That scene from the trailer...
#1
Posted 29 April 2012 - 01:56 PM
Discuss...
#2
Posted 29 April 2012 - 02:28 PM
#3
Posted 29 April 2012 - 02:28 PM
There could be a double edge to the “done” reaction, Skyfall (his family home) for Bond is the past, done.
#4
Posted 29 April 2012 - 02:54 PM
The word "Skyfall" coming up in the test suggests to me that it is something from Bond's past (in addition to the house name) which has been found to have some degree of relevance to the recent attack on MI6. Furthermore, his reaction would suggest that it had a strong impact upon him. For these reasons, I'm guessing it was some sort of operation which went wrong, and had significant repercussions, which has now resurfaced.
Failing that, we know from CASINO ROYALE that Bond isn't adverse to digging through M's personal history, so it's possible that he knows something about Skyfall from his illicit research. I think that's less likely though.
#5
Posted 29 April 2012 - 03:16 PM
#6
Posted 29 April 2012 - 03:58 PM
#7
Posted 29 April 2012 - 04:07 PM
How do you know?
It's just speculation on my part.
Looking at the information we have so far, including Bond's 'death', Skyfall, M's past and Kincade's involvement, it's logical to assume we'll see various flashbacks, with the interrogation scene coming in near the beginning of the film. And through that interrogation we'll see bits and pieces of the story via flashback. I just hope it doesn't get all muddled.
#8
Posted 29 April 2012 - 05:25 PM
#9
Posted 29 April 2012 - 05:38 PM
#10
Posted 29 April 2012 - 05:55 PM
#11
Posted 29 April 2012 - 06:10 PM
Fleming liked a good flashback; he started a number of Bond stories in media res. There's a precedent for this sort of thing. A flashback or two doesn't mean SKYFALL would turn into MEMENTO.I hope you won't hold it against me if I say that I really, truly hope you're wrong about that. After all the criticism about QOS having a baffling, nonsensical plot, they're going to double down? God forbid. I'm still holding out hope for a return to clarity. A story artfully conceived and simply told. It's clear that intricate non-linear framing can't compensate for a weak plot, just as a compelling narrative doesn't need to be larded with postmodern gimmicks.
#12
Posted 29 April 2012 - 07:42 PM
#13
Posted 29 April 2012 - 07:54 PM
MI6 has been attacked, Bond is thought to be dead during this time, then he mysteriously turns up alive, so the finger of suspicion is pointed at him.
I wouldn't read all that much into the trailer dialogue, because it's most likely been cut around a bit.
#14
Posted 29 April 2012 - 10:16 PM
#15
Posted 30 April 2012 - 07:06 AM
I read it that way as well, especially if this takes place early on, which makes sense. It's coming back stronger than ever, courtesy of Mr. Silva and his grudge. Who Bond meets half way through the film.Maybe Bond thinks that "Skyfall" is done - but he only set things in motion without knowing that.
#16
Posted 30 April 2012 - 07:45 AM
I think either it's something he knows about (a previous assignment) and doesn't want to bring up ghosts from the past? I'm not sure, can't wait to find out how it's meant to be!
#17
Posted 30 April 2012 - 03:01 PM
#18
Posted 01 May 2012 - 03:27 AM
They never have done a whole film about Bond being framed before have they, that would be an easy explanation to the SF connection.
#19
Posted 11 May 2012 - 07:38 AM
I hope you won't hold it against me if I say that I really, truly hope you're wrong about that. After all the criticism about QOS having a baffling, nonsensical plot, they're going to double down? God forbid. I'm still holding out hope for a return to clarity. A story artfully conceived and simply told. It's clear that intricate non-linear framing can't compensate for a weak plot, just as a compelling narrative doesn't need to be larded with postmodern gimmicks.
I don't see how 'Non-Linear' = 'Non-Sensical'; I can think of literally dozens of great films that utilise flashbacks and any confussion in QOS was caused by the over-tight pacing and the fact that the audience is dropped into the middle of the action with little or no exposition (not that it's difficult to grasp anyway, IMO and I personally liked this approach) and besides, that isn't the same thing as telling a complete story out of sequence
Edited by Peckinpah1976, 11 May 2012 - 07:50 AM.
#20
Posted 22 May 2012 - 03:55 AM
I hope you won't hold it against me if I say that I really, truly hope you're wrong about that. After all the criticism about QOS having a baffling, nonsensical plot, they're going to double down? God forbid. I'm still holding out hope for a return to clarity. A story artfully conceived and simply told. It's clear that intricate non-linear framing can't compensate for a weak plot, just as a compelling narrative doesn't need to be larded with postmodern gimmicks.
I agree. I don't feel like flashbacks (save for the brief one in OHMSS) have any place in Bond. And the QoS trailer had a flashback to Vesper, but there were no flashbacks in the film.
Edited by echo, 22 May 2012 - 03:57 AM.
#21
Posted 22 May 2012 - 04:09 AM
I don't feel like flashbacks (save for the brief one in OHMSS) have any place in Bond. And the QoS trailer had a flashback to Vesper, but there were no flashbacks in the film.
So seeing the flashback of Bond's first kill (Dryden's contact) in CR wasn't appealing to you?
#22
Posted 22 May 2012 - 04:25 AM
I'm not angling for black-and-white footage to come back, either. Although I love the downer Bonds, on some level I think they should stick to the tried-and-true formula. QoS was a bit too experimental--the moved gunbarrel, the shaky cam, the action sequences based on the four elements. Just tell a cracking story without the gimmickry.