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Your 1st (or Most Memorable experience) seeing Licence to Kill


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#1 Qwerty

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Posted 05 July 2009 - 10:38 PM

Now on the CBn main page...


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CBn Forum members remember Timothy Dalton's second outing as 007


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CBn Forum members remember Timothy Dalton's second outing as 007


Just like we recently did for Moonraker, it's time to mark the upcoming 20th anniversary of Timothy Dalton's Licence to Kill. So...
What was it like to see this darker 1989 James Bond film for the very first time?

Where was it? Were you at the premiere? Was it your first Bond film? ...are just some of the questions to consider. If you can't remember your very first time in seeing the film, then perhaps your most memorable experience instead.

Members are encouraged to write a few paragraphs describing the event and your thoughts.

#2 DamnCoffee

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Posted 05 July 2009 - 10:47 PM

Now this one is interesting. Licence To Kill is a great film, but it's never really struck me as anything special. It's just there for me. Don't get me wrong, it's in my Top 10, BUT it's quite uneventful. Timothy Dalton is definately one of the films highlights.

I think the first time I saw this, was during ITV's 00-Heaven Season in 1999. I liked it, mostly due to the larger role Q had. I remember laughing out loud at Desmond when he gets thrown over the chair by Bond. I probably got a cheap thrill over seeing a '15' rated Bond film when I was 9 years old.

#3 jrcjohnny99

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Posted 05 July 2009 - 10:49 PM

I went to a regional premiere of the movie at the Odeon in Manchester; I think in the days between the Royal Premiere in London and the general release.
I loved it on first viewing; I'd really enjoyed TLD and was excited about LTK leading up to the release. They had a terrific teaser pooster for the movie.
The event was great and I saw the pic a couple more times at the flicks (both probably at the Odeon Manchester); I remember at the time the film dividing a lot of fans, as indeed Dalton did.
It plays well on DVD tho I think it has dated slightly; a shame it was to be Tim's last picture.
I remember buying the theme song on single and CD single (even tho I didnt have a CD player until that xmas); I think the only thing really dissapointing about the movie at the time was Kamen's score, Seems like they tried to hard to replicate the success of Die Hard/Lethal Weapon.

J

#4 Turn

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Posted 06 July 2009 - 01:24 AM

My most memorable time seeing LTK was the first time, on the second night of its release in the U.S., as is my tradition. It was mainly memorable because it was one of the early group dates my future wife and I had, along with her sister and one of our best friends. Saw it at the 9 p.m. or so show at the Upper Valley Mall cinema in my hometown.

It wasn't a great place to see a movie at the time, but this was before the deluxe multiplexes with stadium-style seating and all that. I recall running into some guy I knew who was coming out of LTK and he wanted to talk about Batman and, ironically, Miami Vice.

I don't recall how crowded the auditorium was. I just remember enjoying the film and no real groans or unintentional laughs or anything like that, although my friend made a sound of disbelief when Bond tilts the Kenworth on two wheels to avoid the missle.

I recall having to cut out for a minute, during the scene when Bond goes through the kitchen to set up his assasination attempt on Sanchez. I got back just as he was rappeling down the side of the building.

It wasn't the most memorable of the nights I went to see a Bond film the first time, but mostly for having been the first Bond I saw new with my wife before she was. She also went with me to LTK's other big competitors, Batman and Lethal Weapon 2, although I saw Last Crusade with another friend of mine.

I still remember going to my college summer class the following Monday and immediately buying a USA Today paper to see how LTK did at the weekend box office. This was before the E Channel or updates and the Internet gave you results before the weekend even ended. I was shocked to see how poorly it did.

I managed to see LTK once more at a second-run cinema with another friend. Then rented it when it came to VHS, then the next year on cable. The other most memorable time was on laserdisc when I rented a player from a place that did that.

#5 Zorin Industries

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Posted 06 July 2009 - 09:16 AM

I saw the film at an Eon screening nearly two months before it came out everywhere else. It was the same with THE LIVING DAYLIGHTS. No-one ever believed me when I said I'd seen the new Bond film.

