
Any NSNA fans out there?
#31
Posted 25 August 2003 - 05:07 PM
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I don't know why they think so. McClory's contract with Eon from 1965 gave him the right to do a remake in 10 years. Perhaps Broccoli and Saltzman didn't expect Bond to be around by 1975. Whatever the case may be, McClory had a bona fide right to do a remake based on the novel and the scripts. They probably erred in agreeing to the clause.
It is amazing the film was made at all. NSNA was confronted with litigation all the way through -- efforts to stop its production. Many extra scenes were shot lest others be precluded legally. The scipt was carefully scrutinized by the lawyers and the NSNA storyline carefully pinned to the characters and events in the earlier TB novel, drafts and screenplays. To survive this sort of scrutiny and pressure from a major studio is remarkable. NSNA did a comendable job of delivering a distinct viewing experience. That is, it did not appear to be a scene for scene, shot for shot remake.
Now that MGM owns the property, it would be interesting to go back, recover the camera negative, and recut, rescore, and retitle the film to improve the pacing. It will never be an Eon entry. But for better or worse, in many ways, its roots have more to do with Fleming than the stuff being dreamed up today.
B l o x
#32
Posted 25 August 2003 - 05:11 PM
I really like the movie and I like the fact that it was different from the EON series.
#33
Posted 25 August 2003 - 05:20 PM
#34
Posted 25 August 2003 - 05:27 PM
Now that MGM owns NSNA they should give us those extra scenes, they must exist somewhere...I would love to have them insert those scenes and then bring in someone like John Barry to redo the soundtrack. I bet that Barry would create a great soundtrack for the movie, especially since they would not be rushing him to meet a theatrical release date.

#35
Posted 25 August 2003 - 08:11 PM
#36
Posted 26 August 2003 - 01:43 AM
....Actually Jack Schwartzman was planning to rescore the picture shortly before he died. The war is over on this property. They could do whatever they wish. They could have buried it (as some were suggesting might happen after they acquired the rights.) But there it is -- on DVD. While a redo is unlikely, the brass is smart enough to recognize that, with relatively little investment, they could create a "new" property out of 20 yr old film and all of the exploitation that would go with it. Robert Wise redo of Star Trek the Mo Pix comes to mind, as well as Lucas's redo of the first Star Wars pictures.
#37
Posted 26 August 2003 - 10:37 AM
#38
Posted 26 August 2003 - 05:36 PM
As far as an NSNA "special edition" goes, well, it would be nice but I highly doubt it. What we're talking about here is a dramatic alteration of the film, and I recall few movies that have received that treatment. The Star Wars special editions included extra special effects and some deleted scenes, but otherwise the movie itself wasn't altered. Similarily, the Apocalypse Now director's cut featured many extra scenes. And let's not forget that the above movies have long been considered masterpieces in their own rights, something that NSNA most certainly is not. The concept would be nice for Bond fans but I don't think it's realistic.
#39
Posted 26 August 2003 - 06:39 PM
#40
Posted 26 August 2003 - 07:57 PM
#41
Posted 27 August 2003 - 10:54 AM
#42
Posted 27 August 2003 - 06:18 PM
Originally posted by ChandlerBing
There was a chap on another site who had experimented with altering NSNA with a gun barrel and new music.
Yes, that has appeared here on CBN...I think it was Blofelds Cat (without the apostrophe - not the CBN staff member) but I could be wrong...It was the "Eon's Never Say Never Again Pre Credits" thread in the Sean Connery forum.
#43
Posted 08 September 2003 - 01:23 AM
NSNA was surprisingly well-written, as far as dialogue and witticisms are concerned. It was not the most imaginative story (obviously it could not be), and some situations were ludicrous or embarassing (such as Fatima Blush throwing the snake into Patachi's car to kill him).
I do not watch this film with non-Bond fans because I always have to answer "Are they all like this?"
#44
Posted 08 September 2003 - 03:05 AM
Originally posted by Pussfeller
NSNA was surprisingly well-written, as far as dialogue and witticisms are concerned.
I think NSNA has the best dialogue of any James Bond movie...
#45
Posted 08 September 2003 - 04:23 AM
#46
Posted 08 September 2003 - 09:20 AM
#47
Posted 08 September 2003 - 12:53 PM
#48
Posted 08 September 2003 - 12:57 PM
#49
Posted 08 September 2003 - 01:06 PM
#50
Posted 08 September 2003 - 01:21 PM
#51
Posted 08 September 2003 - 01:23 PM
#52
Posted 08 September 2003 - 01:43 PM

