
Most Disappointing Bond Film
#61
Posted 06 March 2010 - 05:42 PM
And, yes, I'm joking. But it was disappointing, no?
#62
Posted 06 March 2010 - 05:42 PM
1. Diamonds Are Forever (1971)
I can't even remember if I saw this before or after I saw OHMSS, but what a disappointment in hindsight. Aside from the thrown-together PTS, this film completely ignores the emotional ending of its predecessor. Strike one. Not only do we not receive a revenge story like we deserve, but we are also given a complete 180 of that idea. Strike two. Then there's the cross-dressing Blofeld. Strike Three.
DAF takes place in a completely different universe than its immediate predecessor. I think the filmmakers quite consciously ignored the existence of OHMSS when they were making this one.
I believe the PTS is meant to suggest that Bond has finally caught up with the Blofeld that escaped at the end of YOLT - not the Blofeld who killed his wife.
We're even introduced to Bond in Japan, where we last saw him (in his Connery incarnation).
Indeed, I'd be interested to know if there was anyone here who saw DAF on it's original release and, even though all marketing indicated it would be nothing of the sort, was disappointed in it specifically because it wasn't a revenge story following on from OHMSS...
... and if so if the literally thousands of revenge fantasies since then in any way made up for it

#63
Posted 06 March 2010 - 05:47 PM
#64
Posted 06 March 2010 - 07:13 PM
Really Safari Suit, you found it funny? You must give me the name of your oculist!!!!
I thought it was funny too.
#65
Posted 06 March 2010 - 07:46 PM
And, yes, I'm joking. But it was disappointing, no?
I didn't think that CASINO ROYALE '67 was disappointing. I rather liked it a lot and found the story easy to follow . . . until the last fifteen or twenty minutes.
#66
Posted 07 March 2010 - 01:47 AM
More broadly, though, I'd imagine Never Say Never Again has to take the cake as the most disappointing Bond flick. Think about it: Sean Connery returns as James Bond and that's the end result?
#67
Posted 07 March 2010 - 02:43 AM
To each his own, but I’m not disappointed by NSNA. It’s not as bad as people say. I think it's better than certain official Bond films. It has some good aspects going on. Especially Fatima Blush and Maximillian Largo. I like the new take on Q Branch as well. Not to mention moments of pure gold, notably the doorman scene. I think the good outweighs the bad.More broadly, though, I'd imagine Never Say Never Again has to take the cake as the most disappointing Bond flick. Think about it: Sean Connery returns as James Bond and that's the end result?
Granted, it’s got poor music and editing, Basinger is weak and we’ve seen most of the action before in Thunderball, but when Connery is on screen, it works. He still had the charm, especially in his line delivery. And he has some great lines to deliver. He didn’t let the side down. It’s a bonus performance that we otherwise wouldn’t have. For that alone, I like it.
#68
Posted 07 March 2010 - 04:44 AM
Really? Even with scenes missing and reshuffled around to form a frankly-incoherent and unlinear mismash?I didn't think that CASINO ROYALE '67 was disappointing. I rather liked it a lot and found the story easy to follow . . . until the last fifteen or twenty minutes.
#69
Posted 07 March 2010 - 04:52 AM
So in my mind i built up this idea that it must be fantastic and wonderful film.
Now when the rereleased all the movies on VHS for the release of GoldenEye I could finally see it!!
Well I was 13 and thought it was the most boring Bond film ever, even now while I appreciate parts of it I still rank it fairly low on my list of Favs.
#70
Posted 07 March 2010 - 12:16 PM
Really Safari Suit, you found it funny? You must give me the name of your oculist!!!!
It's in the free-form surrealist tradition of post-war, post-vaudville British comedies like The Goon Show (with the obvious Peter Sellers link), with a touch of the psychedelia-tinged silliness and wierdness you often find in cartoons of the time (especially Pink Panther cartoons), and in a way this style is a predecessor to the Monty Python et al wave of comedy. These are all things that, for my sins, I find funny, so yes CR67 raised the odd chuckle and kept a smile on my face. Don't get me wrong, I don't love the film, I don't even own it currently*, but I did find it quite funny.
*Mind you, if the US edition with the Barry Nelson version included or the special edition with making of and commentary had been released in the UK I probably would have it by now.
#71
Posted 07 March 2010 - 08:17 PM
#72
Posted 07 March 2010 - 10:07 PM
My first big letdown was NSNA. C'mon back in 1983 SEAN CONNERY was BACK as BOND! ....oh.
My second big letdown was LTK. After how impressed I was with TLD (Best Bond since the 60s), I felt letdown with LTK.
Same with QoS, CR became my new favorite Bond movie and QoS was a poor follow up.
I should clarify that these are not my least favorite Bond movies, but they are the ones that I were most looking forward to that disappointed me.
The other one I should add would be GoldenEye. After a 6 1/2 year hiatus, I was looking forward to the return of Bond. I went to the World Premiere, was 10 feet away from Brosnan, spoke with Femke Janssen, it was a once in a lifetime experience. All that build up and the movie left me feeling rather flat.