#6 Safari Suit

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Posted 06 July 2009 - 10:54 AM

If you were still at school in those days, to be honest I doubt I would have either.

I think the first time I saw this, was during ITV's 00-Heaven Season in 1999...I probably got a cheap thrill over seeing a '15' rated Bond film when I was 9 years old.


Same for me, although that was definitely the first time I saw it and I was a whopping 12 years old at that point. I believe I watched it after taping it off the TV, although if there are any policeman on here I didn't do that and I definitely watched at the time it was on, complete with adverts. I certainly got off a bit on the whole 15-ness of the film. Some of you may deny it, but exploding heads and shark maulings are cool when you're 12 years old. They just are. The version ITV showed had some of the violence in it which had been exorcised from the version on the special edition DVD. That wasn't the only reason I liked it though, I liked the more pared down plotline, and at the time I definitely liked Dalton more than any of the other Bonds. I believe it was the third Bond film I had seen all the way through, the first being OHMSS at the start of 96, and the second being Goldeneye when it premiered on ITV earlier that year. I had seen bits and pieces of various Connery and Moore movies over the years. At the time I was none too impressed with the Moore movies; strangely I seem to have gravitated more towards the sillier movies as I've got older rather than less. Anyway, LTK is almost certainly the Bond movie I have seen the most times, it was the first one I bought on DVD and it is also, for sentimental reasons if nothing else, my personal favourite.

#7 Simon

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Posted 06 July 2009 - 12:53 PM

I saw it when I was living and working in New York, a sort of student exchange thing whereby students from both sides of the Atlantic could swap countries for the summer.

I saw it at a Lowes, I think, and ended up being so non-plussed at it's non-Bond feel that, upon exiting, I actually just turned around in the corridor and went in to see it a second time.

Didn't help.

That said, there is more appreciation for it now than there was then. Probably due more to current tough trends and a longer break from things Moore.

Similarly, I am wondering if time will help give more of an appreciation for TWINE, but in this I think it is a lost cause.

#8 Simon

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Posted 06 July 2009 - 01:08 PM

In fact, when is the 10th anniversary thread going to arrive for TWINE?

This one will be entertaining.

(A busy year for anniversaries - this being the first *9 year to be without one)

#9 clublos

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Posted 06 July 2009 - 03:43 PM

Ah, the summer of '89! Ghostbusters 2, Batman and Bond.

I was 11 and totally looking forward to this. My first experience with Bond was TLD two years before, so I was primed and pumped for new Bond.

I remember ABC ran two nights of Bond (unheard of for a network station, or any station, back then) with DN and TMWTGG. USA Today had a promo to give away one of the cars in the film, and printed the one-sheet poster that took up an entire page. I carefully cut that out and put it up on one of my bedroom's walls. At that age, promotional memorabilia was hard to come by at that time, and what little I had I took very good care of. I also had a copy of Starlog and Cinema Fantastique, each with articles on Bond. I desperately wanted the teaser poster, but that would have to wait (about 5 years, ashamedly).

Opening day was Friday, July 14th, and I wanted to go to the very first showing but my dad wouldn't get off work until the afternoon. She suggested my mom take me to the earlier show, but he took me to TLD two years ago and I there was no way I'd go without him. So we went around 3:30 or so. I remember getting there early, lining up to see the faces of the people coming out of the earlier showing to gauge their reactions. Being 11, I hadn't mastered the art of reading facial expressions, so I had nothing.

I had read about half of Gardner's novelization, so I was psyching myself up for his description of Lupe's visible nakedness beneath the sheets in her first scene (disappointed) and the goriness of Felix's mutilation (relieved - not a fan of gore).

