Posted 21 November 2008 - 10:53 PM
Lots of great points made already. Perhaps these haven't been:
Bond fandom during the Brosnan era was, in part, Brosnan fandom. He brought a lot of people to Bond who would not normally have been interested, partly because he was charming and astonishingly handsome, partly because of the great story about how he'd missed out on the role, so it seemed like just desserts after a very long build-up.
He was greeted by almost everyone as being the best thing since sliced bread, and loved for at least his first two films, possibly his third. But by Die Another Day, EON had become complacent. The previous films had been rather safe, but now they went all-out for an extravaganza, using the 40th anniversary as an excuse. That's how the series has often gone, of course: the excesses of Moore's era suddenly counter-balanced with the darkness of Dalton. Brosnan started out as a cross between Moore and Connery, and was loved for it, but DAD was full-on Moore-style territory, despite the first reel. Suddenly, it seemed a bit silly to be watching a film with an invisible car in it.
The world had also changed, of course, as the film rather clumsily tried to remind us, and perhaps audiences were no more in the mood for that type of light Bond film than they were in the mood for a very dark type of Bond film several years previously. The Bourne Identity had also recently been released, and suddenly showed in even starker contrast how far Bond had fallen, and what could still be done. That a secret agent film could be dark but also exciting, suspenseful and gripping but also intelligent and emotional... Perhaps the greatest flaw in DAD was not the invisible car or the CGI but the car chase: there was no longer any suspense. The villain, for no apparent reason, also had gadgets on his car, and they raced around like they were in a TV advert for a Bond video game. Bond was not in peril, and he looked like a rather middle-aged and uptight businessmen, out of place, trying to keep up with the new generation of action films and bullet-time speed and so on. The Bourne Identity stripped it all back to the basics and showed how you could have real danger and adrenalin and still have the globe-trotting and cool factor.
I don't think most of the millions of Brosnan Bond fans around the world gave two hoots for the way he was treated or his reaction to it. I think many of them grew up - literally so. I was 22 when GoldenEye came out, and it was a cool film and hey, Bond was back, the man who was born to be Bond had been given the part, and so on. But 29 is not 22. Perhaps more to the point, if you were 18 at the start of Brosnan's tenure, you were 25 at the end of it. So all those fans who joined Bond aged 18 for GE grew, and their tastes changed, and the world changed, and Brosnan's films became more outlandish. Bourne stepped into the breach, and from there arguably we have seen Batman and a lot more besides mine that vein. Bond, too, of course. But while I suspect Craig has lost some Brosnan fans, he's also done what Brosnan did all over again, which is to bring new fans who would not usually watch Bond films. But this time, I reckon many of them are in their 30s and 40s, and many are women.