
Golden Gun, Moonraker or View?
#61
Posted 08 November 2012 - 06:40 PM
AVTAK is a poor entry in the series, somewhere in my bottom five. But it isn't irredeemable. Walken's Zorin is another quality villain. Bonus points for sharing the most awkward evil laugh of all time with Mayday. The comic relief with the police goes on way too long. I'm still not sure what the point of the whole horse race rigging subplot was. And, worst of all, it just isn't very memorable. No jaw droppingly amazing action scenes - the closest they get to that is Mayday's jump from the Eiffel Tower. And I still think there's some wasted oppertunity there. There's little to get excited or nostalgic about. Really, Walken and his blimp are all this one has going for it.
TMWTGG is easily the worst in the series. There isn't a single scene that worked in this one for me. Moore era silliness is beyond rampant in this one. Very light on action - and the only decent stunt is ruined by a cartoon sound effect. Christopher Lee's talents go to waste, as does John Barry. Even he couldn't save this one. Sheriff Pepper... who's idea was it to bring him back?! James Bond doesn't need a sidekick, least of all an obnoxious loudmouth. Bad humor, vapid characters, and worst of all: wasted potential. This one could have been one of the best. The world's greatest assassin is after Bond - this should have been enough. Why did they have to bring in the solar energy monopolization/ransom? The laser and generators that Scaramanga himself didn't fully understand? The little person henchman? The evil carnival?! The prosthetic third nipple?!?! It should have been a deadly globetrotting game of cat and mouse between Bond and Scaramanga, with the stakes being their lives - nothing more, nothing less. I really wish EON would give this concept another try. They've rehashed YOLT, Goldinger, and DAF to death - let's see them revamp this one for the Craig era!
#62
Posted 08 November 2012 - 07:40 PM
#63
Posted 08 November 2012 - 08:20 PM
I didn't like that they pretty much sideline Scaramanga for the end, though (he stands there waiting for Bond to arrive...how exciting!) They could have used the local a lot better and filmed a really tight end and didn't, IMO, leading to an anticlimax.
#64
Posted 13 November 2012 - 04:43 AM
#65
Posted 13 November 2012 - 06:58 AM
- Moonraker
- The Man With the Golden Gun
- A View to a Kill
#66
Posted 13 November 2012 - 11:15 AM
Moonraker may be my least fave, I think its offensively stupid, Chiles is practically asleep the entire film. Clery is probably the best bit. I love the parachute jump but it's dumb comedy ending is awful.
Golden Gun not great, but I like Adams and Lee. But again, too much stupid goin on.
I don't need Bond films to be super serious and po-faced, but I don't think it ever needs to go to levels of pigeons doing double takes, knife throwing corpses and certainly not swannee whistles over breathtaking stunts.
How SWLM got to be the delicious filling in that **** sandwich I'll never know.
#67
Posted 13 November 2012 - 04:35 PM
#68
Posted 16 November 2012 - 12:58 AM
Golden Gun and Moonraker are both great. They are both my favorites after The Spy Who Loved Me.
Christopher Lee always plays a great villian.....Drax is also a great character.
I like Goodhead better than Goodnight.
Bond in space is such a unique concept .... it makes the film lots of fun to watch...plus it has Jaws.
Herve was also great in the Golden Gun.
#69
Posted 22 November 2012 - 08:46 PM
AVTAK then takes the overall trophy thanks to MR's shocking use of Jaws and also the poor editing at certain points of that film. But for that, it would have been a close one.
I love AVTAK though. It was one of the first Bond films I loved as a kid.
#70
Posted 22 November 2012 - 10:01 PM
Moonraker is sumptuous, expansive and expensive, but the good bits aren't original and the original bits aren't good.
AVTAK is such an implausible casting basket-case that it's amazing the film ever got finished. And yet....it has a leisurely pace that gives the film quite a warm fuzzy feeling.