Maybe it was my absorption in pop culture of the 80's, which included Miami Vice, my interest in the drug trade or my enthusiasm for Bond (or all three) but I loved the film. I thought it was great. It was a step up and a departure from TLD, but in a good way. And as an 11-year old, I really dug the higher rating, which meant I was on my way to becoming more mature, or so I thought at the time.

Ironically, I had no idea that the very next day I was to embark on the most exciting trip of my life and, tragically, the saddest return to home I've ever experienced.

My family had planned a trip out west that summer. We flew from Atlanta to New Mexico and drove to Arizona, stopping at the Painted Desert and the Petrified Forest. We spent time at the Grand Canyon and then made our way to Las Vegas. During this trip, I had a blast. I knew I was very fortunate to be able to take that trip while my friends sat at home, and I cherish the memories of that time. Being in Vegas and seeing the Bond sites from DAF like the Slumber mortuary and staying in Circus Circus (it was still pretty nice back then, now it's a dump) were amazing, all with the new Bond film fresh in my mind.

Flying home, we had a long layover in Chicago because our flight from Vegas left late. It was raining in Chicago, and many flights were delayed. My mom decided to call my grandmother and let her know we were going to be late. She came back from the pay phone in tears. My dad asked what was wrong, she said my grandmother was very short with her, as if in a hurry, so my mom pressured her as to why. I'll never forget these words, she said, "'Something's wrong with Freddie, I had to call Rescue.'"

Freddie, my grandfather, the coolest man to have ever walked the earth. My hero, the man who made the saddest man laugh and the happiest man elated.

We had no idea, being stuck in an under-construction airport in Chicago, what was happening with our family. I remember tears, I remember confusion in my head as to what it all meant. I didn't want to lose him. It was too early, I wasn't ready, there was more I had to learn from him.

We got home that night at about 1:00am. My parents told me to go to my room and unpack. I could hear them dialing the phone. I knew who they were calling. The next sound I remember hearing was what sounded like my dad laughing, as if in a fit. I thought, "Maybe he's okay. Maybe everything's okay." The sound wasn't laughter. He was crying, something I never heard from my dad before. I ran into their bedroom, my mom was sitting on the bed sobbing, the phone next to her ear, and my dad was leaning against his dresser, head bent over. I knew what had happened.


For some reason, through all the sadness, I look back on that summer with happiness. I had great times with my friends, a great trip to the western United States and saw some great movies. Maybe that was the final gift from Freddie: happiness.

#10 Tybre

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Posted 06 July 2009 - 09:31 PM

My first time came in late February of this year. I'd started reading the books and was really getting into Bond and looking up all the films I hadn't seen and such on wikipedia. Decided to go on youtube when I heard about Timothy Dalton, see if there were any clips of him online. I stumbled upon the PTS of The Living Daylights and the car chase sequence of The Living Daylights. Both were very good scenes, and even though Dalton doesn't talk a lot during them, I was instantly enamored with him. He ousted Pierce Brosnan as my #3 at that point in time. Via continued looking on Wikipedia, I was made incredibly happy when I skimmed the Licence to Kill article. According to Wikipedia, it had more or less faithfully adapted elements of my favorite book, Live and Let Die. Of course I was going to check it out then! I hurried back over to youtube and started searching for clips. There were none that I found; just a lot of posts of the title sequence or just the song. In the related videos sidebar from one of these, though, was a link to a fan made trailer. Clicked it at once. I was sold from the first few seconds.

The fan trailer opened with a man who looked kind of like and sounded even more like Regis Philbin asking Bond if he had the ring. My first reaction was "Regis in James Bond? That's awesome and hilarious!" When Bond called him Felix, it only made me even happier. The trailer then cut to Felix carrying Della into their room, only to be met by Sanchez's men. From this it cut to Sanchez dangling Felix over the shark pool, saying "I want you to know this is nothing personal. It is merely business". That was it for me. The rest of the trailer was FANTASTIC but from that moment on all my chips were on the table and I wasn't about to back out. I was going out to Best Buy that night to see if they had On Her Majesty's Secret Service, as I'd wanted to see the one-off Bond, so I figured I would buy the Living Daylights and Licence to Kill as well. Sadly Best Buy had virtually no Bond films, so I just ordered them off of Amazon instead, expedited, as I was impatient to see Licence.

