazenby, Fleming's Bond never slapped a woman in anger. And in the books the character is far more sensitive to women's concerns and feelings than any Bond until Dalton. Had I a daughter, I'd be more comfortable with her dating book Bond than movie Bond, considering the latter's tendency toward coercion (Connery forcing Pusy Galore to kiss him) or caddishness (Moore locking Goodnight in a closet and telling her "your time will come").
As for LALD, the movie is in some ways worse--its version of Mr. Big is far less intelligent and impressive than the original's, and unlike the book, we don't get to read that Bond, despite his outdated racial attitudes, nevertheless has a level of affection for blacks (and authorial respect, if we take M's words into account).
As I stated in my previous post before all the shenanigans started en route to my hometown, I thought that Laz’s reaction to Tracy’s death was very nicely done, and, within the series, is one of the greatest in a long list of greats. However, I doubt that the casual fan, particularly the fan who knows and cares zero of Fleming, finds it to be nearly as remarkable.
Don't be so sure. I showed the film to a group of people who at best were casual Bond fans, and the ending worked like gangbusters. There's no reason why it shouldn't. Taken purely as a film in isolation it would still work. The film is about a man pursuing a woman and finally marrying her, only to lose her on his wedding day. You don't have to be any sort of Bond fan to emotionally invest yourself in that arc. Lazenby's performance also has quality that has rarely received enough praise: subtlety. He in fact does weep, but only after lowering his face, and it's a very quiet sob. Whatever else Lazenby might have done wrong, he was perfect in portraying the one moment in James Bond's life where he was utterly powerless, lost, and broken.
Her death scene is presented tenderly, with the same song that played over their courtship scene, All The Time in the World, sung by Louie Armstrong. Then you're jarred by the James Bond theme just because it's part of the formula.
I think that's the point--it's there to intentionally disturb you. The movie is saying that James Bond has to go on--at any cost. It's not just that Blofeld and Bundt kill Tracy--it's that the very idea of a James Bond continuing demands her death. The James Bond series killed her. The resurgence of the Bond theme, especially the cold hard synth-driven 69 version, is meant to rub your face in that reality. "You want Bond to continue? " it says. "Well, this is what had to happen in order for that to happen."
Edited by blackjack60, 07 August 2007 - 04:17 AM.
#64
Posted 23 September 2007 - 11:34 AM
#65
Posted 23 September 2007 - 04:36 PM
I think George Lazenby proved in that scene that he really did have the right acting skills, he still remains to this day the most underrated Bond of all. The character changed a lot in this movie, and I even believe Sean Connery wouldn't have fit for this entry. This was no longer the James Bond we knew from the 5 previous episodes, this one was totally different and George was perfect for it.
I've tried, but I simply can't imagine Connery doing this scene. In OHMSS, Lazenby was tops.
#66
Posted 14 October 2007 - 05:51 PM
#67
Posted 15 October 2007 - 02:35 AM
#68
Posted 15 October 2007 - 02:44 AM
Either way, George Lazenby made that scene.
#69
Posted 15 October 2007 - 04:51 PM
That outfit is bad enough to make anyone cry!
#70
Posted 30 November 2007 - 09:00 PM
Her death scene is presented tenderly, with the same song that played over their courtship scene, All The Time in the World, sung by Louie Armstrong. Then you're jarred by the James Bond theme just because it's part of the formula.
I think that's the point--it's there to intentionally disturb you. The movie is saying that James Bond has to go on--at any cost.
And that cost turned out to be even pricier than anyone could have possibly imagined
#71
Posted 01 December 2007 - 04:33 AM
Also, I don't know what they would have done with DAF without Lazenby and a loose end to tie off.
#72
Posted 09 December 2007 - 11:49 PM
#73
Posted 22 December 2007 - 12:27 PM
You are so right, Dalton always cared for the Bondgirls in his films. Thought that was one of the things that made 007 more human, I liked that.I thought he was good in OHMSS and like many people have said, I can't picture any of the other actors from the Bond series pulling it off like Lazenby did except maybe Dalton. Dalton's Bond is the only one I can remember really caring for women.
Edited by O.H.M.S.S., 22 December 2007 - 12:28 PM.
#74
Posted 20 October 2008 - 10:30 PM
By the way, as well as Diana Rigg, Lazenby had the book in his lap. He said that he had cried at the end when he first read the book, so used it for inspiration in the scene, turning to the final page. He cried again, but it was not used in the final film.
#75
Posted 22 October 2008 - 01:54 AM
Cool that Lazenby and Rigg both had Fleming's book on set to aid them. That's true dedication.By the way, as well as Diana Rigg, Lazenby had the book in his lap. He said that he had cried at the end when he first read the book, so used it for inspiration in the scene, turning to the final page. He cried again, but it was not used in the final film.
#76
Posted 22 October 2008 - 01:57 AM
#77
Posted 22 October 2008 - 08:48 PM
#78
Posted 22 October 2008 - 10:02 PM
It's my favourite Bond book. And the film version is great entertainmentI still cry at the ending of OHMSS...
#79
Posted 23 October 2008 - 12:22 AM
**According to my fiancée.
Edited by Dangerous Liaison, 23 October 2008 - 12:25 AM.
