Still love his chemistry with Judi Dench. Wish we could've see maybe a momentary flicker of grief over Vesper. It was there, but extremely subtle, very much buried. Again, maybe that was the point.
I think that Bond's grief over Vesper was expressed in his anger . . . except in his scenes with Mathis. For a few seconds, it looked as if Bond was about to burst into tears, when Mathis was discussing Vesper.
True. I definitely need to watch it a second time. The first viewing just flew by. Hubby felt the same way. So I'm sure I missed many subtleties.
I had to chuckle near the end that they showed a Canadian agent. I imagine Americans (and I'm one) wondering, "Canada has spies?" Living in Canada, I'm fully aware of CSIS, but I doubt that many outside of Canada are.
Hubby and I saw it tonight. I, too, felt the story was rushed and didn't really settle in till the second half. The editing had a hyperactive quality that made the story feel rushed to me, too. It was a relief to see things finally settle in during the second half. I also felt that many of the camera angles were too tight, to the point that I couldn't see what was going on. It was almost a video-game style of cinematography . . . and maybe that was the point.
I actually liked the first half better than the second, which I thought suffered. Maybe I am somebody who enjoys the ride getting there rather than the payoff in films, but I feel that way about most of the Bond films.
I also wasn't a big fan of the tight camera angles. It made me wonder if the DVD era is making us more aware of these types of things on the big screen as opposed to the home as there were things I noticed on CR on DVD I hadn't in the cinema.
The first half of the film felt like one chase/fight scene after another. Maybe it has to do with expectations, but it was hard for me to get into the story with such rapid-fire editing and scene changes, so little exposition. (Would this have had something to do with getting the script done before the writers' strike? Maybe that's part of why the film felt underdeveloped and rushed, because the script was . . . well, rushed.)
Speaking of scene changes: I wasn't wild about the location cards being in a different font each time, I guess to signify something about the place. It drew attention to itself, which took me out of the story. Again. Too self-conscious for my tastes. But that's just me.
I think the issue with camera angles doesn't have so much to do with DVDs, but what I like to see in a film. Film is a visual medium, so I want to be able to actually see what's happening. Contrast the free-running sequence up on the crane in "Casino Royale" (or even the stairwell fight scene) with one of those early "Quantum of Solace" chase/fight scenes, and they're completely different. Because the camera drew back and actually allowed us to see the danger, I felt it, almost viscerally. I remember gasping the first time I saw the two of them up on the crane. That didn't happen for me with "Quantum of Solace" because I wasn't given enough space to
feel the danger.
Edited by byline, 16 November 2008 - 07:35 PM.