RISQUE
THE ODDS CAN CHANGE
THE NUMBER REMAINS THE SAME
Screenplay by Paul Taylor
Based on the novels of Paul Taylor
Cast
James Bond
Cadre
Rene Mathis
Thug 1 with Machine pistol
Thug 2 at window
Thug 3 at window
Thug 4
Thug 5
Thug 6
****
Voice of Q
Guard 1
Kissing man
Eddie the guard
Tuxedo Guard 1
Croupier
Risque
Saxa Jackson
GUN BARREL LOGO.
Animated white dot moves from frame-left and centers on frame-right. Iris veins surround the dot to fill the frame. A MAN enters the dot walking from right to left, the iris moving to centre-frame with him. He jumps to face, pointing a gun and shooting. Red colour falls from the top of the frame. The iris wanders then starts to fall to bottom-frame. The iris and man fade out and the dot gets smaller, drifting to bottom right.
IRIS CUTS OUT.
The dot opens on: Moon reflected in water.
Act 1
Scene 1
NIGHT:
EXT: Tracking shot: over a river. Skimming over small boats tethered to the bank.
Camera slows, then focuses on a parked car on the road at the side of the river.
CUT TO:
Reverse Camera shot: FG Side view of front of parked car, with river in BG:
Sound: Growling engine.
Aston Martin DB5 pulls up front bumper to bumper with the parked car.
DISSOLVE TO:
INT car: James Bond looks around. He takes out his mobile phone and begins to text.
Close up of phone: Screen shows text message: Rene, where are you?
Action: Bond taps the steering wheel.
Phone rings. Bond answers
007:
Bond
Voice over MATHIS:
Hello James, I’m in the bar with a friend. Just securing your funds for tonight
007:
You’re meeting with Dimitri now?
Voice over MATHIS:
Don’t worry James. I’m almost finished. I’ll be with you in a moment. Use the time wisely read your file. Know your enemy.
EXT: shot looking into the car directly through the windscreen: Bond picks up a file from the passenger seat. Bond opens it. The name RISQUE is printed on the cover.
After a moment Bond throws the folder back on to the passenger seat.
INT car shot: Idly Bond checks his watch.
Action: Sound of a single shot. Bond looks over at Bar.
CUT TO:
Camera shot from inside car. Bar in BG: Bond jumps from car and runs across the road.
CUT TO:
Camera shot through the bar window: Bond draws his Walther PPK and kicks open the door to the Bar, the ‘Open’ sign rattles against the glass.
CUT TO:
INT shot from the back of the bar toward the door, and the advancing Bond.
The bar is dark and deserted. But the tables have drinks upon them and lit candles burn in holders.
DISSOLVE TO:
INT: Shot from behind Bond’s shoulder looking into the bar
007:
Just like the Marie Celeste
INT: Tracking shot: Bond crosses the bar: He hears another shot from above.
Close up: Bond looks up.
CUT TO:
INT: Long shot from behind Bond. Bond walks toward the bar: Thug 1 jumps up from behind the bar and shoots at Bond with a machine pistol.
CUT TO:
INT: close up on Bottles and glasses disintegrating on the table in front of Bond.
CUT TO:
Tracking shot: Bond dives onto floor, pieces of wood from the table rain down upon him.
Bond rolls over sending a chair careering across the floor. Gun shots follow his roll. Ripping the floor to pieces
Medium shot: Bond adjusts his position behind the upturned table.
Smoke and dust fill the air.
Close up shot: Naked flames from a fallen candle mixing with the spilled spirit on the floor. They ignite in a whoosh of flame.
Medium shot; through flames. Thug 1 fires the machine pistol again..
Wide shot: Bond rolls over and returns fire with three shots.
Thug 1 dies
Tracking shot: Bond runs to the back of bar dodging the flames as they lick at the fabric and wood in the Bar.
Close shot: Bond checks the thug is dead.
Sound: Machine pistol gunfire from upstairs.
Form Bond POV: Bond looks at his Walther PPK and then the machine pistol in Thug 1’s hand.
Medium shot: Bond holsters the Walther, and takes machine pistol from Thug 1’s dead hand.
007:
Much obliged
CUT TO:
Tracking shot: Fire takes hold. Flames spreading. Hissing crackling fire.
Tracking shot: Bond runs up the stairs three at a time.
DISSOLVE TO:
Soft focus wide shot: along upstairs corridor: Bond advances
Sound: Gunfire from within the room. Bond crashes through the door.
Scene 3
Wide shot: Upstairs room, view from door toward opposite window.
Medium shot: Thug 2 and thug 3 firing out of the window. They turn at the sound of the door crashing open.
