
The 79th Academy Awards
#31
Posted 23 January 2007 - 04:44 PM
But the last straw was when they snubbed I think it was Ridley Scott for best Director for Gladiator (when they awarded Gladiator with best actor and best movie??) and Hans Zimmerman for best score for Gladiator in favor of the guy who directed Traffic and YoYo Ma for the Crouching Tiger Hidden Dragon score.
That was definately not right.
#32
Posted 23 January 2007 - 04:55 PM
I can't think of any area where Children of Men could be described as "slight"... especially not in terms of "craft", it really was beautifully made.I am not going to fire too many soured grapes over the Academy's fence, but I do wonder why CHILDREN OF MEN and THE QUEEN gained so many craft award nominations when the former was a very slight film
It may have been beautifully made, but it ran out of story in the last act and ended up being extremely episodic.
#33
Posted 23 January 2007 - 04:58 PM

#34
Posted 23 January 2007 - 05:01 PM
I've always known the Academy Awards was mostly political, biased, and paid off in some way.
But the last straw was when they snubbed I think it was Ridley Scott for best Director for Gladiator (when they awarded Gladiator with best actor and best movie??) and Hans Zimmerman for best score for Gladiator in favor of the guy who directed Traffic and YoYo Ma for the Crouching Tiger Hidden Dragon score.
That was definately not right.
But Soderbergh's direction was far superior to Scott's efforts on GLADIATOR. I love the latter. It's a great mainstream film and one I own. But it is also a quasi remake of BRAVEHEART (which Mel Gibson then stole narrative from for his later PASSION OF THE CHRIST), which in turn was a rehash of SPARTACUS.
Soderbergh won that year because he did what very few directors do in a film and that's change the way films can be directed. If we had not had TRAFFIC, we would not have had the likes of BABEL, 21 GRAMS and SYRIANA.
Sony did absolutely nothing to promote CR to Guild or Academy voters in any category (even technical). They let everyone involved in this film down badly.
We don't know that. In fact, Sony did push CASINO ROYALE about - and still is. The problem lies in Hollywood's pecking order when it comes to the old boys school network that is the Oscars.
Edited by Zorin Industries, 23 January 2007 - 05:00 PM.
#35
Posted 23 January 2007 - 05:03 PM
"EKTERS D'WIN' EKSENTS
THE COMPLAINT
Actors doing accents
EVERY YEAR, right around Christmas-time, I find myself indulging a grisly little fantasy triggered by trailers for Oscar-hungry films. Coming soon: Blood Diamond--and there's a goateed Leo gallivanting over the Sierra Leonean countryside, barking at poor Djimon Hounsou, "What if I helped you find your family?" Trouble is, I'm not thinking, Boy, this looks exciting! I'm asking myself, Did Leo just say "femlee"? And that's about when I start dreaming about performing a mass tracheotomy on every dialect coach in Hollywood.
Movie stars should never do accents. In theory, their purpose is to allow the actor to disappear into character. But when Scarlett Johansson pops up midway through The Prestige, her English lilt might as well be a giant red clown nose; you can't focus on anything else, because you're too conscious of the smoky, slightly bored timbre she's struggling to suppress. Even Meryl Streep, master of the semiforeign tongue, couldn't quite pull it off. She's won Oscars, sure, but she's also had difficulty shaking the perception that she's an actress of tremendous technique but little feeling.
The only people who care about foreign accents are the actors, who want to believe themselves chameleons. Audiences don't give a damn. Nobody minded when Sean Connery burred his way through The Hunt for Red October as a "Russian" submarine captain. More recently, the only cast member to escape the glottal train wreck that was All the King's Men was Anthony Hopkins, who refused to modulate his Welsh accent.
In its heyday, Hollywood was smart enough to recognize the futility of disguising the stars it had labored so mightily to brand. When the studios wanted a touch of exoticism, they imported a Charles Boyer or a Greta Garbo. Nobody demanded that Jimmy Stewart superimpose an Irish brogue onto his distinctive stammer/drawl. Movie stars didn't insist that we admire their versatility. We were allowed to dream, rather than being forced to marvel."
Rock on Leo.. way to do a
![[censored]](https://debrief.commanderbond.net/topic/38900-the-79th-academy-awards/style_emoticons/default/censored.gif)