First thing I did after making my breakfast the Saturday morning they arrived was open up Licence to Kill and pop it into my PS3. I didn't move from my armchair the entire film. Refused to acknowledge anything my mother or sister said to me. In fact, I completely forgot about my breakfast and just left it sitting on the table. I was enthralled. Sure, it only used Live and Let Die in the early parts -- and at that point in time the only other Fleming I had read was From Russia With Love, so the elements of The Hildebrand Rarity were lost on me -- but the rest of the film was great. Instantly became one of my favorites, and still holds its place in my top five Bond films. Timothy Dalton kicked Daniel Craig from #1 down to #2 in my list by the time of the scene at Hemingway House. I just positively loved everything about Licence to Kill. Yes, some of the actors in the early parts came across as a bit sub par, but none of the film's flaws were enough to drag it down for me. It was the most fun I'd ever had watching a Bond film; the first time since I saw Octopussy as I little kid that I really loved what I was seeing on the screen.

I'm very glad I decided to watch Licence to Kill first. On Her Majesty's Secret Service was okay at the time; I love it now that I've read Fleming, and it got better with subsequent viewings, but the first viewing was so-so. I watched The Living Daylights pretty late at night and my sister got back with her friends about halfway through it, so I missed a lot of key points because they were being noisy. If I had started with either of these, in the manner that I did, I doubt I would love Bond as much as I do now, because while I loved the books, the books weren't really enough to convince me to see all 22 films and see them multiple times. But watching Licence to Kill at eight-thirty on a cool Saturday morning in February, I was hooked.

N.B.
I should point out I know it's not Regis as Felix Leiter, but that IS what I thought while watching the trailer.

Edited by Tybre, 06 July 2009 - 10:18 PM.


#11 OmarB

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Posted 06 July 2009 - 10:12 PM

My first viewing was at a movie theater with my father and I enjoyed it. My favorite viewing though was when it came out on video tape, a whole bunch of friends and I watched it at school in a closed classroom after hours. Our parents usually came and picked us up at a set time so we took a day off of football and watched the movie.

#12 jaguar007

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Posted 06 July 2009 - 11:25 PM

I went to the first showing on opening day. I could not wait, I was so excited. I had felt that TLD was the best Bond movie since OHMSS (and still do save CR)and was really excited to see Dalton continue. I left the theater rather disapointed. It just did not have the epic Bond feel to it. I thought about it after I saw the movie and realized I was shocked because it was different. I went to give it another chance the next day. The movie grew on me and to this day still hold the record for the most times I have seen a Bond movie in the theater, 9 times (I was only 21 and had alot of free time on my hands).

#13 Mr. Somerset

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Posted 07 July 2009 - 12:26 AM

I went to the first showing on opening day. I could not wait, I was so excited. I had felt that TLD was the best Bond movie since OHMSS (and still do save CR)and was really excited to see Dalton continue. I left the theater rather disapointed. It just did not have the epic Bond feel to it. I thought about it after I saw the movie and realized I was shocked because it was different. I went to give it another chance the next day. The movie grew on me and to this day still hold the record for the most times I have seen a Bond movie in the theater, 9 times (I was only 21 and had alot of free time on my hands).


I had a lot of time on my hands in 89 as well, being only 14. I saw it opening day on the 14th- 1pm showing as I recall. I showed up an hour early and there was no line, but an outage. I was afraid I might not see the film I waited two years for that day. Luckily, the power came on and the film started on time.
I initially was disappointed in the GB music, but felt the PTS was fairly quick paced and exciting- as was pretty much the whole film. There were moments where I felt the Bondian atmosphere was lacking: interrogation of Sanchez, Barrelhead Bar,etc.
I did like the dark aspect of LTK and saw it the next day with my dad. He loved it and it became of of his faves. The audience cheered (very loudly)at the water ski sequence as well as the wheelie truck stunt. I saw the film a total of 11 times that summer each with a more empty audience than before, but the film enjoyed more each time. I couldn't wait until summer 1991 for Bond17 aka Dalton # 3...........

