Jacques Nexus (01 Aug, 2001 04:28 p.m.):
[The test of time will show that Benson is a better STORYTELLER than Fleming, Amis and Gardner. However, Benson is NOT as good a WRITER as Fleming or Amis but is on a par with Gardner. ....
At the end of the day, what's the use of having a better WRITER if they don't have a good story to tell ?. .
Whew... Mr Boldman sure opened a can of worms.
I really can't let Nexus's prediction go by without comment though. Fleming is indeed a better writer than either of his successors, but I have to say he also surpasses them as storytellers as well, and I just can't see future generations elevating Benson's workmanlike pastiches above the Fleming classics.
My own take on all this, which I've expressed elsewhere, is that Benson is a better plotter than Gardner, and undeniably has a better grasp of Bond and his world, but his prose is no more than servicable, lacking style. Gardner, on the other hand writes more capably, but his plotting is often directionless and repetitive, and "his" Bond becomes less and less recognizable as Fleming's character.
I feel that we have to retain Fleming as the yardstick when assessing any of his successors. Kingsley Amis's effort was as good on all levels as most of Fleming's Bonds. Gardner's first couple were about on par with, say, Fleming's D.A.F. or T.M.W.T.G.G., but were no equal to Fleming's best. In terms of the writing, I don't find any of Benson's writing as good as any of Fleming's, but his plotting and research are fine (though I cringed at "Double Shot" - the plastic-surgery doppelganger was hokey when The Man From Uncle used it thirty years ago).
I've no problem with Benson upping the erotic level (Amis did the same thing), but it has to be done with class and style. Otherwise you get something on the level of Penthouse Forum, which is not noted for its literary qualities.