
The Man With The Golden Gun
#1
Posted 01 May 2001 - 11:39 AM
And then there was Mary Goodnight. Scatterbrained and absolutely ridiculous. How on earth could she possibly be working for MI6?
And Nick-nack, the pint-sized man. Watching him fight Bond at the end was just painful.
The best gadget Bond had was possibly the third nipple. Oh dear.
The Bond song was awful too.
What a disgrace. This is the worst Bond film I've ever seen.
#2
Posted 14 May 2001 - 11:30 PM
I loved him in Live And Let Die, he just had that American country bumkin feel about him.

#3
Posted 14 May 2001 - 11:34 PM
#4
Posted 19 May 2001 - 01:13 PM
Sheriff Pepper, oh well, what more can I say. All I can say about his character was that he was holidaying in Thailand, and as Bond hijacks a car he just happens to be buying it, trying it out. What on earth is he trying to buy a car in Thailand? And how on earth did he afford to go on holiday to Thailand on a sheriff's pay?
#5
Posted 19 May 2001 - 02:40 PM
#6
Posted 20 May 2001 - 04:20 AM
mrmoon (19 May, 2001 02:40 p.m.):
I don't think anyone is particuarly bothered why Sheriff Pepper is buying a car in thailand much the same as no one is bothered how Jaws survives his cable car crash into the 7up building. There are too many idiosyncrasys to point figures at one.
I was never bothered with why Pepper was looking at the car. I just always thought he was bored with his wifes shopping sprees so he went off to do something more his style, look at cars!
#7
Posted 25 May 2001 - 01:56 PM
#8
Posted 02 June 2001 - 04:30 PM
Sorry, Mr Moon, can't agree. As fans of the series, we still need to retain our critical faculties. And knowing the films better than most viewers we are in a better position to discuss their shortcomings ( as well as appreciate their virtues). The fact is some Bond films are better than others.
The controversy comes because we all have differing ideas of which are good and which are bad. That's why swapping opinions in these forums is so much fun.
Personally I don't rate Golden Gun highly,for similar reasons to those listed by Digitarius. However I do like the scene in Lazar's workshop - "Speak now or forever hold your piece"- and the interplay between Roger Moore and Christopher Lee. I'd love to see the duel as originally shot - where they BOTH cheat, and there's a bit of cat and mouse amongst the rocks on the beach, with Bond improvising a Molotov cocktail to try to smoke Scaramanga out.
And yes the scenery IS lovely.
#9
Posted 04 June 2001 - 03:12 PM
For me, The Man With The Golden Gun is the worst out of the lot, but still there are saving graces, such as the performance of Christopher Lee. A View To A Kill (probably 2nd worst) has the superb soundtrack and Walken playing Zorin, while even NSNA has its ups, if only because Connery was there.
#10
Posted 20 June 2001 - 12:01 PM
Actually Commander of the British Empire sounds more the sort of thing Bond should be awarded.
#11
Posted 20 June 2001 - 03:44 PM
But how could Bond be given a CBE when he is fictional? That's unfortunate. I think Moore already has a CBE/OBE and Connery is a 'sir'. Dalton has nothing (because he is nothing other than Bond in two films) and Brosnan has still a long way to go.
#12
Posted 09 August 2001 - 12:38 PM
Perhaps it was because it was a touch Connery, but hey ho.
#13
Posted 09 August 2001 - 03:55 PM
#14
Posted 09 August 2001 - 05:58 PM
#15
Posted 06 September 2001 - 03:57 AM
Cubby Broccoli produced LALD in '73, and Harry Saltzman produced TMWTGG in '74.
It's the only instance where 2 Bond movies were only 1 year apart, to the detriment of Gun, I feel.
Saltzman wanted Thailand as a location for LALD but Cubby had other ideas, so they both "did their own thing".
As far as the music is concerned, I feel that it was John Barry's least memorable score. He only had 2 weeks to write it, and it showed.
Saltzman then sold his stake of EON to Cubby, and left (with his tale between his legs, I would think).
Not a fitting going away present to the Bond world!
#16
Posted 02 October 2001 - 01:27 PM
Jim (09 Aug, 2001 01:38 p.m.):
The scene with Andrea Anders, the Hong Kong hotel room, the shower, the water pistol, Bond being somewhat rough................this is a top Bond moment, and for me, Moore's finest.
Totally agree - I also love this film, the scenery was wonderful, the occasional toughness from Moore and Lee and not filled with explosions - it really is a chilled out film. Nick Nack was comic relief in a tone a whole lot less cringeworthy of the later Q scenes while Goodnight was abit painful, but hey, it was the '70s.
I've also had the pleasure of visiting Scaramanga's island and it really is quite magical - a true Bond location.
#17
Posted 02 October 2001 - 02:47 PM
As a side bar, I remember reading newspaper articles in Sydney in which George Lazenby criticised the lousy martial arts action in the movie.
At the time he was promoting his own kung-fu flick, The Man From Hong Kong.
I'm sure we all remember that one.

