'The Battle For Bond' To Be Pulled
#31
Posted 01 March 2008 - 11:50 AM
47 years later and the thing is still involved in litagation, or threats thereof. Like I said, lawsuit magnet.
I agree with the people who point out the irony of the fact that this will actually make the book more popular and sell more copies.
I agree too that the horse has left the barn. Why are they closing the barn door now? As I mentioned in my interview with Robert - his manuscript was making the rounds, what like 3 years ago now?
He did prophetically say that numerous publishers turned him down because they feared lawsuits.
But usually lawsuits involving books are done before the fact, as injunctions to prevent publishing. That didn't happen in this case.
Speaking of Mr. Sellers, I did hear back from him and he said due to the ongoing nature of the matter, he can not comment.
Oh wait, did I just quote from correspondence without clearing the copyright?
SUE ME, ARGGHHHHHHHHHHHHHHH.
I'm very sorry that Robert worked so hard to get this story told only to end up with this result.
I also fear that it will have a chilling effect on future independent Bond publishing.
I suspect (and this is a total guess on my part) that the Ian Fleming Will Trust asserts that all Fleming correspondence belongs to them, and thus must be licensed and cleared for publication.
While plenty of people here are saying that "these letters were part of the court record, surely that makes them public?" I think that some of it might have been material acquired by the defense and not necessarily entered into the court record.
I'll stop speculating now.
#32
Posted 01 March 2008 - 03:18 PM
I just heard on NPR yesterday that there's a name for this phenomena, it's called the 'Streisand Effect.' Interesting stuff.I agree with the people who point out the irony of the fact that this will actually make the book more popular and sell more copies.
#33
Posted 01 March 2008 - 06:24 PM
I just heard on NPR yesterday that there's a name for this phenomena, it's called the 'Streisand Effect.' Interesting stuff.I agree with the people who point out the irony of the fact that this will actually make the book more popular and sell more copies.
This isn't a case of the "Streisand Effect". If it was, the offending material would be duplicated and show up practically everywhere on the Internet as a big " you" to the person who was doing the censoring or banning of whatever. This has only happened a few times to my knowledge. The AACS encryption key (deals with Blu-ray and HD DVD) was pretty bad last year. http://en.wikipedia....key_controversy
#34
Posted 26 May 2008 - 12:08 AM
'The Book They Tried To Ban'
#35
Posted 26 May 2008 - 12:49 AM
#36
Posted 26 May 2008 - 01:37 PM
Or, better put: Are the books currently being sold on eBay and elsewhere the edition that includes the "objectionable" material, or advanced copies of the second, redacted edition?
#37
Posted 26 May 2008 - 07:12 PM
Is the first edition ("complete") still available?
Or, better put: Are the books currently being sold on eBay and elsewhere the edition that includes the "objectionable" material, or advanced copies of the second, redacted edition?
I believe there are still a few of the first edition copies floating around on eBay, Abebooks, Half.com, etc.--but likely at much higher prices.
#38
Posted 26 May 2008 - 08:30 PM
Is the first edition ("complete") still available?
Or, better put: Are the books currently being sold on eBay and elsewhere the edition that includes the "objectionable" material, or advanced copies of the second, redacted edition?
I believe there are still a few of the first edition copies floating around on eBay, Abebooks, Half.com, etc.--but likely at much higher prices.
Fairly sure you can still get first-editions in the US for MSRP or on sale. Amazon has stock right now for 21 bucks. I'm not sure if the US edition was even effected.
#39
Posted 26 May 2008 - 11:00 PM
I believe there are still a few of the first edition....Is the first edition...?
Thanks guys!Fairly sure you can still get first-editions....I believe there are still a few....Is the first edition...?
#40
Posted 27 May 2008 - 06:52 PM
I'll stop speculating now.
Enters injunction against doublenought
#41
Posted 29 May 2008 - 08:53 PM
Fairly sure you can still get first-editions in the US for MSRP or on sale. Amazon has stock right now for 21 bucks. I'm not sure if the US edition was even effected.
Apparently not, as Amazon is still selling first editions. I just bought one, in fact.
#42
Posted 29 May 2008 - 08:55 PM
#43
Posted 29 May 2008 - 09:14 PM
Secondhand?Fairly sure you can still get first-editions in the US for MSRP or on sale. Amazon has stock right now for 21 bucks. I'm not sure if the US edition was even effected.
Apparently not, as Amazon is still selling first editions. I just bought one, in fact.
#44
Posted 30 May 2008 - 03:29 AM
Secondhand?Fairly sure you can still get first-editions in the US for MSRP or on sale. Amazon has stock right now for 21 bucks. I'm not sure if the US edition was even effected.
Apparently not, as Amazon is still selling first editions. I just bought one, in fact.
