Okay. But how does that relate to film consumption and audiences?what the heck is Metascore? (!). When people who have no intention of ever liking or getting a film like AWAY WE GO are the only ones compiling "data" for websites that reduce all film consumption to marks out of ten, I personally don't put much credence in it. Sorry.
A metascore is a weighted average. It's a widely accepted form of measurement.
I was being general. I am not that bothered - and neither is the film making fraternity - by sites like Rotten Tomatoes. Since when - in this instance - did a site named after ailing fruit become some benchmark of film audiences? Not having a go at you, I just find this reliance on data from these sites to debate filmmakers creative choices (be it casting a director, writer or actor) to be most odd.EDIT: And if Away We Go and QoS got 58 out of 10 they did very well indeed.
The likes of Sam Mendes do not go hat in hand to anyone.This seems more like Mendes going hat-in-hand to two of his friends to get him a job after a few box office let-downs.
His best movie is American Beauty. A decade on, it hasn't exactly aged well. It might soon crack my "overrated" top ten. This already reeks like another QoS-like disaster.
And if BOND 23 was anywhere near what some class as "disasterous" then I hope for more disasters of the same with the next Bond film (assuming we get one).