I have to disagree - the thought of Quantum without a puppet-master would be a huge anti-climax.
I don’t think so. I think the big boss thing is all a bit too predictable. Have Quantum be something else. It’s own thing.
What exactly does that mean though. Point taken that 'big bosses' are old hat, but what do you replace that with - a bureaucracy, perhaps the NHS? Perhaps a 'super computer' like Superman 3... Maybe not.
Is it 2 villains instead of one, maybe Siamese twins?! Or 3 villains, or 4 - or a group? Isn't this just a watered down variation of the 'big boss'?
Without someone specific to search out and destroy is it still Bond? Is Rumplestiltskin still a Grimm story if it's a group of anonymous ugly dwarfs, instead of the one 'big bad'?
I'm not saying Bond is a Grimm fairytail, but it is a kind of modern equivalent - they both represent things we feel strongly about: Good & evil, innocence, sin, crime & punishment. They've both been very successful because their story structures portray these issues very directly - Bond is after all a latter day Knight in shinning armor when all's said and done.
I'm loving the new realism in Craig's movies - it tells us it's really happening. But i don't want realism to the extent that we lose the most crucial of motifs - the villain - leaving no illusion and reward at the end of the story. What's great about bond and Grimm is the non-realism of there being a personification of evil that we can defeat, because in real life most of the crappy things we deal with day to day have no single personification that we can behead to fix the problem. That fantasy is a major element of Bond that makes it Bond, IMO.
Bond's is certainly different from Grim in the consistent, complex character of Bond himself, who reflects the complexities of modern life unknown in the middle ages. But in terms of Story, they are still fairly similar. I'd rather see Morgan hang the modern complex trappings of his script on a back-to-basics fairytale - i think it was this approach in Goldeneye that rescued the franchise after it got bogged down in some tedious melodrama posing as depth in Dalton's films.
I'm not saying the narrative, or telling of the story should be old fashioned, just that some of the archetypes are crucial to Bond. I loved QoS' no nonsense approach to the stories telling, never sacrificing pace for clarity. With a polished script it wouldn't have had to make those minor sacrifices.
This time round i welcome the complexities of Quantum's conspiracy, but hang them on the traditional framework - give us the dramatic big reveal and make the big boss thoroughly bad; in my book greed is a more horrendous motivation than power, since power suggests insecurity, weakness and pity. That's what made Goldfinger so despicable - there was nothing to pity - he didn't want power/respect/affirmation, just a higher value for his gold.
I definitely don't mean to poo-poo this idea of there being no villain - it's an interesting approach. But we'd ceratinaly need a worthy alternative if we're losing the 'big boss' - something equally compelling and satisfyfing. It's all very well us complaining about the predictability of 'big bosses', but try sitting down and writing that. You can quickly find you've hit a brick wall when it comes to the climax.
Conspiracies are great fun in drama and i love the one Eon are currently cooking up with Quantum, but they have to resolve somewhere exciting. Take the X-Files - a great pot-boiling conspiracy, but how satisfying was the resolution? Didn't come up to scratch for most people. The old 'hive' / 'faceles consortium' deal never really delivers as well as a good old Blofeld.
IMO, it's not what they do, but how they do it. I don't see the 'big boss' as a defunct device, it simply hasn't been done well since, say, Goldfinger, or perhaps Brando's Don Corleone & Colonel Kurtz characters. I thought Paul McGuigan had a good stab at it with his unscrupulous 'Bosses', Freeman & Kingsley in
Lucky number Slevin.
As much as it seems old hat-cliche right now, it just takes a great script, actor and director to give us a cracking version of the 'big boss' and suddenly it seems cutting edge again. With Morgan & Mendes that could indeed be the case.
Edit: Sorry about the ramble - still trying to get my head around the idea of Bond without a villain.
Edited by Odd Jobbies, 08 January 2010 - 06:15 PM.