No. First-editions. Amazon still has stock.
http://www.amazon.co.../dp/0953192636/
#45
Posted 25 June 2008 - 05:56 PM
'The Book They Tried To Ban' shipping at Amazon.co.uk
#46
Posted 25 June 2008 - 06:11 PM
#47
Posted 25 June 2008 - 07:19 PM
The screen version of James Bond was not Fleming’s creation. It was the creation of Jack Whittingham, who was employed by maverick producer Kevin McClory to adapt the character to the big screen. Had this screen character never been developed, James Bond might have been just another minor fictional spy character...It is the fabled story of Kevin McClory’s 40 year legal battle over the rights to the screen version of James Bond, which he and Whittingham had created.
This is a lot of deceitful crap. Whittingham took a shot at writing the character, so now he gets credited for creating Bond for the screen? So much for Terence Young, Brocolli and Saltzman, and Richard Maibaum. And so much for Ian Fleming, since by such logic the screen Bond was absolutely nothing like the literary character. Sellers book doesn't make much of a case for Whittingham's screenplay exerting much influence beyond that of its plotting, which Fleming certainly helped himself to, and which Maibaum might as well. The weakness of the book is that it's unable to prove anything more. Whittingham isn't the unsung or hidden hero of the Bond saga--he was just a journeyman screenwriter who was involved with a couple of scripts that, judging by the plot summaries and excerpts given, weren't even that great, and were mostly important because they helped clarify and strengthen the plot of what eventually became Thunderball. He and McClory created an early ur-adaptation of the character that ultimately wasn't the one we all know and love. Crediting them with Bond's successful screen incarnation would be like crediting Pete Best for Sgt.Pepper.
#48
Posted 25 June 2008 - 08:01 PM
#49
Posted 29 June 2008 - 12:15 AM
His real name is Bond, Jack Bond
Sylvan Whittingham tells how her man-about-town father has been forgotten as the screenwriter who turned the original cold, sadistic 007 into the suave agent we all love
In a discreet house on a quiet street in Fulham, west London, there lives an ageing beauty with a killer secret. In her hallway hang posters of Thunderball, and on the sofa sits a jolly little puppet of Sean Connery. The walls are lined with film books, and on her desk are two boxes of dusty files, court documents and scandalous letters in a 1960s typeface.
Like a latterday Ms Moneypenny, she holds the secrets of James Bond. Her name is Whittingham. Sylvan Whittingham.
Is she Ian Fleming's daughter? God, no. Fleming's name is anathema here. Her father was Jack Whittingham, a celebrated screenwriter of the 1950s and 1960s. It was Jack, she claims, who gave us Bond as we know him.
Read more...
http://commanderbond...n...&item=47663 - The Times
#50
Posted 29 June 2008 - 12:28 AM
#51
Posted 30 June 2008 - 06:36 PM
[quote]
Edited by Revelator, 30 June 2008 - 07:48 PM.
#52
Posted 30 June 2008 - 07:10 PM
I couldn't agree more.
Of course, Whittingham was not the first adaptation of a Bond novel to script form...But Sellers, who seems to want to promote his own importance, omits this salient fact.
Pity. Should have been a good book.
Keep dancing,
Bonita
#53
Posted 10 October 2008 - 11:02 PM
#54
Posted 10 October 2008 - 11:53 PM
#55
Posted 13 October 2008 - 10:58 PM
What's wrong with you folks? Fleming took portions wholesale from the screenplay (and most of his influence on it had been removed, anyway) to make the novel
No, he didn't. He used parts of the plot of the screenplay, apparently under the impression that the drafts were legally owned by Bryce's company. Saying that he took portions wholesale would mean that he stuffed bits of the screenplay--dialogue, characterization and all--into the novel. And there's no evidence of that. Yes, there was reason for the court case, but there's no reason to overrate Whittingham's influence.
#56
Posted 18 April 2009 - 02:51 AM
Anyhow, as I reached the latter portions concerning the Thunderball case and Fleming's later life, the words and phrases became creepingly familiar. When I reached the part detailing Fleming's heart attack, I gasped aloud.
The passages that had struck me as being so familiar were familiar to me; they had appeared in The Battle for Bond, by Robert Sellers.
After I finished the biography, I carefully combed through Sellers' account, and phrases just jumped out at me immediately, even with words changed around. I also looked at the list of people Sellers thanked at the start of his book; Lycett doesn't get a mention.
As far as I can tell, Robert Sellers plagiarized passages wholesale from Andrew Lycett's Fleming biography in order to bulk up his work on the Thunderball plagiarism case.
Make of that what you will.
#57
Posted 18 April 2009 - 04:44 AM
#58
Posted 18 April 2009 - 06:53 PM
#59
Posted 19 April 2009 - 04:57 AM
#60
Posted 19 April 2009 - 07:16 AM