So, I've managed to dodge the actual question ;-)
#71
Posted 10 December 2012 - 09:22 PM
Moonraker is the best of a bad bunch. Story structure is just about perfect, although why any villain would want to poison Earth is a daft idea. Roger Moore is great in this and there's a fun factor to it.
A View To A Kill was my first Bond at the pictures. 1985, in a little place called Leicester. The story is all over the place. First it starts off with horses, then moves on to destroying Silicon Valley! What???? I still love it, though, because it's the epitome of the 80s. Duran Duran, Hume's photography... Walken's Zorin is hilarious, great, weird acting.
Man With The Golden Gun was a wasted opportunity. So much could have been done with this, but they wasted on the solex plot. What were they thinking? Bond versus Scaramanga, guys!!! What could have been!!! It's my least favourite, but I always watch it because it's BOND!.
#72
Posted 10 December 2012 - 11:06 PM
Top to bottom:
Moonraker--very silly, but beauftiul to look at, sometimes genuinely amusing, and very well paced until the overlong final battle.
Golden Gun--many weaknesses, but wonderful locations and Bond spends less time in moving vehicles than in LALD, thus being more interesting than in that movie.
View--bottom of my Bond list, good production values but an ambling storyline with perfunctory set-pieces and almost no scenes that I enjoyed.
#73
Posted 11 December 2012 - 12:24 AM
Golden Gun, actually. I think it's really underrated. The first hour is really really good: a gripping, surprisingly low-key and gritty espionage thriller. And the Bond/Scaramanga duality theme that runs through the story is brilliantly handled - and Christopher Lee is possibly my favourite villain portrayal (but not my fav villain, if that makes sense). Years before John Woo made it a trope to blur the lines between the hero and the villain, making them flipsides of the same coin, Golden Gun made it the heart of the story.
UNFORTUNATELY, Mary Goodnight is an appallingly written character and the representation of solar energy is not only painfully wrong, but embarrassingly reactionary these days. And don't get me started on JW Pepper, the Kung Fu school and the slide-whistle. So it's a 50/50 film for me, but that's still much better than Moonraker or View To A Kill.
#74
Posted 11 December 2012 - 05:50 AM
I'm actually a big fan of A View To A Kill. Aside from a couple silly moments it's actually a top notch thriller. Sure, Roger looks about 10 years too old for the role, but other than that and a few cringeworthy screams by Tanya Robers to, "JAMES - DON'T LEAVE ME," I really don't have much criticism for this one. For my money this is the most UNDERrated Bond movie.
I like Man With The Golden Gun a lot, too. Moonraker is OK. It's definitely near the bottom for me, though.
Edited by B5Erik, 11 December 2012 - 05:51 AM.
#75
Posted 11 December 2012 - 07:07 PM
Golden Gun, actually. I think it's really underrated. The first hour is really really good: a gripping, surprisingly low-key and gritty espionage thriller. And the Bond/Scaramanga duality theme that runs through the story is brilliantly handled - and Christopher Lee is possibly my favourite villain portrayal (but not my fav villain, if that makes sense). Years before John Woo made it a trope to blur the lines between the hero and the villain, making them flipsides of the same coin, Golden Gun made it the heart of the story.
UNFORTUNATELY, Mary Goodnight is an appallingly written character and the representation of solar energy is not only painfully wrong, but embarrassingly reactionary these days. And don't get me started on JW Pepper, the Kung Fu school and the slide-whistle. So it's a 50/50 film for me, but that's still much better than Moonraker or View To A Kill.
I hate Mary Goodnight, she is so annoying and she doesn't do anything. Yeah that whole school thing is bad and JW pepper is awful, other than that The Man with the Golden Gun is actually pretty good.
#76
Posted 15 December 2012 - 12:08 AM
The Man with the Golden Gun, Moonraker and A View to a Kill are generally the Roger Bonds which are criticized the most.
Which of the three do you prefer and which one did you like the least?
Best to Least
1. man
2. kill
3. moon