Look how far Pierce had to push just to include elements of deeper characterization in TWINE and DAD (ignoring for a moment, the public pressure to do the same after the action-stacked TND).
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Well he must have not pushed hard enough...
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Yeah, regardless of his desires for character, Brosnan's still said over and over again his favorite movie was GE. Not TWINE.
And honestly, TWINE was utter crap. That was NOT the direction to go in with James Bond. Deeper characterization is fine and great when handled well. Hopefully it will with CASINO ROYALE, and I have every reason to believe it is (Bond is apparently retaining his arrogant, cold, masculine, SOB nature).
That said, the characterization in TWINE was not James Bond. It turned him into more of a sensitive, feminine-fantasy figure, instead of the masculine icon that he should remain. That "Stockholm syndrome" confrontation was totally out of line, and the fact that Bond (on her betrayal) didn't descend into coldness and removal when he found out she betrayed him, instead moping about and even giving that ludicrous Stockholm syndrome speech, just hurt that. Not to mention that Sophie Marceau and Judi Dench took every opportunity to overact during that whole movie. Even Brosnan overacted a lot during the course of the film.
And, honestly, what happens when you run out of trauma for the character to undergo? There is a danger in making Bond nivues all about character - it should still be about escapism, as the majority of the Fleming novels were. I mean, Fleming still provided some characterization, but the majority of Fleming novels were fairly shallow affairs.