
Roman Polanski's The Ghost Writer (2010)
#331
Posted 23 January 2010 - 06:17 PM
#332
Posted 29 January 2010 - 04:27 PM
#333
Posted 29 January 2010 - 06:06 PM
#334
Posted 31 January 2010 - 01:16 PM
#335
Posted 02 February 2010 - 03:22 AM
#336
Posted 02 February 2010 - 07:34 AM
I'm truly excited about the film, can't wait to see it!
#337
Posted 02 February 2010 - 03:20 PM
Former James Bond star has starring role in Roman Polanski's The Ghost Writer
#338
Posted 04 February 2010 - 05:51 AM
#339
Posted 04 February 2010 - 07:07 AM
I actually live near the Vinyard! Very cool to know. Ferry is 30 mins away and trip is roughly to the island is roughly the same length.
Well, as I said, the German island Sylt had to stand in for Martha's Vineyard. From what the trailer shows (and probably throughout the entire film) the location was shot quite cleverly to avoid most of the differences between the two (which I understand to be mostly in the architecture). Part of the plot uses New England landscapes around Martha's Vineyard and Boston, but these also can be made up here in Europe, as the difference is not so terribly large as to be unbridgeable. Just don't expect to see actual locations from your neighbourhood. But you will be the perfect source to judge how well they did in dressing up their location.
#340
Posted 05 February 2010 - 05:36 PM
What's the loaction in 0:43 and 0:48? It looks like a lunar terrain!
#341
Posted 05 February 2010 - 05:59 PM
What's the loaction in 0:43 and 0:48? It looks like a lunar terrain!
Dunes on the seaside of Sylt. But I gather you can find similar ones on Martha's Vinyard.
#342
Posted 06 February 2010 - 07:16 PM
What's the loaction in 0:43 and 0:48? It looks like a lunar terrain!
Dunes on the seaside of Sylt. But I gather you can find similar ones on Martha's Vinyard.
In New England? Don't think so!
#343
Posted 06 February 2010 - 07:29 PM


Really? I think this looks not so much different from this:


#344
Posted 07 February 2010 - 10:54 AM
Really? I think this looks not so much different from this:
It seems I misunderstood your first quote! When you said "But I gather you can find similar ones on Martha's Vinyard" I thought that you were confused by the name of the location "Martha's" and thought that it was in Greece. By the words "you can find" I thought you meant I can see it for myself in real life. That's why I answered that way! Anyway, sometimes my mind becomes really complicated!

And for the record "Martha's Vineyard" does look a lot similar with the island of Sylt!
#345
Posted 07 February 2010 - 04:36 PM
It seems I misunderstood your first quote! When you said "But I gather you can find similar ones on Martha's Vinyard" I thought that you were confused by the name of the location "Martha's" and thought that it was in Greece. By the words "you can find" I thought you meant I can see it for myself in real life. That's why I answered that way! Anyway, sometimes my mind becomes really complicated!
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And for the record "Martha's Vineyard" does look a lot similar with the island of Sylt!
Lol, never mind, could well have happened to me too.
I think the location scouts for this production did quite a job, although locals and visitors of Martha's Vineyard may be a bit disappointed not to find the exact sites used. Still, judging from the snippets so far, it looks rather convincing.
#346
Posted 18 February 2010 - 06:20 AM
#347
Posted 18 February 2010 - 08:54 AM
Did anyone see the film yet? I´m very much looking forward to it, hopefully this weekend.
The film is picking up very good reviews already.
#348
Posted 18 February 2010 - 08:03 PM
#349
Posted 20 February 2010 - 09:37 PM
#350
Posted 20 February 2010 - 10:57 PM
#351
Posted 21 February 2010 - 08:45 AM
#352
Posted 21 February 2010 - 10:51 AM
#353
Posted 21 February 2010 - 12:33 PM
At this rate we may have to judge The Ghost Writer on its own merits.
#354
Posted 21 February 2010 - 02:05 PM
No frothing at the mouth from CBn's 'hang 'em high' lobby? I'm disappointed.
It is, of course, perfectly possible (and also, I would argue, desirable) to separate the art and the artist. Even for some of us dummies on CBn!
I have the highest regard for Polanski as a filmmaker. He is surely one of the greatest living directors (albeit that his best work would seem to be in the rather distant past).
I love BITTER MOON, CHINATOWN, ROSEMARY'S BABY and THE TENANT and look forward to his take on Tony Blair. When he's on form, ol' Roman is terrific.
I love the way his films build slow-burning intrigue. His visual eye is unique and impressive, but never showy. Visually and emotionally, he somehow puts the viewer "right there" within the film. As you say of Von Trier, his work is for adults. I adore his black humour. He's a real artist.
There are still some highly-acclaimed Polanskis I've yet to see, such as REPULSION and THE PIANIST, but hopefully the DVDs will be landing on my doormat before too long. However, the one Polanski I most want to watch, DEATH AND THE MAIDEN, unfortunately seems unavailable on DVD in Britain.

