
Why is NSNA so ignored?
#61
Posted 21 October 2007 - 09:29 PM
#62
Posted 22 October 2007 - 12:42 AM
Are we talking about the same film? Because NSNA is THE worst directed Bondfilm I've ever seen.Irvin Kershner is a much better director than John Glen and it shows. Compared to the workman style, bland, by the numbers ones Glen directed (with the exception of TLD), NSNA's performances really pop out.
You may not like this movie because of an aged Connery, no EON music, or gunbarrel, but it's direction was top notch. Are we comparing a guy who's non-Bond movie was an Iron Eagle sequel to one who directed A Fine Madness, The Flim-Flam Man, Eyes of Lara Mars and the finest Star Wars movie?
#63
Posted 22 October 2007 - 09:32 AM
You are not only wrong about NSNA, you're wrong about my opinions too. I have nothing against Sean Connery - he's a great Bond here. The problem with NSNA is that the script is both weak and stupid, the film lacks any direction whatsoever and it is all a total dated mess. NSNA has a story that you can follow for about 30 min but then you are lost. Is Bond on a mission or is it a holiday? Like GoldenEye the film has a fake wit pasted all over it, but I dont call that good direction.Are we talking about the same film? Because NSNA is THE worst directed Bondfilm I've ever seen.Irvin Kershner is a much better director than John Glen and it shows. Compared to the workman style, bland, by the numbers ones Glen directed (with the exception of TLD), NSNA's performances really pop out.
You may not like this movie because of an aged Connery, no EON music, or gunbarrel, but it's direction was top notch. Are we comparing a guy who's non-Bond movie was an Iron Eagle sequel to one who directed A Fine Madness, The Flim-Flam Man, Eyes of Lara Mars and the finest Star Wars movie?
I would take AVTAK over this film anyday.
#64
Posted 22 October 2007 - 09:21 PM

As I said earlier, my problems with the film have nothing to do whether the familar EON trappings are there or not. I just think it's a very slow moving film where nothing of interest happens. The only trappings they had to adhere to was the basic structure of the novel, from there they could have made a great film. Instead they copied EON's formula (badly at that) and produced a subpar film where the only real saving grace is having Connery back as Bond.
#65
Posted 22 October 2007 - 11:04 PM
Even though Irwin Kershner is a good director (I saw him in person at the STAR WARS convention in L.A., last spring), I don't think that he gave NSNA any particular panache or style.
Keep in mind Irvin Kershner also directed Robocop 2, which is an awful movie (imo). Even though he may be more respected than John Glen for directing The Empire Strikes Back, I still think that Glen's For Your Eyes Only, The Living Daylights, and yes, License To Kill, are better than Never Say Never Again.
#66
Posted 23 October 2007 - 02:12 AM
Even though Irwin Kershner is a good director (I saw him in person at the STAR WARS convention in L.A., last spring), I don't think that he gave NSNA any particular panache or style.
Keep in mind Irvin Kershner also directed Robocop 2, which is an awful movie (imo).
Oh dear. I didn't realize that. YIKES!
#67
Posted 23 October 2007 - 02:32 AM
#68
Posted 23 October 2007 - 09:47 AM
#69
Posted 23 October 2007 - 01:04 PM