Medium shot: Bond shoots them with the machine pistol.
Tracking shot: from Bond POV. Bond moves along the corridor
Medium shot: Bond moves to next room. Gun extended.
Scene 4
Wide shot: Corridor outside Second room
Medium shot: Bond uses the machine gun’s stubby barrel to push door open further, carefully he enters the room, only the moon light filtering in from the window gives him a perception of movement in the shadows.
Action: The lights turn on.
CUT TO:
Close shot: Rene Mathis.
Camera pans out: Revealing Mathis has been shot. A small amount of blood is on his jacket.
A man stands behind Mathis. A knife at his throat.
Cadre:
Back off or I kill him
CUT TO:
007:
You must be Dimitri. Mathis here thought you’d be much more friendly
PAN TO:
INT shot from Bond’s POV: Cadre laughs. He takes tighter hold on Mathis.
Cadre: Nodding to the other corner of the room
No. Dimitri is over there…
Tracking shot: following Bond’s vision: Bond sees a body on the floor.
Cadre:
My name is Cadre. And you are?
007:
My name’s Bond…
CUT TO:
Wide shot: Bond is attacked. Thug 4 swings a baseball bat. The blow is quick, and hard enough to knock the machine pistol from his hand another blow is directed at Bond himself.
CUT TO:
Opposite angle: Bond deflects the hand, and the strike misses his head by an inch. Dropping his weight Bond attacks with an elbow strike into the ribs of Thug 4.
Close up on Thug 4 face: The air leaves his lungs.
CUT TO:
Opposite angle shot: Bond wraps his arm around Thug 4’s neck trapping his arm, forcing it upward.
Dolly shot: Bond locks his other hand around his own first and swings Thug 4 around squeezing his head against his own outstretched arm cutting off the oxygen supply to the brain.
Tracking shot moving around the fight: Thug 4 is a big man and Bond struggles to overcome his strength.
Close up of Thug 4 face: Thug 4 smiles and wriggles out of the death grip.
Thug 4 turns to attack
CUT TO:
Medium shot: Bond is attacked by Thug 5. He aims his gun
Opposite angle shot: Bond kicks Thug 4 into Thug 5. A gun goes off.
Dolly shot: Thug 4 staggers back into Bond.
Wide angle: Bond uses Thug 4 as a shield. Thug 5 fires again. The bullets crash into Thug 4
Medium shot angle down: Thug 4 falls to the floor trapping Bond underneath him.
Close up: A number of shots hit Thug 4 in front of Bond.
Tracking shot: Thug 5 moves closer to Bond, and stands over him.
Cadre: in the BG
Kill him
Thug 5: sarcastically
But he’s unarmed
Wide shot: Bond feels the dead weight of Thug 4 bear down upon him as another two bullets thump into the dead flesh.
Thug 5 looks down at Bond
But I don’t care
CUT TO:
Close up on Bond’s face; Bond opens his eyes and fires the Walther PPK.
Thug 5 drops to the floor.
Medium shot: Bond kicks out from under Thug 4 and springs to his feet.
Wide shot: Bond looks over at Cadre
007:
…James Bond
Scene 5
Tracking shot: Cadre holds Rene Mathis and pulls him toward the open door
More blood seeps through his light grey jacket.
Cadre:
Don’t judge me Mr. Bond. We only came for Dimitri. This old fool got in the way. I suggest you back off and let me go….
007:
I’ll have to hear what Mathis says about letting you go.
Bond to Mathis:
Rene; I told you not to speak to any strange men in the bar.
The old Frenchman opens his eyes.
Mathis to Bond:
Where were you when I needed you? He mocks, and begins to cough.
CUT TO:
Medium shot: Thug 6 appears at the doorway, he brings his gun to bear but Bond turns and fires, the first shot striking home and slamming the man back out into the corridor
Bond aims and fires another shot but his gun is empty.
Close up on Cadre: Cadre laughs. Recognizes his moment, and in one tearing motion slits Mathis’ throat and throws him to the ground.
Scene 6
Medium shot from Cadre’s POV: Cadre attacks Bond.
Tracking shot: The knife slashes right to left, and Mathis’ blood flies from the blade. Bond tries to smother the attack using the empty Walther PPK
Cadre slashes again from the left. Bond blocks the attack forcing attacking hand wide, and
Bond counters with a ridge hand to throat.
Tracking shot reverse angle: Cadre steps back, soaking up the pain from the attack. He flexes his muscles and his hand flashes out grabbing Bond’s right shoulder, his fingers dig into the flesh, dragging him down, trying to turn him.
