No one loves Bond more than I do
Oh yes they do.
Posted 10 November 2012 - 11:28 PM
No one loves Bond more than I do
Posted 10 November 2012 - 11:30 PM
Posted 10 November 2012 - 11:32 PM
Posted 10 November 2012 - 11:44 PM
Stunts done in CR and QOS are far more realistic in that you at least see what happens. Falling 100's of feet after being shot and sinking below the surface with no explaination afterwards on how he survived! Come on man!
Posted 10 November 2012 - 11:44 PM
because the whole point of rebooting the series was to bring Bond back down to earth and close to Flemings original concept. No more invisible cars and space lasers.why are people complaining how Bond survive that fall? it a movie? it does not need to be realistic just enjoy it and stop pointing every small problem........argh!
Posted 10 November 2012 - 11:49 PM
because the whole point of rebooting the series was to bring Bond back down to earth and close to Flemings original concept. No more invisible cars and space lasers.
why are people complaining how Bond survive that fall? it a movie? it does not need to be realistic just enjoy it and stop pointing every small problem........argh!
Posted 11 November 2012 - 04:21 AM
Posted 11 November 2012 - 04:24 AM
That said, SF has more layers and plays by the numbers less than any other Bond film, which makes it that much more intriguing and builds the anticipation to want to see it again.
Posted 11 November 2012 - 04:50 AM
Posted 11 November 2012 - 05:06 AM
Posted 11 November 2012 - 05:14 AM
Then you should be happy. There were no invisible cars and no space lasers.because the whole point of rebooting the series was to bring Bond back down to earth and close to Flemings original concept. No more invisible cars and space lasers.
why are people complaining how Bond survive that fall? it a movie? it does not need to be realistic just enjoy it and stop pointing every small problem........argh!
Edited by 00Hockey Mask, 11 November 2012 - 05:15 AM.
Posted 11 November 2012 - 05:18 AM
Posted 11 November 2012 - 06:42 AM
Posted 11 November 2012 - 07:43 AM
Posted 11 November 2012 - 10:01 PM
But Holmes didn't fall into the abyss!There is no problem with Bond surviving that fall........how about how sherlock Holmes survive his fall? pretty much the same thing
Posted 13 November 2012 - 01:30 AM
Posted 13 November 2012 - 02:52 AM
Posted 13 November 2012 - 02:56 AM
Posted 13 November 2012 - 09:04 AM
Posted 14 November 2012 - 05:57 AM
I think December is a nice time to expire that rule here. Until then, there are a few territories that haven't seen the film. Plus, we do have the spoiler section, where you can talk as openly about the film as you'd like
Posted 14 November 2012 - 11:30 PM
Posted 15 November 2012 - 02:03 PM
Posted 22 November 2012 - 02:10 PM
Posted 22 November 2012 - 03:07 PM
It's looking more and more likely that Mendes will return, but Deakins has already said he won't do another Bond film.And yet, I don't want Mendes or Deakins to do another. I want this one to be unique. Let someone else have a crack, but someone of the same calibre. Also... the Nolan comparisons are overstated. This still resembles a Sam Mendes film more than a Christopher Nolan film, for my money. Especially the window motif, which is a favourite of Mendes'
Posted 22 November 2012 - 03:52 PM
but Deakins has already said he won't do another Bond film.And yet, I don't want Mendes or Deakins to do another. I want this one to be unique. Let someone else have a crack, but someone of the same calibre. Also... the Nolan comparisons are overstated. This still resembles a Sam Mendes film more than a Christopher Nolan film, for my money. Especially the window motif, which is a favourite of Mendes'
Posted 22 November 2012 - 04:50 PM
It's looking more and more likely that Mendes will return, but Deakins has already said he won't do another Bond film.And yet, I don't want Mendes or Deakins to do another. I want this one to be unique. Let someone else have a crack, but someone of the same calibre. Also... the Nolan comparisons are overstated. This still resembles a Sam Mendes film more than a Christopher Nolan film, for my money. Especially the window motif, which is a favourite of Mendes'