
Why does everyone hate TWINE?!
#1
Posted 11 June 2003 - 09:18 AM
Why does everyone around here seem to hate it, and is anyonee else with me?!
#2
Posted 11 June 2003 - 10:24 AM
The action is good throughout and the plot is intelligent and a bit different. There's some good dialogue too*, and you get a proper insight into Bond's character without having it rammed down your throat.
It's not perfect, though: The ending is a bit weak and not very exciting, Denise Richards can't act (and in my opinion she's not particularly attractive either), and there are some slow moments in between the shooty-bits.
But, I think it's one of the better Bond films. I'd give it 7.5/10.
*Not counting Christmas Jones' line about terrorists running around with nuclear material being a bad thing - D'uh!
#3
Posted 11 June 2003 - 11:01 AM
But it also had a great villain, a good bond girl (Sophie Marceau) good action and some wit. A great and fitting final Q scene.
Jim
#4
Posted 11 June 2003 - 12:13 PM
It also features a rare Bond rage: "CALL HIM OFF!"
#5
Posted 11 June 2003 - 12:17 PM
Brosnan gives arguably his best performance [all the actors bar Denise Richards give all-star performances], the action is fantastic and the story is pretty darn Fleming-esque, in my opinion.
It's only marred by a weakish ending [though not as weak as Tomorrow Never Dies], in my opinion.
#6
Posted 11 June 2003 - 12:25 PM
TWINE had a great pre-credit sequence, a wonderful soundtrack, some neat little insights into Bond's character ( "I never miss..."), and most notably, Desmond Llewellyn's last appearance as Q.
Yes, Denise Richards wasn't a credible Bond Girl and Robert Carlyle was wasted as Renard and the film's ending seemed a little weak and rushed.
However, the more I view DAD, the more I see so many wasted opportunities.
I pretty much rank Brosnan's Bond films in the order that they were made; Goldeneye, TND, TWINE and then DAD.
Vodka Martino
P.S.- I hope I don't get flamed for this.
#7
Posted 11 June 2003 - 01:47 PM
Why does everyone around here seem to hate it, and is anyonee else with me?!
All are weak since Goldeneye, but TWINE is the worst. Badly filmed, terrible bad guy, rubbish ending. Worst is the appalling cinematography - no style whatsoever.
my twopenneth - sorry
#8
Posted 11 June 2003 - 01:57 PM
I'd rank Brosnan's Bonds as TWINE, TND, DAD, Goldeneye. TND and DAD are very close though with strong beginnings and weak endings though for me TND is less offensive in the second half than DAD though the first half of DAD is terrific. I think if DAD had stuck with the course it was on in the first half then I might be ranking it first.
#9
Posted 11 June 2003 - 02:22 PM
#10
Posted 11 June 2003 - 02:29 PM
#11
Posted 11 June 2003 - 02:29 PM
Its for these small reasons that keep this great Bond movie from becoming an excellent Bond movie imo.
#12
Posted 11 June 2003 - 05:30 PM
#13
Posted 11 June 2003 - 09:44 PM
#14
Posted 11 June 2003 - 09:50 PM
#15
Posted 11 June 2003 - 10:56 PM
Originally posted by License To Kill
TWINE was awesome. It's hard to see how Renard, the man who could feel no pain, be a horrible villain. I thought the idea was cool. I prefer TWINE over DAD.
The concept = good, character developement = bad. They should have gotten deeper into his thoughts and character.
Overall, the makers of TWINE failed to define a central theme; this is due to the attempt of a complex plot, trying to center more film time and information on the women, the action, etc etc. That's my beef with the film.
#16
Posted 11 June 2003 - 11:10 PM
denise is the one best bond girls...just thought all you haters would like to know that:p
#17
Posted 12 June 2003 - 12:47 AM
#18
Posted 12 June 2003 - 03:33 AM
Plus, the action scenes stop the movie dead cold. The moive has no flow to it, its like this: Action...dialogue scene....action...dialogue scene...etc.
#19
Posted 12 June 2003 - 08:19 AM
It is an excellent Bond movie, with a interesting storyline and well thought out characters.
Elektra is a real interesting villian, completley unlike all villians before her. She makes a nice change of pace, and her relationship with Bond is believable and different from most films.
Renard is a great if slighly underused henchman. He resurrects the henchman from the past, ones with unusual qualities.
Christmas Jones is a great Bond girl, and i dont understand the amount of criticism she recieves. She's just an average woman who has been caught up in Bond's world, and not the stupid bimbo many percieve her as. Sure her character isnt as developed as the rest, but there just isnt room in the film for another complex character.