Close up: Bond drops the Walther and counter grabs the knife hand.
Tracking shot: Cadre’s well-muscled arm wet with sweat slides around within Bond’s grip, the blade continues its deadly path toward his throat; Bond braces himself, and pushes back, the effort is immense, and Bond knows he cannot beat this man on pure strength.
Close up: Bond stops his resistance and allows himself to be pulled in.
The blade is only an inch from his neck
CUT TO:
Close up of fight: The blade touches Bond’s skin and at the last moment Bond twists inside guard, striking backward with his elbow then firing up with his fist, the second strike catches the man on the nose, the pressure of his knife attack hand slackened. Bond side steps to the right and steps behind Cadre, sweeping his leg forward. He crashes to the floor.
Wide shot: Bond stamps down hard on Cadre’s wrist. The knife falls from his grasp. Bond kicks it away and it bounced across the floor with a hollow metallic ring.
CUT TO:
Cadre reaches up and grabs Bond’s leg but the pain in his broken wrist makes the move ineffectual. Bond drops his weight and slams his hand into the man’s neck with a classic karate chop.
Cadre lays motionless.
Scene 7
Dolly shot: Bond goes to Mathis
Close up: Bond cradles Mathis in his arms.
Mathis looks up from under his heavy eye lids
Mathis:
I always wanted to die in France
Wide shot from floor level: Mathis tries to reach for his gun, which lays some distance away on the floor.
Bond looks at Mathis’s wound and applies pressure
007:
Be quiet and there’s a chance you still can
Mathis:
Oh James, there is a lot more to France than just l'hexagone. Little specks of her are dotted all around the world, all in spectacular settings
Medium shot: Bond looks around the bar and shrugs
007:
Mathis, just shut up, I need to get help.
The blood is forcing its way up between his fingers.
Mathis closes his eyes
Mathis:
Please James, help me get my gun
007:
Don’t be stupid
Mathis:
Then get me a brandy
Mathis points to a bottle of brandy on the floor
007:
Keep still or you’ll die right here
Mathis:
Like Dimitri? I came here to offer him protection.
007:
He doesn’t need it now
Mathis:
I failed him
007:
Yes, now keep still
Mathis:
James I have to tell you what Dimitri told me
007:
What?
Mathis:
The funds are going to be transferred tonight at the Betting Rooms.
007:
I’ll try to stop that
Mathis:
You need to know about the Betting Rooms.
007:
Go on
Mathis:
The club is a front for an international money laundering operation; tonight’s proceeds go to funding the terrorist group that’s heading for London. Demitri’s contact is the only one that can get you close enough to the man you’re after. James, if he transfers the money tonight the attack on London will be unstoppable. You have to stop him.
007:
I will. What’s the contact’ name?
Mathis:
Her name is Saxa
007:
How do I make contact?... and don’t say ‘phone’
Mathis: Shaking his head
Sorry I don’t know. Now get me some brandy
Close up from Bond POV: Bond looks deep into his friend’s eyes, all pretenses are futile.
Bond reaches for the bottle, and offers him the brandy.
007: Smiling
Trust a Frenchman to find a bar where the brandy is free
Medium shot: Slowly Mathis brings his arm up and holds on to Bond’s sleeve
Mathis:
Ha let that be my epitaph.
Mathis grip fades and Mathis dies.
Scene 8
Wide shot: Cadre speaks
Cadre:
Very touching.
Medium shot: Cadre Struggles to his knees; blood dripping from his shattered nose. He wipes his face with his good arm
Bond watches him with a cold curiosity as the wounded giant reaches across with his good hand and thrusts it deep into his pocket, he grunts and groans, and finally begins to withdraw the hand, but he only extracts his mobile phone.
Close up from Cadre POV: Cadre gestures toward Mathis with the phone
Cadre:
I want to call my lawyer
007:
Now why would you want to do that?
Cadre:
There’s no way I’m going to prison
Close up then pan: Bond wipes the blood from his fingers on Mathis’ jacket; slowly he reaches forward and picks up Mathis’ gun.
CUT TO:
Close up: Cadre pulls out a £1 million bearer bond
Cadre:
No need for violence. Money talks Mr. Bond. This is a £1million bearer bond
Cadre: Waving the bearer bond
With this little baby doing the talking my lawyer will have me back on the streets in less than one hour
Medium shot: He laughs at the effort it takes to press the buttons. He waits for the connection. Slowly he shakes his head and looks at Bond with contempt
Cadre:
You think you have the upper hand? Just because you have a gun? I won’t ever spend a single night in jail
007:
You’re absolutely right
The shot is loud in the quiet smoke filled room.
Fade to black