#36
Posted 23 January 2007 - 05:15 PM
#37
Posted 23 January 2007 - 05:16 PM
Hmmm... I don't think Traffic led to Babel and 21 Grams... Amores Perros led to those films, and didn't that come out before Traffic?But Soderbergh's direction was far superior to Scott's efforts on GLADIATOR. I love the latter. It's a great mainstream film and one I own. But it is also a quasi remake of BRAVEHEART (which Mel Gibson then stole narrative from for his later PASSION OF THE CHRIST), which in turn was a rehash of SPARTACUS.
Soderbergh won that year because he did what very few directors do in a film and that's change the way films can be directed. If we had not had TRAFFIC, we would not have had the likes of BABEL, 21 GRAMS and SYRIANA.
I would say Gladiator and Traffic are both brilliantly directed.
#38
Posted 23 January 2007 - 05:24 PM
I think I do know that. How did they push it? The Guilds are the ones that put films forward for nomination. I'm in the Writers Guild so I get all the Oscar promotions and swag sent out by the studios. I'm sitting here with a pile of free DVD screeners of movies that are nominated. I didn't get a CR screener. I watched all my mailings from Sony and there was never a screening of CR (but there were screenings of "Click" and, surprise, surprise, it's nominated...for makeup?) I tried to use my Guild card to see CR (at Oscar time, Guild cards admit free to most movies). CR was not eligible for Guild admission. I watched the trades and there was never an ad run by Sony promoting CR for an award (unless I missed it). I know what movies where pushed...and those are the movies on the list this morning. Again, I say this from first hand experience, Sony did nothing to promote CR for an Oscar. They didn't even do what was normal for any movie.Sony did absolutely nothing to promote CR to Guild or Academy voters in any category (even technical). They let everyone involved in this film down badly.
We don't know that. In fact, Sony did push CASINO ROYALE about - and still is. The problem lies in Hollywood's pecking order when it comes to the old boys school network that is the Oscars.
#39
Posted 23 January 2007 - 05:28 PM
I think I do know that. How did they push it? The Guilds are the ones that put films forward for nomination. I'm in the Writers Guild so I get all the Oscar promotions and swag sent out by the studios. I'm sitting here with a pile of free DVD screeners of movies that are nominated. I didn't get a CR screener. I watched all my mailings from Sony and there was never a screening of CR (but there were screenings of "Click" and, surprise, surprise, it's nominated...for makeup?) I tried to use my Guild card to see CR (at Oscar time, Guild cards admit free to most movies). CR was not eligible for free Guild admission. I watched the trades and there was never an ad run by Sony promoting CR for an award (unless I missed it). I know what movies where pushed...and those are the movies on the list this morning. Again, I say this from first hand experience, Sony did nothing to promote CR for an Oscar. They didn't even do what was normal for any movie.
Ugh, how disappointing! Knowing the ins and outs of the thing makes it so much worse somehow.. Despite the fact that they've revamped the series and made one of the best films (Bond or Not) I saw last year, it sounds like they treated it like just another Bond film in the end

