New Fleming reprints this summer
#61
Posted 28 June 2012 - 05:27 PM
Paperback versions of the original hardbacks might have been worth a go; this is just banal.
#62
Posted 28 June 2012 - 06:15 PM
#63
Posted 28 June 2012 - 08:25 PM
Not to mention some of the rather awkward poses... he looks a bit silly and, worst of all: rather lost in most of these. Like, y'know: a male model.
Bond is the strongest man in the world in these books: showing him dwarfed by his surroundings and wandering the streets looking like he doesn't know where to go makes him look like a loser. He doesn't even realise you're supposed to face a camera. He looks like Mr Bean with a gun.
Moonraker looks like a drunk city worker trying to get home after a big night out who doesn't have the money for a cab. Thunderball looks like he's woken up after his stag do to find he's been dumped on a beach somewhere.
The Gardner reprints still reign supreme in terms of recent covers, I'm afraid.
#64
Posted 28 June 2012 - 09:28 PM
What is absolutely over my head is the reasoning. Do the folks at Vintage really believe they can reach new readers by making their product less distinctive? By hiding it in the masses and making it confusable with any of a thousand other thrillers-of-the-month, all on purpose? It's the first time I hear of an approach that tries to sell with the least memorable product. I find it hard to believe the 'Classic' line of Fleming originals was conceived by the same publisher.
#65
Posted 28 June 2012 - 09:29 PM
They lack focus and any kind of dynamic.
It’s as though someone has just turned up at a random moment with a camera and pressed the shutter release, then walked off and that’s it!
The corporate psychobabble 'explaining' the covers is about as convincing as David Niven as James Bond.
In recent years, Richie Fahey's Bond cover designs remain the only stand out work.
Raymond Hawkey's cover designs of the 1960s remain the zenith of Bond paperback design, and going by the feeble 21st Century efforts, they are in no danger of being equalled, let alone surpassed.
Graham Rye
Editor/Designer/Publisher
007 MAGAZINE
www.007magazine.com
#66
Posted 30 June 2012 - 08:32 PM
The days of great cover design are clearly a thing of the past.
#67
Posted 01 July 2012 - 12:03 AM
The days of great cover design are clearly a thing of the past.
Nothing wrong with these.
Looking again; have you noticed how badly 'Bond's suit fits on the CR cover? Look like he's wearing his dad's suit. Just rubbish.
#68
Posted 17 July 2012 - 04:28 PM
#69
Posted 17 July 2012 - 05:01 PM
#70
Posted 17 July 2012 - 05:28 PM
Maybe not If, so much as, Which? Not wishing to display such ignorance.
#71
Posted 17 July 2012 - 05:38 PM
#72
Posted 17 July 2012 - 06:21 PM
Sherlock Holmes?Can I ask if there are any other series of books that have devoted to them so many iterations of cover design?
Maybe not If, so much as, Which? Not wishing to display such ignorance.
#73
Posted 17 July 2012 - 08:03 PM
Second wave of covers revealed. These have grown on me.
http://www.thebookbo...econd-wave.html
Very bad. All together these have the added pleasure of making it look like a confused Bond is staggering home after a ruinous stag do.
I like the midget Bond on the Spy Who Loved Me cover.
#74
Posted 12 August 2012 - 02:25 AM
#75
Posted 07 September 2012 - 09:38 PM
http://www.thebookbo...an-fleming.html
#76
Posted 07 September 2012 - 09:52 PM
Although I find the implication given by its cover that, in Casino Royale, Bond gambles for his life over a game of Darts quite amusing.