#355
Posted 21 February 2010 - 02:23 PM
No frothing at the mouth from CBn's 'hang 'em high' lobby? I'm disappointed.
It is, of course, perfectly possible (and also, I would argue, desirable) to separate the art and the artist. Even for some of us dummies on CBn!
Yes, I realize I am doing most of the frothing at the mouth today.
I have the highest regard for Polanski as a filmmaker. [snip] As you say of Von Trier, his work is for adults. I adore his black humour. He's a real artist
I cannot agree with you more. Polanski is a rarity - a director whose life is as interesting as his films. I'm sure he wishes it was otherwise.
That said, Death and the Maiden is one of Polanski's lesser works, though Sigourney Weaver drops her knickers. Perhaps they should have mentioned that on the quads - I'm sure it would have resulted in higher attendances.
#356
Posted 21 February 2010 - 02:35 PM
That said, Death and the Maiden is one of Polanski's lesser works
Well, with respect, that doesn't put me off. "They" say the same thing about BITTER MOON, although perhaps I'm practically alone in liking that one. As far as I'm concerned, it's not the self-indulgent, semi-pørnographic, self-parodic and utterly laughable turkey it's often painted as - it's a stonking success (and just as much of a visual treat as, say, CHINATOWN). But what do I know?
#357
Posted 21 February 2010 - 03:02 PM
That said, Death and the Maiden is one of Polanski's lesser works
Well, with respect, that doesn't put me off. "They" say the same thing about BITTER MOON, although perhaps I'm practically alone in liking that one.
The problem with Death and the Maiden stems more from its stage origins, I think; not many plays survive the transition to film, possibly because the stage tends to rely more on dialogue than visuals.
#358
Posted 21 February 2010 - 03:51 PM
Are there any plans for The Ghost Writer to go into full release in the US, or are they going to expand it on the basis of how well it performs in limited release? And does anyone have any idea if the UK release next month will also be a limited release?
#359
Posted 21 February 2010 - 05:16 PM
Are there any plans for The Ghost Writer to go into full release in the US, or are they going to expand it on the basis of how well it performs in limited release? And does anyone have any idea if the UK release next month will also be a limited release?
Last I heard it was LA and NY opened the 19th, goes to the other major cities on the 26th, and pending how well it performs it'll go national in March. As to the UK, website says April 16, so I imagine that means anything for March is limited.
#360
Posted 22 February 2010 - 10:21 AM
As for Brosnan, he is perfectly cast and yet his overall performance is somewhat fair to middling. I just don't believe him all of the time. I can feel him acting. It is particularly evident in scenes where he is interacting with more than one actor as the rest of cast is so solid and grounded.
Interesting enough and to further the above thought, I found Kim Catrall to be very good in this picture. I have never given her much consideration as an actor. She actually might make for a good villain or a henchwoman in Bond 23 ala YOLT's Karin Dor. Something to ponder.
Overall, I do recommend seeing this film. While it does not completely add up satisfyingly, it is certainly stylish and a much finer thriller than a lot of recent thriller fare including Martin Campbell's bland EDGE OF DARKNESS.
Edited by Solex Agitator, 23 February 2010 - 10:40 AM.