
Winking Fish
#1
Posted 01 May 2003 - 10:50 AM
#2
Posted 01 May 2003 - 11:55 AM
(yes i know thats a very immature statement, but i think it sums it up nicely)
#3
Posted 01 May 2003 - 11:57 AM
No idea where I read that, though, so I could be wrong. It's a bit silly, really.
#4
Posted 01 May 2003 - 12:12 PM
In a word: dunno.Originally posted by SamuelKevlar
In the last shot of LTK, the stone fish at the swimming pool winks at the camera. One word: why?
It's very silly, and more befitting a Moore Bond movie than the more serious Dalton Bond movie. One of bad decisions made by John Glen that ultimately got him retired from the franchise, I guess
#5
Posted 01 May 2003 - 03:24 PM
Yep, this is what I heard/read as well. A completely wrong-headed way to end such a tough and serious Bond film IMO.Originally posted by Double-0 Six
I think it was a feature of the actual swimming pool they used (a coverable lighting source), I vaguely recall hearing that the producers saw it operate and then decided to incorporate it into the film.
No idea where I read that, though, so I could be wrong. It's a bit silly, really.
#6
Posted 01 May 2003 - 07:28 PM
#7
Posted 01 May 2003 - 09:05 PM
#8
Posted 01 May 2003 - 10:31 PM
Feeling sorry for Dalton, they canned the original ending at the last minute and out of desperation someone happened to grab a shot of the fish. Unfortunately, out of pride, no one wanted to go up to Brosnan and tell him, we should have waited for you back in 86. We were wrong. We were sorry. It would take them a few years to own up to it. Now you know the rest of the story, as Paul Harvey says.
#9
Posted 02 May 2003 - 06:07 PM
#10
Posted 02 May 2003 - 07:08 PM
You yourself have said you liked Daylights when you first saw it.
So what's the problem? How did you go from liking it to hating Dalton with a passion?
OK - you like Brosnan more than Dalton. Fine.
You go out of your way to point out the low box office of Dalton's films, and use that as part of your argument that they suck.
Well gee, by that flawed logic American Pie 2 is miles above Citizen Kane in the film world then.
Also - I would hardly call millions of theatre goers a handful.
Dalton brought Fleming back to Bond. Not everyone wanted to see that or cared. But to a Fleming fan like me, it meant a lot.
LTK, just like OHMSS, was an experiment with the formula that failed at the box office - but has a devoted fan base.
I'd like to know a few things - 1) who would you have cast instead?
2) Do you blame Dalton for the writing and casting of Daylights weak women and villains - because both were done with Brosnan in mind, not Dalton
3) Do you blame Dalton for the weak women casting (again), horrible marketing, and tough competition LTK had when it was released?
Oh and if you want to know the real reason for the Fish Wink at the end - it was a glowing tribute to Connery's wink at the end of NSNA.
#11
Posted 02 May 2003 - 07:27 PM
I actually think the dissing Dalton thing is kinda funny though, because whenever I get the chance, I rip Connery in DAF. But, otherwise, I love Connery, I just wish DAF were done differently. That's it. It does seem like Chandler has something very personal against Dalton, with some weak arguments about box-office, etc., ignoring the type of cult following that his 2 films have.
(I always thought Citizen Kane was grossly overrated, by the way.)
#12
Posted 03 May 2003 - 10:43 AM
2) Do you blame Dalton for the writing and casting of Daylights weak women and villains - because both were done with Brosnan in mind, not Dalton
I thought it was written originally for Moore (if he was to return), THEN Brosnan, THEN Dalton?
Nonetheless... My answer to the question of the original topic:
In the last shot of LTK, the stone fish at the swimming pool winks at the camera. One word: why?
Why? Who knows. I haven't even noticed this myself.
#13
Posted 03 May 2003 - 02:54 PM
It is true I liked The Living Daylights back then. As one gets older, however, feelings change. I would rather they had just been willing to work with the producers of Remington Steele and let Pierce find a way to do Bond in 86. It's what the people wanted. Unfortunately, Cubby absolutely refused to work with the producers of the show even after they offered to film the episodes in Europe to accomodate filming.
Like it or not, box office and attendance figures are the most important things for a movie. Movies are a matter of commerce. Money is invested. If the investors don't see returns, the movie itself is regarded in a negative way. Dalton's movies are among the lowest grossing movies in the series. You can't hide that fact no matter how much you want to spin it.
2) Do you blame Dalton for the writing and casting of Daylights weak women and villains - because both were done with Brosnan in mind, not Dalton. Dalton was poorly miscast as James Bond. His big selling point was that he played the part serious. For many people pissed off with Roger Moore over the years, he was a Godsend.
3) Do you blame Dalton for the weak women casting (again), horrible marketing, and tough competition LTK had when it was released? Dalton was but one poor element. I have often wished over the years that Bond belonged to another studio besides MGM. Bond has managed to thrive over the years despite MGM, not because of it.
#14
Posted 03 May 2003 - 08:58 PM
And I love Pierce; whoever wants him (or anyone else) dead needs serious help.
I'm going to watch Goldfinger.
#15
Posted 04 May 2003 - 12:02 AM
Personally, I love them both, Dalton just a little more than Brosnan.
#16
Posted 04 May 2003 - 12:59 PM
Originally posted by doublenoughtspy
Well gee, by that flawed logic American Pie 2 is miles above Citizen Kane in the film world then.
3) Do you blame Dalton for the weak women casting (again), horrible marketing, and tough competition LTK had when it was released?
American Pie 2 is miles above Citizen Kane. And the women in LTK are its only redemming qualities (as well as Q of course)
#17
Posted 04 May 2003 - 01:48 PM
#18
Posted 04 May 2003 - 03:03 PM
No, strictly speaking David Niven was.
I'm afraid that I have read and re-read Fleming's work half a dozen times and I don't really think Dalton was Fleming's Bond. The closet he got to it was TLD, with some really good moments but parts of LTK are almost anti-Fleming in approach ie the Bond-M relationship.
#19
Posted 05 May 2003 - 12:28 PM
#20
Posted 05 May 2003 - 02:46 PM
I quite agree, Dr. Noah. This is the subject of a thread I started the other day called "Fleming's Bond?" Dalton played a good Bond, but I don't think he is the "Fleming Bond", and I don't think anyone of the actors have ultimately nailed it, but they've all been good.I'm afraid that I have read and re-read Fleming's work half a dozen times and I don't really think Dalton was Fleming's Bond. The closet he got to it was TLD, with some really good moments but parts of LTK are almost anti-Fleming in approach ie the Bond-M relationship.
#21
Posted 26 May 2003 - 01:38 AM
#22
Posted 26 May 2003 - 10:44 AM
Maybe...

#23
Posted 04 June 2003 - 10:05 PM