#14 DaveBond21

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Posted 07 July 2009 - 12:49 AM

In the summer of 1989, I was only 14, and so I could not see Licence to Kill in the cinema due to its 15 rating. I do however remember looking at the poster. Dalton looked lean and mean, but I just thought it looked like a generic action movie poster, not a Bond film.

However, I finally got to see it on British TV when it premiered in January 1994. I thought it was excellent, and loved the way that 007 was on a revenge mission. Sanchez made for an excellent and very realistic villain. Possibly one of the nastiest bad guys in Bond history. I really enjoyed the plot, with Bond bringing down Sanchez's organisation from the inside, gaining his trust, Shakespeare-style, and then destroying him bit by bit. Love the way he sets up Milton Krest especially. The Bond girls were sexy and also resourceful. The action is underrated - I love the sequence which begins on a boat, then moves underwater, to water-skiing while hanging onto the seaplane, to heaving the pilot out and then throwing the money around! I'm also a big fan of the tanker chase.

Gadgetmaster, Q, has his biggest role of any Bond movie (beating even Octopussy), taking leave to help 007 out. I always enjoy the scene of Q testing the firmness of the beds, as Bond remarks "I hope you don't snore, Q" and also the shot of him throwing away one of his own gadgets, something he is always admonishing 007 for doing!!

A unique, Latin score by Michael Kamen and good direction by John Glen make this a dark but entertaining Bond flick.

#15 O.H.M.S.S.

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Posted 13 July 2009 - 12:41 PM

It was the first movie, produced in my birth year 1989, which I saw.

I remember I enjoyed it very much and I always feel great after that ending, as if I can feel Bond's relief after the final confrontation with Sanchez. The repeating of the "Why don't you ask me?" dialogue and that wonderful end title song all contribute to a fantastic feel when I've watched this movie.

Timothy Dalton may have only made two Bond films, but to me he will always be my favourite.

#16 Qwerty

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Posted 20 July 2009 - 07:28 PM

Keep the posts coming, everyone! B)

#17 tdalton

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Posted 20 July 2009 - 11:15 PM

My most memorable was probably the last time I watched it, which was the first time I'd seen the film on the Blu-ray format. The transfer of the film on Blu-ray is phenomenal, and one of the best transfers of a film 20+ years old I've seen to date. It was like watching the film for the first time, and it really helped to cement LTK as my favorite of the Bond films.

I remember I enjoyed it very much and I always feel great after that ending, as if I can feel Bond's relief after the final confrontation with Sanchez. The repeating of the "Why don't you ask me?" dialogue and that wonderful end title song all contribute to a fantastic feel when I've watched this movie.


I love the ending of the film as well, and really don't understand the criticism that it gets. For me, I consider that to be the end of the first EON franchise (I've never been able to see the Brosnan films as a continuation of the films DN-LTK), as it really closes things out in a very nice way, with Bond not only having gotten revenge for Felix and Della, but also, in a roundabout way, for himself and Tracy as well (since we never got a true revenge film following OHMSS)

#18 DamnCoffee

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Posted 20 July 2009 - 11:25 PM

I can't wait to see this one on Blu Ray. B)

#19 tdalton

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Posted 21 July 2009 - 02:07 AM

I can't wait to see this one on Blu Ray. B)


You won't be disappointed. It looks fantastic on Blu-ray.

#20 Jose

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Posted 21 July 2009 - 06:20 AM

I remember the first time I saw it I kept saying "Oooh! Damn!" because the tone was so different from the rest of the Bond films I'd seen up to that point, especially right after TLD. I enjoyed it very much though. And I still do.

