Posted 16 December 2009 - 03:32 AM
I loved Quantum when I first saw it in theatres. (But then again, I didn't hate Spider-Man 3 the first time I saw that particular piece of hoo-ha, either.) Like with my first viewing of Casino Royale, I left the theatre feeling plucky and satisfied. The editing was bothersome, but it just took a few DVD viewings to understand it.
Today, what do I think of it...My feelings are extremely mixed. Easily my least favourite part of the film: M. She has at least eight scenes. A condescending and unprofessional 'boss' who insists on following and assisting Bond in the field. ("So, M...you wanna go to Russia with me? ok cool, thanx") Don't like any of her scenes really, especially when she's accompanied by a futuristic office and that uncharismatic limp noodle of a secretary. Her screentime could've been cut down if she'd only suspected Bond of one or two unnecessary killings, instead of three. Would've made for more hard-hitting drama in that department, too. But I suppose the film re-uses this device so often because the story is so short.
Besides the opening (a car chase that's brutal and stylish without descending into gaudy stunts) and ending (the engagingly shot and staged exploding hotel climax - great colours and some nice moments of humanity like Bond considering suicide & Medrano's angry rape), I find the action altogether too common. Everybody and their dog has done a rooftop skedaddle and the airplane dogfight is outright dull. Considering Quantum wants to be an action film first and foremost, the action could've been shot and scored much more interestingly. I don't mind the lack of cute stunts or 'Bond moves' (if you'd like). But this kind of action, with its focus on brutality, should serve the story (yes I'm addressing you, pointless boat chase) and come as a sort of climax after character and plot development. Which Quantum severely lacks.
Now, if we focus on the characters. I think the film's downfall is round about the halfway point, when Fields is sent in. She is a comic character with little development, unbelievable in her role for numerous reasons, and when she's killed off, the film tries to play it for drama. Yuck. I suppose I might like her better if I found the actress attractive, but I don't.
Also, didn't really appreciate how the only thing Mathis had to say on his deathbed was about Vesper, of all people. Convoluted. I don't know why they had to kill him either, or make us think he was a traitor in CR. Why does every friend of Bond's need to die or turn out a traitor? Oh yeah, to shock the audience. Yawn.
But what do I like about Quantum? The aesthetics of the film hit me right away when I first saw it, and they still do it for me. Its emphasis on blacks and whites is appealing and in my book, it features the only Arnold score ever capable of raising a scene beyond what it already was (a trick John Barry pulled in many Bonds of yesteryear). 'Inside Man' and the variations on it are great. Unfortunately, he still brings endless percussive loops and crescendos to action scenes that I sincerely believe drags them down. It's as if the producers are scared to leave one unscored these days. There is something to be said about letting sound effects and editing maintain excitement. With Arnold around, there is no ebb and flow of tension.
Camille has a positive character arc, which is welcome. I enjoy every scene between her and Bond because of their similar goals. Daniel Craig is ruthlessly efficient with low-key quips like 'Is that compliment?' and when displaying the haggard edges of Bond's state of mind. All in all, not a bad film, but I certainly enjoy parts of it more than others.
For a while, QoS got worse each time I revisited it. But this stopped at a point. For what it's worth, my opinion of it never goes into freefall like whenever I try revisiting Brosnan's 3rd and 4th outings. I'm very much looking forward to the next Bond flick (so long as Bond's character development sticks).