#40
Posted 23 January 2007 - 05:37 PM
All I can think of is maybe the studios and producers share the cost of an Oscar promotion (which has gotta be expensive), and maybe Eon opted out. So maybe it's not fair that I'm blaming Sony. Maybe Eon just doesn't want to get into the Oscar contest/game. It's not like Bond movies need an Oscar. But I do feel this Bond was worthy.I think I do know that. How did they push it? The Guilds are the ones that put films forward for nomination. I'm in the Writers Guild so I get all the Oscar promotions and swag sent out by the studios. I'm sitting here with a pile of free DVD screeners of movies that are nominated. I didn't get a CR screener. I watched all my mailings from Sony and there was never a screening of CR (but there were screenings of "Click" and, surprise, surprise, it's nominated...for makeup?) I tried to use my Guild card to see CR (at Oscar time, Guild cards admit free to most movies). CR was not eligible for free Guild admission. I watched the trades and there was never an ad run by Sony promoting CR for an award (unless I missed it). I know what movies where pushed...and those are the movies on the list this morning. Again, I say this from first hand experience, Sony did nothing to promote CR for an Oscar. They didn't even do what was normal for any movie.
Ugh, how disappointing! Knowing the ins and outs of the thing makes it so much worse somehow.. Despite the fact that they've revamped the series and made one of the best films (Bond or Not) I saw last year, it sounds like they treated it like just another Bond film in the end
#41
Posted 23 January 2007 - 05:38 PM
![[censored]](https://debrief.commanderbond.net/topic/38900-the-79th-academy-awards/style_emoticons/default/censored.gif)
Sorry for talking like that, But I can't accept that they NEVER recognize Bond fils as the films deserve.
I'm very dissappointed. I was hoping to see Daniel getting an Oscar !!
I never saw Bond getting an Academy award or nomination (the last film nominee was FYEO, I think, and the last award was for Thunderball) because I was born in 1990.
Dammit !
I think i'm going to say all Pam Bouvier's mouthfouls.
#42
Posted 23 January 2007 - 05:43 PM
Anyway, I was pleasantly surprised by some of the nominations this year (Abigail Breslin for Little Miss Sunshine, Greengrass for United 93, and Ryan Gosling for Half Nelson), but I'm also beginning to question why they chose Mark Wahlberg over Jack Nicholson for The Departed as Supporting Actor.
#43
Posted 23 January 2007 - 05:45 PM

#44
Posted 23 January 2007 - 05:49 PM
#45
Posted 23 January 2007 - 05:57 PM
#46
Posted 23 January 2007 - 06:06 PM
![[censored]](https://debrief.commanderbond.net/topic/38900-the-79th-academy-awards/style_emoticons/default/censored.gif)
#47
Posted 23 January 2007 - 06:16 PM
Their loss. Not ours. We know better.
What was the most anticipated film of 2006? Casino Royale
What film did you see the night it opened? Casino Royale
What film did you make an effort to see again after it opened? Casino Royale
What film had half of London shut down and the Queen attending the premire? Casino Royale
Who kicked butt as the new James Bond? Daniel Craig
Just another year at the Oscars.
Thank God for BAFTA - They get it.
#48
Posted 23 January 2007 - 06:39 PM
I'm not surprised. Not one bit. Though I still hoped it would have gotten something.. if only technical.
#49
Posted 23 January 2007 - 06:50 PM
#50
Posted 23 January 2007 - 07:06 PM
These "awards" programs are just a bunch of high-handed