#18
Posted 04 January 2002 - 04:59 PM
#19
Posted 04 January 2002 - 08:07 AM

In 1974, I was only 13 (unlucky year for Bond, unlucky age for me?) when I saw my first Bond movie at the cinema.
I thought it was fantastic! Spectacular islands, Scaramanga's snazzy house, kung-fu fighting, 360o car stunt, flying car, mini sea-plane, cool looking laser canon.
It was around the time of that super excellent kung-fu movie Enter The Dragon with Bruce Lee. For some reason I found many similarities between the two: oriental locations, action on an island, and of course, kung-fu fighting.
I loved it! Then I grew up, but still appreciate TMWTGG as my entry into the Bond cinematic universe.
#20
Posted 03 January 2002 - 09:36 PM
It isn't a Bond movie that I've revisited all that frequently (I doubt whether I've watched it more than a dozen times), but I did sit through it again when it popped up on Optus, and I enjoyed it more than I expected.
If you remove a few seriously miscalculated elements - the slide whistle, Sheriff Pepper, the schoolgirls, and Mary Goodnight- what remains is pretty good.
The hidden Service base in the wreck of the Queen Elizabeth is a wonderful conceit that Fleming would be proud of. The scene with Lazar is terrific. The fight in Saida's bedroom is nicely done by Moore movie standards. The scene with Andrea in her hotel room shows a hard edge to Bond.
It would have been better still, if the original duel, in which both men cheat (as you would), had been retained.
But what on earth made them decide to write Mary Goodnight as a comic role? It isn't as if comedy was Britt Ekland's strong point, though she'd done several due to her marriage to Peter Sellers. Did they feel that a Secret Service secretary wasn't interesting enough as a character? I keep thinking how much better the whole film could have been with someone like Judy Geeson in the role.
#21
Posted 14 November 2001 - 10:57 PM
#22
Posted 15 November 2001 - 10:02 AM
There's more comedy in this film than most bonds; I think Moore was probably seeing how far he could go with humour in the bond format.
People just love slagging off J W Pepper - I can see why, but I don't think he was THAT bad. It would be interesting to see how the 'flipping car over the water' scene would have worked if it was just Bond in the car..
This is probably Rogers 2nd worst film after AVTAK; but it's still enjoyable.
#23
Posted 15 November 2001 - 10:59 AM
Francisco Scaramanga is probably the last great Bond villain. An outstanding performance by Christopher Lee. Tall, dark and handsome, reminds me of his role as Dracula, especially when you see him asleep on his Chinese junk. The golden gun is probably one of the most original and best loved gadgets in the series. The locations are wonderfully exotic, with the exception of Beirut. The scenes with Lazar in Macau and Andrea Anders in Hong Kong are superb. I love the way Bond constantly puts down Miss Anders as a "nobody" and that she is "worthless". Its not often we get to see Bond's chauvinism anymore. The scene at the 'karate school' where Bond kicks the guy in the head as he is bowing is classic, spoilt only by the appearance of Hip and his nieces and that fact that Hip drives off without Bond! The only other problem I have is the car jump (with whistle sound) and Scaramanga's "Flying" AMC Matador. But apart from that and a few lines of dialogue you wish had never been wrote, the film is one of the most light-hearted and enjoyable. It my opinion it is better than Moonraker, AVTAK, LTK and TND and should be considered a classic.
#24
Posted 15 November 2001 - 03:04 PM
scaramanga (15 Nov, 2001 10:59 a.m.):
I love TMWTGG
Really, I never would have guessed.

#25
Posted 18 November 2001 - 05:58 PM
Mister Asterix (15 Nov, 2001 03:04 p.m.):
scaramanga (15 Nov, 2001 10:59 a.m.):
I love TMWTGG
Really, I never would have guessed.
lol.


#26
Posted 18 November 2001 - 06:08 PM
scaramanga (18 Nov, 2001 05:58 p.m.):
Mister Asterix (15 Nov, 2001 03:04 p.m.):
scaramanga (15 Nov, 2001 10:59 a.m.):
I love TMWTGG
Really, I never would have guessed.
lol.Somewhat narcissistical of oneself would'nt you say?
Most definitely.
#27
Posted 14 January 2002 - 04:04 AM
mrmoon (19 May, 2001 03:40 p.m.):
I don't think anyone is particuarly bothered why Sheriff Pepper is buying a car in thailand much the same as no one is bothered how Jaws survives his cable car crash into the 7up building.
Actually both examples annoy the hell out of me.
That said, parts of TMWTGG are fine. The scene with Lazar is terrific. The fight in Saida's room is probably Moore's best (though that may be damning with faint praise). The scene where Bond smacks Andrea around (not that I approve, of course) shows a hard edge to Moore's Bond.
If they hadn't rejigged the original end where both Scaramanga *and* Bond cheat in the duel, and had made Mary Goodnight a worthy partner to Bond [and ditched the wretched slide whistle], then I think TMWTGG would be better regarded.
#28
Posted 22 January 2002 - 05:25 AM
Blofeld's Cat (02 Oct, 2001 03:47 p.m.):
As a side bar, I remember reading newspaper articles in Sydney in which George Lazenby criticised the lousy martial arts action in the movieThe Man with the Golden Gun.
At the time he was promoting his own kung-fu flick, The Man From Hong Kong.
I'm sure we all remember that one.
Actually, B.C. I do, and with considerable affection.
Jimmy Wang Yu to Rebecca Gilling who is lying in blissful afterglow after some bonkage:
"Well, what did you expect, acupuncture?"
#29
Posted 21 January 2002 - 11:50 PM

#30
Posted 29 December 2001 - 07:47 AM