As for the action scenes, this time watching it i only found the ski chase slightly disapointing, probably because its the first to come after the truly excellent boat chase.
TWINE is now definetly in my top five of faviorite Bond films. I wouldnt like every film like this, but it works as a nice change of pace.
#20
Posted 12 June 2003 - 09:07 AM
I totally agree here. There are some fantastic moments give Bond some emotion, cold blooded though it could be, witout losing any of Bond's cool, masculine appeal.Originally posted by Vodka Martino
[B]neat little insights into Bond's character ( "I never miss...")"
My favorites include that psycho glare thing that Pierce does so well, most evident here after shooting someone during the first couple of minutes. The "I never miss" line is one of the best lines in the whole series. It seems so cold blooded, but the delivery seems almost remorseful.
My other favorite line from this movie is:
Renard: "Im already dead"
Bond: "Not dead enough for me"
Now thats cold, Connery cold.
Jim
#21
Posted 12 June 2003 - 10:51 AM
1. Live and Let Die
2. Goldfinger
3. The World is Not Enough
4. Licence To Kill
#22
Posted 12 June 2003 - 10:54 AM
The only real problem I ever had with the film is actually to do with Purvis' and Wade's script. I recall reading an interview with them where they stated that in order to bring 007 into the 21st Century, they were going to give him a weakness ("an Achilles heel" , in their words). They felt he had become too indestructable in TND.
So when I saw the film, I was disappointed that this Achilles heel turned out to be a dislocated shoulder. A DISLOCATED SHOULDER!!??
I remember thinking to myself; 'That's not a weakness, that's a cricket injury!'
VM
#23
Posted 12 June 2003 - 11:15 AM
Although the achilles heel thing is interesting - the shoulder is only a physical disability; I think what was intended (and doesn't come across due to a lack of chemistry between Mr Brosnan and Ms Marceau) is that Bond's capacity to fall for the wrong woman is his true achilles heel - metaphoric rather than literal.
But I really don't want to think any more about it. Some half-decent ideas shot to buggery by misconceived action sequences and performances which defy any sort of polite description.
#24
Posted 12 June 2003 - 11:19 AM
#25
Posted 12 June 2003 - 11:37 AM
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I don't hate it, I think it's quite a creditable addition to the series. I think the Thames boat chase is of vintage quality, and (amongst many, many other scenes) the introduction of (then) "R" is a total hoot, personally, I wouldn't even want to begin trying to find fault with the movie, it has way too much of a "Feel good" factor.
#26
Posted 12 June 2003 - 12:50 PM
Originally posted by License To Kill
TWINE was awesome. It's hard to see how Renard, the man who could feel no pain, be a horrible villain. I thought the idea was cool. I prefer TWINE over DAD.
Truth is,TWINE's villain was Elektra, not Renard. He was just a henchman. The film was atypical in many ways, not least of which is defying expectations as to who the main villain is and who is the flunkie.
#27
Posted 12 June 2003 - 01:34 PM
Originally posted by Jim
Don't worry fans - 'tis other Jim that has praised this godawful film.
Although the achilles heel thing is interesting - the shoulder is only a physical disability; I think what was intended (and doesn't come across due to a lack of chemistry between Mr Brosnan and Ms Marceau) is that Bond's capacity to fall for the wrong woman is his true achilles heel - metaphoric rather than literal.
Jim, I agree with you there. It's just that the metaphor was lost due to 'misconceived ideas shot to buggery'. I couldn't phrase it better.
And yep, there was no real chemistry between Bond and Elektra and as a result, their relationship didn't come across as grand enough. Similar to Bond and Paris Carver in TND, but then a lot of Teri Hatcher's work wound up on the cutting-room floor from what I understand. Not 100% sure of that. Correct me if I'm wrong.
VM
#28
Posted 12 June 2003 - 04:22 PM
Originally posted by Jim
Don't worry fans - 'tis other Jim that has praised this godawful film.
I had to look twice to see if there was a typo - but glad to see you're still on the side of the angels on this one.
#29
Posted 12 June 2003 - 04:29 PM
After a promising boat chase on the Thames we have to endure some of the worst executed action sequences ever in a Bond picture.
The parahawks sequence lacks any of the suspense and sheer fun value that similar battles in the snow setpieces had in OHMSS, FYEO and even the brief precredits of TSWLM.
All the action sequences are bland, blah, boring and void.
#30
Posted 12 June 2003 - 04:39 PM
Originally posted by DLibrasnow
All the action sequences are bland, blah, boring and void.
At the risk of becoming bland, blah, boring and void myself, I agree.