#70
Posted 23 October 2007 - 01:47 PM
#71
Posted 23 October 2007 - 02:41 PM
It's a straight remake: I love Thunderball, but NSNA lacks Thunderball's fun. For me, Celi plays a better Largo and Auger is a more tantalizing Domino. Old Sean does a fine job, but I can't get past his age.
The music is uninspiring at best. The rest of the movie frequently drowns it out to the point that I forget music was even present.
Feel: It's a victim of the early 80s. It looks terribly dated and does not have much of a "cool retro factor" like early Connery's or some of the earlier Moore's.
The writing is fun with snappy quips and one liners, but those delivering them just don't do it for me.
In all, I can see how some may like it, but it simply does nothing for me.
#72
Posted 23 October 2007 - 09:40 PM
Even though Irwin Kershner is a good director (I saw him in person at the STAR WARS convention in L.A., last spring), I don't think that he gave NSNA any particular panache or style.
Keep in mind Irvin Kershner also directed Robocop 2, which is an awful movie (imo).
Oh dear. I didn't realize that. YIKES!
Yep. Robocop 2 was the movie that killed his director's career. After that he's only directed one Sea Quest episode for television.
The only well directed Kershner movie, that I've seen, was 'The Empire Strikes Back'. Then again, I think I've only seen 4 of his movies. ESB,Robocop 2,NSNA and some, that I don't remember.
NSNA is not a bad movie. But neither is it a well directed one.
#73
Posted 28 October 2007 - 12:47 AM
#74
Posted 28 October 2007 - 03:26 AM
#75
Posted 28 October 2007 - 01:20 PM
Perhaps it's more ignored by the serious Bond fan and purist, and certainly the lack of a Bond score and gunbarrel makes it look out of place. Furthermore, the timeline is rather skewed from the rest of the series in that Bond is reliving events that have already occurred before (in Thunderball).
But to the casual fan, I'm not sure they even notice that. I don't think they always remember the details of Bond's missions, only really the action scenes, gadgets and witty repartee.
#76
Posted 28 October 2007 - 03:46 PM
Good point. Whenever it is on SpikeTV, AMC, or another channel, this movie is usually included in their Bond marathons. Most casual fans just accept it as a Bond movie because it has Connery as Bond. Whenever I've asked a casual fan about it, I've always gotten an answer like, "I thought that movie looked a lot like Thunderball but I wasn't sure why."Is it really so ignored? I don't think the casual viewer of Bond movies always knows that it's not an official one. They even often show NSNA as part of a whole series of Bond movies (or Sean Connery Bond movies) when it is on ITV.
#77
Posted 28 October 2007 - 04:34 PM
I think it can never be ignored - and it isn't.
However, for some people, NSNA was a disappointment. It is certainly an interesting take on 007 and, IMHO, Connery, Brandauer and Carrera are great.
#78
Posted 28 October 2007 - 06:56 PM
#79
Posted 28 October 2007 - 08:14 PM
Saw Blofelds Cat's version of it last night. The music helps somewhat.
[mra]At times his edits help as much as the music does. Going to the Spectre meeting out of the main titles rather than to M
#80
Posted 28 October 2007 - 08:36 PM

#81
Posted 28 October 2007 - 08:41 PM
[mra]At times his edits help as much as the music does. Going to the Spectre meeting out of the main titles rather than to M
#82
Posted 28 October 2007 - 08:44 PM
I happen to agree....I liked that particular edit out of the main titles as it kept the viewer wondering about the fate of Bond a little longer. My only issue really with the sterling job that Blofelds Cat did on the movie is not including the title track at the end of the movie. I know I am in the minority but I actually like the title track quite a bit.
Really? I, for one, think Lani Hall goes a bit too far beyond her range in this song.
"To get mixed up with..."

#83
Posted 28 October 2007 - 09:03 PM
Yep. Robocop 2 was the movie that killed his director's career. After that he's only directed one Sea Quest episode for television.
I wonder why ROBOCOP 2 killed Kershner's career. I mean, Box Office Mojo informs me that it grossed some $46 million Stateside, "not too shabby" in 1990, and did better than other high profile sequels that year like YOUNG GUNS II, GREMLINS 2, ROCKY V and PREDATOR 2. Not exactly a total wipeout, surely?
I also wonder why Kershner was offered ROBOCOP 2 in the first place. He hadn't done a feature in nearly seven years and was knocking on a bit - hardly the kind of director you'd expect for a (in those days) hip, edgy and boundary-pushing franchise like ROBOCOP.
Still, I remember really liking ROBOCOP 2 when I saw it on its theatrical run. Underrated, and possibly even better than the first one. I actually think both NEVER SAY NEVER AGAIN and ROBOCOP 2 are superior to THE EMPIRE STRIKES BACK, which I find an absurdly overrated piece of work, but then I know I'm in an absolutely miniscule minority there.
#84
Posted 28 October 2007 - 10:21 PM
Yep. Robocop 2 was the movie that killed his director's career. After that he's only directed one Sea Quest episode for television.
Still, I remember really liking ROBOCOP 2 when I saw it on its theatrical run. Underrated, and possibly even better than the first one.
Couldn't DISAGREE more.

#85
Posted 28 October 2007 - 10:57 PM
I actually think both NEVER SAY NEVER AGAIN and ROBOCOP 2 are superior to THE EMPIRE STRIKES BACK, which I find an absurdly overrated piece of work.
You're kidding, right?

#86
Posted 29 October 2007 - 07:11 AM
[mra]At times his edits help as much as the music does. Going to the Spectre meeting out of the main titles rather than to M
#87
Posted 10 November 2007 - 06:26 PM
#88
Posted 11 November 2007 - 10:20 AM

#89
Posted 13 November 2007 - 07:41 AM
[mra]At times his edits help as much as the music does. Going to the Spectre meeting out of the main titles rather than to M
#90
Posted 13 November 2007 - 07:53 AM
[mra]At times his edits help as much as the music does. Going to the Spectre meeting out of the main titles rather than to M