#53
Posted 08 September 2003 - 01:58 PM
#54
Posted 08 September 2003 - 02:03 PM

#55
Posted 10 September 2003 - 03:49 AM
I also like Klaus Maria Brandauer as Maximillian Largo and Bernie Casey as Felix Leiter. There really seems to be sense of friendship between Bond and Bernie Casey's Leiter character which makes him the most memorable to me. I don't know why the Eon films mostly cast such forgetable actors as Felix Leiter, with the exception of course of Jack Lord and David Hedison.
Barbara Carrera is great as Fatima Blush.
I also found Lorenzo Semple Jr.'s script to contain very witty dialogue and it was a very entertaining re-working of the Thunderball story. And like many of you, I am a big fan of Flash Gordon (1980). Go Flash!
I would be a bigger fan of the movie if it were not for the score by Michel Legrand. I like Michel Legrand's score for The Thomas Crown Affair (1968), Ice Station Zebra (1968), and The Three Musketeers (1973), the only other films that I remember seeing that were scored by Legrand.
As for Flesh Gordon, it is so famous, or infamous, that I would like to see it at least once. My understanding is that it is more camp than pørn. Bjo Trimble, the woman who organized the letter campaign to save Star Trek, was a makeup artist on the film, Greg Jein created models, Rick Baker did special make up effects, and Dennis Muren created optical effects.
#56
Posted 10 September 2003 - 10:54 AM
Originally posted by Triton
I'm a big fan of Never Say Never Again. The more serious tone of the film was a very welcome change from the largely comedic undefined Octopussy. I very much liked Max von Sydow as Ernst Stavro Blofeld, he seemed to be the most sane and professional making him the most realistic of all the Blofeld's to appear on screen. I always wondered why the criminals ever put up with Blofeld and SPECTRE in the Eon films because of some of the petulance and the frequent executions. I guess the pay had to be good to put up with the risk. I also have to remark about the Persian cat as well, the cat actually looks loved and happy for once.
I also like Klaus Maria Brandauer as Maximillian Largo and Bernie Casey as Felix Leiter. There really seems to be sense of friendship between Bond and Bernie Casey's Leiter character which makes him the most memorable to me. I don't know why the Eon films mostly cast such forgetable actors as Felix Leiter, with the exception of course of Jack Lord and David Hedison.
Barbara Carrera is great as Fatima Blush.
I also found Lorenzo Semple Jr.'s script to contain very witty dialogue and it was a very entertaining re-working of the Thunderball story. And like many of you, I am a big fan of Flash Gordon (1980). Go Flash!
I would be a bigger fan of the movie if it were not for the score by Michel Legrand. I like Michel Legrand's score for The Thomas Crown Affair (1968), Ice Station Zebra (1968), and The Three Musketeers (1973), the only other films that I remember seeing that were scored by Legrand.
As for Flesh Gordon, it is so famous, or infamous, that I would like to see it at least once. My understanding is that it is more camp than pørn. Bjo Trimble, the woman who organized the letter campaign to save Star Trek, was a makeup artist on the film, Greg Jein created models, Rick Baker did special make up effects, and Dennis Muren created optical effects.
Thank you Triton...I agree with your post on so many levels. I think NSNA is a movie that Bond fans should celebrate precisely because of the differences that it displays from the EON 007 series. I do think that NSNA has the best dialogue of any James Bond movie and also that Barbara Carerra is probably the best villainess, not just of the Bond movies but in the history of movies -- her scene where she makes 007 write that endorsement is simply priceless - "Well, there was this one girl in Philadelphia!"
I also believe that Bernie Casey made a great Felix Leiter. Connery's 007 and Casey's Leiter seemed to have a genuine friendship not seen in the EON pictures (with the exception of David Hedison - who after all was a personal friend of Roger Moore's anyway).
I just wish they could reinstate the Max Von Sydow's deleted scenes because I think he gave an interesting portrayal of the character.
#57
Posted 10 September 2003 - 06:17 PM
Anyway, about the DVD release of it. I bought it when it first came out so I have the one with the arcade scenes missing. I have since tracked down a widescreen copy on both VHS and Laserdisc, but from what I've read above, they have re-released the NSNA DVD with the arcade scenes restored? Don't know if I should shell out some more cash for it, but its only about $10 - $15 so I might as well.......
"Heavy Mr. Bond?"
#58
Posted 10 September 2003 - 08:33 PM
#59
Posted 11 September 2003 - 04:07 AM
Originally posted by IndyB007
Anyway, about the DVD release of it. I bought it when it first came out so I have the one with the arcade scenes missing. I have since tracked down a widescreen copy on both VHS and Laserdisc, but from what I've read above, they have re-released the NSNA DVD with the arcade scenes restored? Don't know if I should shell out some more cash for it, but its only about $10 - $15 so I might as well.......
"Heavy Mr. Bond?"
Yes MGM quickly realized that the initial run of the DVDs had the missing scenes and corrected the problem (quite promptly). The corrected version has two or three asterix's after the title on the top security seal...
#60
Posted 11 September 2003 - 04:10 AM