#21 Zorin Industries

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Posted 21 July 2009 - 11:46 AM

REVISED INTO THE FOLLOWING POST.

#22 Zorin Industries

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Posted 21 July 2009 - 11:48 AM

As I mentioned before I saw it early.

I remember the date. It was June 4th 1989 in London's glittering West End. It was a Sunday and it was the day of the Tiananmen Square massacre (well, that was on the TV news when I got home). Micheal Wilson was at the screening as were a few Eon Productions alumni and an odd collection of people (I reckon stuntmen and women) who cheered during the Barrelhead Bar Brawl.

I was not "of age" then - i.e. it was a "15" and I was not there yet but as it was not a public screening that legally didn't matter and I think there was a warning on the tickets. The tickets themselves were big glossy affairs with Dalton running and holding a gun motif - I still have mine somewhere (which was lucky as the cinema staff went a bit weird and would not give them back - but as there was no chance of re-using something so specifically printed for that day, they caved in eventually). The ticket also revealed that Patti Labelle had done a song. There were TWO songs?!! I had half caught the Knight one on local radio (so only heard it in its entirity during the film - no bad thing). It was the same with THE LIVING DAYLIGHTS. I didn't even know who The Pretenders were, but was most surprised to see they had provided a second song. Ah - the days before the intraweb highway and phones that go in your pockets and don't need wires tell you everything about a film. There is a lot to say in that (and not here), but the global internet consumption / fever for film news, stills and gossip has changed things - and maybe not for the better. When I saw LICENCE TO KILL all I had seen was a press conference snippet in HELLO magazine, some snaps of exploding tankers and Carey Lowell in that dress. Not half the film, an imagined screenplay, paparazzi shots with no context, nineteen teaser trailers and half the fans hating it because the first poster didn't emerge on a Tuesday when it has always been a Tuesday (!).

Because LICENCE TO KILL was this mythical / magical "15" rated effort and I wasn't that age just yet (though not far off) LICENCE TO KILL felt a tiny bit naughty. It oddly still does to me. Even now its violent flourishes (which are light and tonally very Buena Vista in hindisght) still jar (in a good way) more than any Pakistani agent getting his head smashed into a Pinewood urinal nowadays.

I liked the film then. It was like going to a family party and seeing your favourite cousin now sporting a tatoo. I was growing up, my body was growing up and now (bloody hell) James Bond was growing up too. But I do remember being slightly disappointed by the film. However, that was because the "violence" and "bloodshed" had been really shored up by the press (the Daily Mail had reported the year before how the film was aiming for a "15" rating and made it sound like the pre-title sequence would feature Timothy Dalton grilling newborns on a Key West beach). But LICENCE TO KILL is still - despite its violent flourishes - a very tonally familiar Bond film. I think - even at that age - I was expecting DIE HARD in tuxedos and didn't get it. But Dalton was reassuring throughout. He takes the audience by the hand in LICENCE TO KILL and very skillfully steers them to a different understanding about James Bond 007. He was such an advocate at the time of the character. He would always return it to Fleming and the books in every interview he did (that and Sam Wanamaker's Rose Theatre project which saw Dalton sporting a red rose at the LICENCE TO KILL premiere). Dalton enabled (told) the audience who James Bond was in a way no actor has ever achieved before or since. Craig's films are maybe tonally and physically more in keeping with the work of Fleming, but it was Dalton in LICENCE TO KILL who was brave enough to take the character back there first. The end result is this curious mix of Fleming characterisation (via the classically trained Dalton - 1989 was still the days when "RADA trained" meant something!) and Broccoli showmanship. They are not natural bedfellows. In hindsight I think LICENCE TO KILL is a very successful Bond film and melds the two worlds more successfully rather than not. But in 1989, this young teenager found the film tonally and physically a bit of a weird hybrid.