#80
Posted 04 November 2008 - 11:19 AM
B. Connery would probably say something like "Pity" or "It was good." and move on to the next mission or woman.
Moore would raise a somber eyebrow.
Dalton would fall to the ground and weep for hours.
Brosnan would grimace for awhile.
Craig would find something to kill.
#81
Posted 11 November 2008 - 10:34 AM
"Hiding" the very ovious fact that she was dead from the Policeman.
I think George Shouldve made another film.
And yes, I have continued from this event in my Fan Movie, The Ghost of You.
http://au.youtube.co...h?v=VR3HTpYunAk
Now if these actors did it:
Sean Connery: He wouldve just sped off after Blofeld in a car chase, PPK firing.
Roger Moore: He cant show emotion. It wouldve just shown the end credits.
Tim Dalton: Car Chase
Peirce Brosnan: Bloody carchase again
Daneil Craig: Another bloody ing carchase!
So yes, George Lazenby was the only sensible one.
Edited by Ultraussie (Jordan.adams), 11 November 2008 - 10:39 AM.
#82
Posted 21 November 2008 - 06:17 AM
#83
Posted 24 November 2008 - 06:09 PM
It's one of the few movies that pack this sort of emotional visceral punch. But here's another for me that had a similar punch and I tend to connect the music to the movie.
Warning: It is violent:
#84
Posted 25 November 2008 - 12:55 PM
Nobody can doubt GL's acting after seeing that scene.
In a job like Bond's he must have to keep his emotions and feelings repressed which makes it all the more powerful when he finally lets go. I like that it comes out as sorrow rather than violence and anger as it feels a more honest reaction. He isn't thinking about himself and how HE will feel better if he goes and kills them. It sounds really cliched but he does lose a part of himself when Tracy dies, a side of himself that perhaps he didn't realize he had until he met her.
I also like that this is the last time we see that kind of emotional reaction from Bond because after losing Tracey, nothing else hurts him as much. That is why I liked it when DC got upset in CR because it showed Bond does have that emotional side to start with.
Also, what do people think of that scene in FYEO when Bond revisits the grave? Did you like it, could it have been expanded on?
Edited by Painted Gold, 25 November 2008 - 12:59 PM.
#85
Posted 25 November 2008 - 05:53 PM
I thought Roger played it very well.Also, what do people think of that scene in FYEO when Bond revisits the grave? Did you like it, could it have been expanded on?
#86
Posted 26 November 2008 - 01:38 AM
I havent seen the first 30 minutes of the film.I thought Roger played it very well.Also, what do people think of that scene in FYEO when Bond revisits the grave? Did you like it, could it have been expanded on?
#87
Posted 22 February 2009 - 03:56 AM
A. I think that Lazenby handled it very well. It's a very sad scene, and it's very heartbreaking when Tracy dies. If you think about it, we only knew Tracy for the duration of about 2 hours, but we feel sad when she dies because she's such a great character.A. What are your opinions on how Lazenby handles the scene?
B. How would each Bond react to such an event?
B. Connery: I'm not sure how Connery would react to the death of Tracy. It might be hard to even comprehend Connery doing that scene, IMO.
Lazenby: Just said.
Moore: I think that Moore, while I think that he's good, might have had a rough time with this scene. When Tracy is mentioned in TSWLM, he sort of brushes it off. He does lay flowers on her grave in FYEO, but I don't think that the scene would have worked with Moore.
Dalton: I think that Dalton would have been able to bring some real emotions into that scene, had he done OHMSS (wasn't he originally supposed to do OHMSS?).
Brosnan: This'll be difficult to determine. I'm reminded of Paris' death in TND. However, it's so quick that we don't have time to let that moment sink in. So, there might have been some potential, but if there was more time for the scene.
Craig: He'd take it just like Lazenby did. He'd take her death very personally. I mean, look at the way Craig reacted to Vesper.
Edited by danielcraigisjamesbond007, 22 February 2009 - 03:56 AM.
#88
Posted 22 February 2009 - 04:34 PM
I think Moore would have been the most interesting to see of the actors mentioned given the way he handles the scenes mentioned above. Sure he's the most light-hearted of the Bonds, but when he does get serious or emotional it resonates a lot more. The shock of seeing this type of Bond put in that situation would be the most unsettling.Moore: I think that Moore, while I think that he's good, might have had a rough time with this scene. When Tracy is mentioned in TSWLM, he sort of brushes it off. He does lay flowers on her grave in FYEO, but I don't think that the scene would have worked with Moore.
#89
Posted 31 March 2009 - 12:01 PM
Roger Moore: Moonraker 5, that's the answer.
Timothy Dalton: Smiert Spionom?
Pierce Brosnan: Something I'd said?
Daniel Craig: Grrrr.
Anyway, George Lazenby was perfect in that scene.
#90
Posted 31 March 2009 - 05:39 PM
The one thing I did hate about this scene is the way the Bond theme plays right after. Whose brilliant idea was that? I always thought it incredibly obvious that "We Have All The Time In The World" should play during the end credits. I guess it was just a reminder that this was a Bond movie.