HELP! i'm studying goldfinger for AS Film
#1
Posted 28 September 2002 - 02:29 PM
calling all those british students who are doing, or have done, AS Film Studies at college (or any uni Film students for that matter). our 3rd unit of the course is the swinging sixties and within that we have to study Goldfinger and the Bond movies (yess!!) so, i'm just shouting for help on the cinematic elements of the movie, or any other help u might be able to offer! email me at [email protected]
many many thanks (especially to Icepheonix aka Trevelyan and Mr Asterix who made this post possible!!)
bec
aka The Girl With The Golden Gun
#2
Posted 28 September 2002 - 03:02 PM
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#3
Posted 28 September 2002 - 05:44 PM
#4
Posted 28 September 2002 - 08:34 PM
#5
Posted 28 September 2002 - 10:10 PM
#6
Posted 30 September 2002 - 08:23 PM
i've only recently started the course. we'll be looking at GF along with "If", A Hard Day's NIght (the beatles) and Clockwork Orange, the unit is entitled "British cinema in the swinging sixties" (and yes, i know Orange was made early 1970's!!) when i find out more i'll of course let u know what aspects i might need help on, if any. it just intrigues me that with the beatles etc. there is the relationship of a group of young men contrasted against the many relationships of the lone James Bond 007... anyway, i'll keep y'all posted. thanks
#7
Posted 03 October 2002 - 09:31 AM
#8
Posted 03 October 2002 - 03:03 PM
Read my Goldfinger subtext article here on CBn. That might give you some pretty wild insights.
http://www.commander...es/1369-1.shtml
#9
Posted 03 October 2002 - 03:12 PM
BTW GWTGG... my tip for good marks... state, don't evaluate. Watch using value judgements (like the "OTT titles" thing... that's you evaluating in your opinion... say something mlre along the lines of the highly sensual titles sequence that depicts moments from the film to tease the audience across the body of woman, showing the idea of sexuality in the Bond film and how the films centre of relationship (both sexual and emotional) with the women Bond meets.) gets you better grades if you state then relate the thing to the film.
#10
Posted 03 October 2002 - 04:22 PM
Originally posted by zencat
Read my Goldfinger subtext article here on CBn. That might give you some pretty wild insights.
http://www.commander...es/1369-1.shtml
How does one notate an article on a website in a bibliography? Just curious.
#11
Posted 03 October 2002 - 07:32 PM
#12
Posted 03 October 2002 - 07:46 PM
Originally posted by Evil Doctor Cheese
Is that the thing about stealing daddy's girl zen. I love that one. It's very clever.... makes you think about the film in a different light.
BTW GWTGG... my tip for good marks... state, don't evaluate. Watch using value judgements (like the "OTT titles" thing... that's you evaluating in your opinion... say something mlre along the lines of the highly sensual titles sequence that depicts moments from the film to tease the audience across the body of woman, showing the idea of sexuality in the Bond film and how the films centre of relationship (both sexual and emotional) with the women Bond meets.) gets you better grades if you state then relate the thing to the film.
- thanks for the tip, cheese. as i've only just started the course this "macro" study (as its called) is just a practice run. so far we've looked at Reservoir Dogs and Pulp Fiction!! it did occur to me that i shouldn't have used such a term, but of course that didn't happen until AFTER i handed it in...d'oh! still, u learn from ur mistakes. hey, i got an A+ for my reservoir dogs micro study!!!!
#13
Posted 03 October 2002 - 08:33 PM
Originally posted by The Girl With The Golden Gun
Tilly is subsequently shot....
Sorry to flag this GWTGG, but Tilly is the first/only victim to be felled by Oddjob's lethal bowler. An emotional moment for Bond as he seems to realize that (by being involved with both women) he's responsible for the death of two sisters.
Also, do check out Zencat's post on GF. It's quite good.
#14
Posted 03 October 2002 - 09:48 PM
#15
Posted 04 October 2002 - 07:44 PM
I've read the GF article and felt that although it gave me a greater insight into the film and made me appreciate it more, there was no need to include it at this stage. the narrative structure chart is meant only to be brief in charting the narrative progression. i may, however, cite the essay should i come to do this macro for real, plus we'll be studying GF and other 60's bonds as part of the course anyway