Also, I remember not liking Kamen's score in parts. I wanted it just to shut the B) up (and still do sometimes now). It sounds in parts like it was scored to underline action scenes with 1000 thousand ninjas and massive Ken Adam sets. It missed the point of the lone figure Dalton wanted to cut in 1989. Even at that age it didn't feel like it had John Barry's stamp. I must have been the only kid in the country who was into John Barry more that Stock, Aitken and Waterman (though I did draw the line at a photo of the Yorkshire legend pinned above my bed - that would just be wrong) but he was sorely missed and may have been able to bridge the old and the new in the film.

I do remember something else (and something that plagues everytime I see a new Bond for the first time)......I needed a pee throughout the WHOLE film. I didn't want to miss a second so had to endure a persistant bladder clearly not as into James Bond films as I was. It is something that I only get when seeing Bonds for the first time. And still do. Only now the security procedures at the screenings I go to mean you have about two hours to empty the bladder so it all works out (!). TMI....? Sorry.

PS. I was oddly fascinated by Benecio Del Toro (I think it was the eyes) and finally got to meet him by chance in New York years later. I asked him about doing the Bond. He said "that was the old days - when I was at school"...Bless. And now I keep bumping into him (well, I was nearly run over by a Pinewood golf cart last year when he was in his WOLF MAN finery...).

#23 Jim

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Posted 21 July 2009 - 12:18 PM

The most memorable experience I had seeing it was in Rugeley (apparently some sort of "place"). It was the second time I had seen it and whilst I had quite liked it at the first attempt, I wasn't enjoying it at all at the second shot - I was very, very bored, in fact. It may have been a lack of success with the companion that had put me in a bad mood. It may have been "being in Rugeley".

At one of the interminable Q bits, the doors at the back of the cinema flew open and this revolting old wino - probably the Mayor - staggered in, rushed the screen and puked up all over it.

Well, not necessarily all over it (a body can only contain so much vomit, I find), but sufficiently. As criticism, somehow more immediately arresting that a star system or a letter grading.

Everyone was more interested in the wino than the film. When a Bond film is less diverting than a scabby old tramp chucking his guts, then there's something inherently wrong with it.

#24 Zorin Industries

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Posted 21 July 2009 - 12:20 PM

It definitely was the Mayor. He did the same at the gala screening of THE FOX AND THE HOUND in 1982.

#25 sthgilyadgnivileht

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Posted 21 July 2009 - 12:45 PM

I saw LTK at home on rental VHS, in the big red box that was all around the video stores at the time. I remember the red posters in the video shops with the Bond girls and Dalton.
I was not old enough to see LTK in the cinema.
I watched it with my family on a Saturday night and it was the same night that YOLT was on ITV. My parents did not want to watch YOLT or a Bond movie and we were going to rent a different film entirely. When I went to the video shop with Dad I persisted in renting LTK.
We all enjoyed the film and laughed at the scene with Krest describing to Sanchez how Bond escaped with the money in the plane.
I remember when watching it being extremely worried Leiter was going to be killed off. The violence and power of the story was totally gripping on its first viewings, and a very powerful ending. I got up early the following morning to watch the film again before it had to be returned to the store.
When it became available to buy I was 15. I went to (I think) a John Menzies store and produced copious amount of ID to prove I was 15, (as I did not look old enough). Very grateful to the woman who believed my age and sold me the film. That completed my Bond collection for what seemed like an eternity until GE came along.

I must have been the only kid in the country who was into John Barry more that Stock, Aitken and Waterman

Sadly no. I played my tape of the TLD soundtrack in preference to whatever the hit factory were turning out.

#26 David_M

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Posted 21 July 2009 - 12:58 PM

I remember being strangely uninterested in this film from the get-go, despite having really liked The Living Daylights. LTK wasn't really on my radar at all in the summer of '89.

My girlfriend at the time (now my wife) won tickets to an advance screening in a radio contest, which was the most exciting thing about the whole deal. We showed up with the other winners, got a little song-and-dance from the DJ and then saw the film. I wasn't terribly impressed, beyond really liking Carey Lowell in that wet teddy. The low point was probably watching Dalton shove that guy into a drawer full of wet pasta some effects man was wiggling to resemble...what?...maggots?

