Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.
Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”. Sorry, I don't understand why it's impossible to read my text...Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.
Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.
It's in white! I don't know why...Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.
Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.
Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”. Sorry, I don't understand why it's impossible to read my text...Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.
Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.
Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.
Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.
Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”. Sorry, I don't understand why it's impossible to read my text...Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.
Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.
It's in white! I don't know why...Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.
Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.
Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”. Sorry, I don't understand why it's impossible to read my text...Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.
Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.Here's a sad interview of Stephane LEROUGE, a french editor of music who's interested in redescovering lost scores (the translation, by myself, is not very good, I'm afraid...) Interviewer : "Several American labels moreover tried to find the Moonraker score tapes, which was recorded in Paris"… Stephane LEROUGE : “Here is another major disappointment … It is something annoying enough because a few years ago, the tapes of this movie would have been able to be saved. I began to attend by 1992 recordings in the studio Davout, where Moonraker had been recorded. It is necessary to know that John Barry, at the time, had spent two or three months in Paris to write the music of the movie, which was shot in France because he was coproduced by Eon and Artists Partners France. In fact, tapes complete multitracks had stayed in Davout. And a little more than fifteen years ago, Davout sent a series of letters to producers and music publishers : "you came to work at home formerly. We have here a room filled with tapes, some belong to you maybe. If you do not come to look for them within three months, the not got back tapes will be destroyed. " Certain composers, as Vladimir Cosma or Claude Bolling, rushed at Davout to save their material. Here is in which conditions the complete tapes of Moonraker disappeared : nobody of the MGM went to get back them. But did those persons in charge receive the letter of Davout? I ignore it. Because, meanwhile, United Artist had closed its office in Paris and its catalog had been transferred to the MGM … Here is how Moonraker remains one of the last ones Graals of John Barry, but inaccessible Graal, fancy”.
