Did anyone else catch David Arnold re-using a 4-note motif from TWINE in the latest Sherlock episode, The Abominable Bride? It occurs at about 34:14 mark, when Eustace sees a 'ghost' and believes his past sins have caught up with him.
Sorry my musical vocab is rubbish, but it is clearly recognisable in the Sherlock episode. I remember hearing it and recognising it straight away. The TWINE OST uses it at the beinning of 'Remember Pleasure' and in 'Torture Queen' at about 53 seconds (slightly sped up).