NAMES ARE FOR TOMBSTONES
would be a great Bond title!

Posted 24 February 2012 - 11:23 PM
Posted 24 February 2012 - 11:27 PM
Posted 25 February 2012 - 11:58 AM
Posted 02 March 2012 - 09:35 PM
Posted 03 March 2012 - 03:08 AM
Posted 30 March 2012 - 12:42 AM
Posted 30 March 2012 - 03:42 AM
Edited by AMC Hornet, 30 March 2012 - 03:47 AM.
Posted 26 April 2012 - 02:34 PM
Posted 26 April 2012 - 02:46 PM
I think Fool's Gold is quiet Bondian...
Posted 26 April 2012 - 09:18 PM
Posted 26 April 2012 - 09:33 PM
Sounds like the title of a J.K. Rowling authored Bond novel...THE FOOL'S GOLDEN DRAGON
Problem solved.
Posted 26 April 2012 - 10:10 PM
Edited by AMC Hornet, 26 April 2012 - 10:36 PM.
Posted 26 April 2012 - 10:12 PM
Posted 27 April 2012 - 01:40 AM
Okay.
THE FOOL WITH THE GOLDEN DRAGON
Too derivative?
(Impressively fast work on that cover art, BTW!)
Posted 27 April 2012 - 04:58 AM
Posted 27 April 2012 - 07:47 AM
Posted 27 April 2012 - 08:03 AM
and yet talking about Fiennes role in bond 24 when we don't know his role in bond 23 isn't too early?
and Hey I want the title in the Credits
Posted 27 April 2012 - 11:29 AM
Are you the one who - in a thread about using repetitive key words - amended my suggestion "Live and Love Only Gold" into "Live and Love Only Casino Gold'?
Posted 27 April 2012 - 11:42 AM
Posted 27 April 2012 - 12:44 PM
Posted 27 April 2012 - 02:36 PM
Or perhaps simply A HOPE IN HELL.
Posted 28 April 2012 - 12:18 PM
Posted 28 April 2012 - 06:26 PM
Posted 30 April 2012 - 06:39 PM
Posted 30 April 2012 - 06:46 PM
Posted 02 May 2012 - 02:44 AM
Posted 20 May 2012 - 09:32 AM
Edited by S K Y F A L L, 20 May 2012 - 09:33 AM.
Posted 20 May 2012 - 04:43 PM
Posted 22 May 2012 - 02:26 AM
The trick with original Bond titles is that it's often quite difficult to find something that is sufficiently clever and sufficiently Bondian. When I brainstorm Bond titles, they often seem like Fleming rejects than titles the man would have looked at with approval. It's also altogether far too tempting to simply through "death" or "die" somewhere in some recognizable expression and think yourself altogether quite clever (ala, say, ONE DEATH TO DIE).
The trick of a great Bond title is to be something at once both pulpy and poetic, with a touch of the surreal. GHOST OF A CHANCE, perhaps? At the very least, it sounds like something Fleming might have conceived of and later rejected. Same goes for, say, DEATH HAS TWO FACES, which isn't altogether too terrible, provided the story had a good enough explanation for it. A SPY FOR A SPY? Now we're just getting silly.
And then there's the one-word titles. They can be pulled off by folks who aren't Ian Fleming (Gardner's novels gave us two good ones in ICEBREAKER and BROKENCLAW, though SEAFIRE leaves a great deal to be desired), but they're the hardest ones to pull off. There was a bit of Bond fiction that used the title SILVERTONGUE. Not too bad. I'm still waiting on EON to use SHATTERHAND and/or SHAMELADY.
Edited by echo, 22 May 2012 - 02:31 AM.