The thing that stands out most in my memory was that my girlfriend really liked the film, which was novel as she was usually nonplussed by the Bonds. I decided maybe EON was going for a new audience altogether, and maybe that wasn't a bad thing.

LTK became the first Bond I didn't see multiple times in the theater. And remember, I didn't even pay for the one viewing I did have. So when the box office take turned out to be disappointing and the series went into a 6-year hiatus, I felt pretty guilty for not showing more support. But 20 years on, with the series in no danger of going away, I'm perfectly comfortable sticking with my original impression: "Meh."

#27 Zorin Industries

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Posted 22 July 2009 - 09:12 AM

I saw LTK at home on rental VHS, in the big red box that was all around the video stores at the time. I remember the red posters in the video shops with the Bond girls and Dalton.
I was not old enough to see LTK in the cinema.
I watched it with my family on a Saturday night and it was the same night that YOLT was on ITV. My parents did not want to watch YOLT or a Bond movie and we were going to rent a different film entirely. When I went to the video shop with Dad I persisted in renting LTK.
We all enjoyed the film and laughed at the scene with Krest describing to Sanchez how Bond escaped with the money in the plane.
I remember when watching it being extremely worried Leiter was going to be killed off. The violence and power of the story was totally gripping on its first viewings, and a very powerful ending. I got up early the following morning to watch the film again before it had to be returned to the store.
When it became available to buy I was 15. I went to (I think) a John Menzies store and produced copious amount of ID to prove I was 15, (as I did not look old enough). Very grateful to the woman who believed my age and sold me the film. That completed my Bond collection for what seemed like an eternity until GE came along.

I must have been the only kid in the country who was into John Barry more that Stock, Aitken and Waterman

Sadly no. I played my tape of the TLD soundtrack in preference to whatever the hit factory were turning out.

It's not just me then...

#28 john.steed

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Posted 24 July 2009 - 11:24 AM

Saddly, my most memorable experiences with LTK were not good ones. I had already seen it once when I took my girl friend at the time to see it. She ended up feeling sick because of the more graphic type of violence. The few years later my then girl-friend, now wife, and I started watching the Bond films. She enjoyed all of them. However, we we came to LTK, she also felt sick.

As for my own reactions to the film when it first came out, I seem to recall reading about how they were trying for a more realistic Bond film and after seeing the film deciding that I liked the prefered the old fashion Bonds more.

#29 dchantry

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Posted 24 July 2009 - 01:56 PM

First time for me was at the Premiere at the Odeon Leicester square. I remember this well because it was a baking hot day and we had to travel into London from Slough in a non air conditioned Vauxhall Nova (pre boy racer days) fully tuxed up and in what seemed to be a constant traffic jam. Not for the faint hearted.
As a film, I will always have a soft spot for it. It was my first premiere, it was different and hard like the books which I always wanted to see. Tim was excellent, the girls beautiful. Definately in my top 5.
I did feel a little let down by the music at the time, but compared to Goldeneye its world beating.
Best part was meeting Robert Davi on premiere night who was so nice chatting to everyone and gratious of the applause given to him. Certainly a different breed than some of those so clled celebrities we se today.

#30 Strangways

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Posted 24 July 2009 - 03:57 PM

I had made an offer to my friends and family that I would take (and pay for) any of them to see the new James Bond film. Many took me up on it.

About four weeks into its run, my brother and his wife said they'd like to go. Paul had seen all of them with me; Elena had seen one or two on TV, she thought.

Elena was from Mexico. All through the film, she would say things like, "That looks familiar..." and then she would recognize the supporting cast: "Hey, I know that guy - he's from my soap opera!" "I know him - he's in my stories, too!" (Alejandro Bracho, Guy de Saint Cyr).

Not the first time I'd seen Licence to Kill, but the time I remember!