#51
Posted 23 January 2007 - 07:12 PM
#52
Posted 23 January 2007 - 07:25 PM
I refuse to watch this year. Between no CR nominations and Ellen "gag me" DeGenerate hosting the program, I've no desire to see any of it. I'm sure Craig's stint will be on YouTube the next day.
These "awards" programs are just a bunch of high-handed-kissing, anyway.
Ditto
#53
Posted 23 January 2007 - 07:28 PM
I think I do know that. How did they push it? The Guilds are the ones that put films forward for nomination. I'm in the Writers Guild so I get all the Oscar promotions and swag sent out by the studios. I'm sitting here with a pile of free DVD screeners of movies that are nominated. I didn't get a CR screener. I watched all my mailings from Sony and there was never a screening of CR (but there were screenings of "Click" and, surprise, surprise, it's nominated...for makeup?) I tried to use my Guild card to see CR (at Oscar time, Guild cards admit free to most movies). CR was not eligible for Guild admission. I watched the trades and there was never an ad run by Sony promoting CR for an award (unless I missed it). I know what movies where pushed...and those are the movies on the list this morning. Again, I say this from first hand experience, Sony did nothing to promote CR for an Oscar. They didn't even do what was normal for any movie.Sony did absolutely nothing to promote CR to Guild or Academy voters in any category (even technical). They let everyone involved in this film down badly.
We don't know that. In fact, Sony did push CASINO ROYALE about - and still is. The problem lies in Hollywood's pecking order when it comes to the old boys school network that is the Oscars.
That's interesting. I say that as BAFTA voters in the UK have been given CASINO ROYALE DVD's - which might though explain why this film HAS done well at the UK's homegrown awards. To be honest, the film did emerge as an award contender quite late in the day did it not. I too work in the UK industry and have seen quite a few trade paper double spreads pushing the film - but maybe it was a case of too little too late.
#54
Posted 23 January 2007 - 07:30 PM
#55
Posted 23 January 2007 - 07:45 PM
#56
Posted 23 January 2007 - 07:52 PM
MAIN NOMINATIONS
Best Leading Actor
Will Smith - THE PURSUIT OF HAPPYNESS as “Christopher Gardner”
Best Leading Actress
Helen Mirren - THE QUEEN as “Queen Elizabeth II”
These two will probably win. The Academy enjoys snubbing fictional characters these days. They instead hand out Oscars to "actors" playing historical characters that just about anyone could easily imitate/don't actually care about.
#57
Posted 23 January 2007 - 08:00 PM
#58
Posted 23 January 2007 - 08:07 PM
"The Queen" up for Best Picture, eh? Congratulations America, you've decided to honour our most useless institution with yours!

Yeah, I'm not watching this year either.. I wanted to see if Philip Seymour Hoffman would win for Capote last year (great film, great actor), but really CR was one of the few good films I saw this year and if they aren't nominated, why bother..
Alternately, the Black Dahlia was the worst film I've seen in AGES, and it got a nomination, so go figure

#59
Posted 23 January 2007 - 08:13 PM
All I can think of is maybe the studios and producers share the cost of an Oscar promotion (which has gotta be expensive), and maybe Eon opted out. So maybe it's not fair that I'm blaming Sony. Maybe Eon just doesn't want to get into the Oscar contest/game. It's not like Bond movies need an Oscar. But I do feel this Bond was worthy.
Folks, it's only a stupid statue! Who cares how many awards Streep has or if Leo gets the award or not. I for one will not waste my time watching the Oscars just so that I can hear the vanity spoken and the political insults thrown towards any political leader.
The show is long and boring. If you really want to send a message to the people who run the awards - boycott it and then start a website called www.irefusetowatchoscarsbecauseofcasinoroyalesnub.com
As far as I'm concern Daniel Craig and the Bond team have already won by receiving a boat load of nominations from BAFTA.
The Oscars is primarily about patting their own on the back with a few exceptions. People such as Martin Scorsese who has been nominated so many times and has never won.
Alfred Hitchcock and Cary Grant never won Oscars.
Peter O'Toole has never won but was given an honorary one two years ago.
Sean Connery and Michael Caine only get the supporting actor category. Give me a freakin break!
And of course, Cubby Broccoli. He put together the longest running movie series ever and only gets the Thalberg award.
No really, just boycott the show and then listen for the results on the radio the next morning. Not only will you get a goodnight sleep, you'll feel justified as well.
#60
Posted 23 January 2007 - 08:18 PM
Owen is so absolutely lightweight (in all respects) that to compare him to Mitchum and Chandler's creation is just [color="#DDA0DD"]absurd.
I respect your right to disagree. But my respect ends when you start throwing around loaded words like absurd. You can make your point without flipping the bird at another member. So why leave home strapped for cash in the currency of courtesy?
Have a wonderful day.