#73
Posted 08 March 2010 - 10:21 AM
Which Bond film disappointed you the most? It doesn't have to be the worst, just the one that you had high expectations for that weren't met.
For me, it's definitely DAD, TWINE, Moonraker.
#74
Posted 08 March 2010 - 12:06 PM
Quantum of Solace, as many have already stated on here, was a crushing come-down after the dizzy heights of Casino Royale. Whatever excitement I had going into the cinema had drained almost completely from me by the end of the film.
The most disappointing of all for me though was Licence To Kill. I loved The Living Daylights and throughly enjoyed Timothy Dalton's take on the role of James Bond. Licence To Kill felt ALL wrong to me. Dalton was good but the movie seemed tacky, unglamorous, overly violent, and I got the odd sensation that Bond was guest-starring in another's film (a little like that time when inexplicably Tom Selleck's Magnum appeared in an episode of Murder She Wrote).
Drifting from Fleming is one thing, but drifting from the essential elements that make up a Bond movie always leaves me disappointed.
Edited by Q's Tie Collection, 08 March 2010 - 12:07 PM.
#75
Posted 10 March 2010 - 04:39 PM
#76
Posted 10 March 2010 - 04:48 PM
Anticipation......the 40th Anniversary film, Halle Berry,
Bond captured in N. Korea- then the bottom falls out...........
#77
Posted 10 March 2010 - 05:20 PM
I was hoping it'd be a work of true greatness, like CASINO ROYALE. But it wasn't.
It wasn't even very good at all.
#78
Posted 10 March 2010 - 06:51 PM
Edited by Bucky, 10 March 2010 - 06:52 PM.
#79
Posted 10 March 2010 - 09:22 PM
Baring in mind, I was a teenager growing up with the Brosnan films, so they entertained me, and I always left the cinema happy, probably would be different, if say I were a bit older back then.
#80
Posted 11 March 2010 - 01:21 AM

And Quantum.
#81
Posted 07 June 2010 - 06:40 PM
Just before King Kong was released in 1976, Dino de Laurentis' studio released a little film called The White Buffalo, with the promise "You won't believe your eyes!" What I couldn't believe was their gall, nor that I had parted with four bucks to see this white elephant.
Being a cynic as a result, I never pay attention to promises of anything being "the BEST ever!" I make up my own mind, after I've seen the film.
That said,
AVTAK, followed by LTK, but only because you wouldn't expect such entries after the films that preceded them.
#82
Posted 07 June 2010 - 06:58 PM
#83
Posted 07 June 2010 - 08:31 PM
#84
Posted 07 June 2010 - 09:29 PM
That said the most disappointing Bond film for me is YOLT. It seems so cheesy and fake I wish they would redo it completely and make it closer to the book.
#85
Posted 08 June 2010 - 12:12 AM
I saw DAD at the Royal Premiere in London's Albert Hall, the setup of the 40th anniversary, the appearance of Dalton and Moore joining Brosnan onstage was exhilarating..and then the film. The walk afterwards to the hotel was the quietest group you could imagine, sheer dismay. Looking back, we suspected to be disapointed due to the uneveness of all the Brosnan films. Which was unlike the experience of Quantum of Solace, we wanted to love it and while, there are some good set pieces, it was the most disapointing for so much talent to not deliver.
I remember getting some warning about DAD before seeing it. I'd recently discovered James Berardinelli's reviews of the previous 19 Bond movies, and so the day before I was due to see the film, I checked out his review. In the first sentence I saw the word "train-wreck" and decided not to read any more.
It was still a disappointment - especially after such a good first hour - but not as much as it would have been if I hadn't been pre-warned.
#86
Posted 08 June 2010 - 06:56 AM
#87
Posted 08 June 2010 - 09:26 AM
I wasn't to disappointed with Licence to Kill or The World is not Enough because, despite both being weak films, the expectation was that there would be another one in two years time. The expectation was the same for Quatum of Solace...but now?
And the other reason that Quantum of Solace disappoints is that I set my expectations to high after Casino Royale.
#88
Posted 08 June 2010 - 09:58 AM
Different is not the same as bad.
#89
Posted 08 June 2010 - 10:43 AM
#90
Posted 08 June 2010 - 11:45 AM
Once again.....Marc Forster is NOT an "art director" nor were any "poor editing skills" on display.
Different is not the same as bad.
Then I would have to disagree with you. "Different" when it doesn't work, when the audience fails to visualise what is happening on screen without repeat viewings, is "bad".
And if you do not like "art director" then what monniker would you prefer? "Character director" ? That would also work. But he most certainly isn't "action director". The shakey cam method may work for up close and personal stories like Cloverleaf or Blair Witch Project, but the effect ruins broadcanvas stories such as Quantum of Solace or Jason Bourne.
He may very well be a brilliant director, but the choice for shakey cam and extreme editing was, in my opinion, a mistake, and thus made Quantum of Solace a disappointment.
Edited by Glenn, 08 June 2010 - 11:47 AM.