i heard DAD on the radio yesterday and noted the typically instrumental intro and wondered "hmm, whats this?" then it went all techno-y and i realised 'twas DAD, n felt a bit let down. with Goldeneye being v. sumptuous and sexy and TND (i feel) being given the indie touch by sheryl crowe, TWINE was perhaps more of a post-modern "goldfinger" (suitably bombastic strings and brass etc) combined with a funky rhythm. oh, and shirley mansun

all i can say is that i hope the titles themselves make up for the distinct lack of Bond in the titlesong.
ps. apologies if i seem to be voicing my opinions on DAD alot recently, i can explain! 1)am film student 2)am bond fan (the perfect combination!) and 3)seeing as theres the little matter of this being the 40th anniversary of the franchise, for some reason this Bond has to be one of the best - in other words, its gotta be good for the UK market. i tell ya, if peeps want it to be no1 in the charts, it should be released AFTER lotr!!