Dahl would be the right man to put James Bond in the afterlife. If only there wasn't that damned space-ship, tsk tsk!

Posted 13 April 2002 - 01:31 AM
Posted 13 April 2002 - 01:59 PM
Posted 13 April 2002 - 08:41 PM
Posted 14 April 2002 - 03:01 AM
Victor Zokas (13 Apr, 2002 02:59 p.m.):
Of course at the start of DAF Connery, still in black says "Welcome to Hell Blofeld" and ushers him to his "death" in a mini volcanic eruption. This indicates that Bond is still in or at the gates of hell and Blofeld who had escaped is being greeted on his return by Bond.
What that makes of OHMSS is anyone's guess.
Posted 14 April 2002 - 12:48 PM
Posted 15 April 2002 - 01:46 PM
Posted 11 April 2002 - 12:00 AM
Posted 15 April 2002 - 05:21 PM
Posted 15 April 2002 - 06:23 PM
Posted 15 April 2002 - 06:24 PM
I do think ALL the Bond films operate on a similar subtextual level, although I donVictor Zokas (14 Apr, 2002 01:48 p.m.):
OK, so there is going to be FRWL and GE coming soon, but in brief do you think there is any subtext to any or all of the other Bonds?
Posted 15 April 2002 - 06:56 PM
Posted 15 April 2002 - 07:23 PM
zencat (15 Apr, 2002 07:56 p.m.):
Sorry, me again...
You know, in thinking about what I just wrote it seems to me that GOLDFINGER is the best realization of this Bond/Oedipus subtext. And not unsurprisingly Goldfinger is considered the archetypal Bond film. Think about it. Goldfinger is clearly a father figure and Bond clearly a younger "son" (just compare their cars). Bond's original sin is to sleep with Jill (clearly Goldfinger's woman) and she's destroyed by daddy's power (his gold). Pussy is part of Goldfinger's world, but the filmmakers go to great lengths to tell us she's NOT Goldfinger's girlfriend (and Bond seems to go out of his way to discern this fact as soon as he meets her--as if to check if she's "safe" to have). Interesting. Maybe I'll rewatch Goldfinger and make this Part 4 to my article.
Posted 15 April 2002 - 09:37 PM
Posted 11 April 2002 - 12:07 AM
Posted 15 April 2002 - 10:56 PM
zencat (15 Apr, 2002 07:24 p.m.):
(and grown men like me who are still mentally 14).
Posted 15 April 2002 - 11:49 PM
Posted 15 April 2002 - 11:57 PM
Posted 16 April 2002 - 12:53 AM
Thank you sir.ray t (16 Apr, 2002 12:49 a.m.):
Zencat, your writing is magnificent. Your thoughts on things Bondian are very entertaining.
I don't think that's true at all. Freud introduced the entire concept of the unconscious and I don't know of any psychology professional who would dismiss the concept of the unconscious as "junk." And when I was in school (not too long ago) we were still taught Freud's basic theories of the developmental stages of the psyche, one of which was the Oedipal stage.ray t (16 Apr, 2002 12:49 a.m.):
However, just to let you know, Freud has been deemed by the majority of psycology professionals as pure and utter s***! JUNK. GARBAGE. He was completelyed up. He is ANCIENT HISTORY who's theories are as BAD and as OUTDATED as Darwin's on evolution.
ray t (16 Apr, 2002 12:49 a.m.):
Bond is pure entertainment. Goldfinger is amazing because it was the PROTOTYPE. It had that Bassey's song/binder's titles, the over the top Vilian and his memorable henchman, the gadget-laiden Aston, and an AMAZING GALLERY of SEXY GIRLS/WOMEN...
Posted 16 April 2002 - 01:21 AM
Posted 01 June 2002 - 07:50 AM
[b]zencat (11 Apr, 2002 07:14 p.m.):
I had always heard Bond say "Anne", not "M." Of course, if he says "M" then I've made a big mistake. Luckily I have the original continuity script to FRWL. I pulled it out and, well, here it is:
Posted 01 June 2002 - 04:32 PM
But I'm not referencing the "screenplay" here, I'm referencing the "continuity script" -- which is a script of the movie created AFTER the movie is finished reflecting the exact content with time code, music ques, even credits. Sorry, I should have made this clear.Bon-san (01 Jun, 2002 08:50 a.m.):
[b]zencat (11 Apr, 2002 07:14 p.m.):
I had always heard Bond say "Anne", not "M." Of course, if he says "M" then I've made a big mistake. Luckily I have the original continuity script to FRWL. I pulled it out and, well, here it is:
The existence of a script in which Bond says "Anne" is far from conclusive in this matter. Remember Thunderball, in which the script refers to a Boutier and the scene as shot has Bond calling him Bouviard? (Or whatever the actual names are, I always forget) The fact is, Bond films are haphazard affairs at times, and things of major and minor significance are changed from one script version to the next, and on and on to final cut.
Posted 01 June 2002 - 04:39 PM
Posted 01 June 2002 - 05:53 PM
Posted 02 June 2002 - 03:43 AM
zencat (01 Jun, 2002 05:39 p.m.):
But regardless of who he was with ("M" or "Anne"), the point was Bond HAS been to Japan before. That was the point.
Posted 02 June 2002 - 04:22 AM
Posted 19 September 2002 - 01:59 AM
I feel it necessary to bring this old but excellent thread back to the top so I can apologise to Zencat for veering the discussion off topic somewhat with the matter of "Anne" or "M."Originally posted by zencat
But regardless of who he was with ("M" or "Anne"), the point was Bond HAS been to Japan before. That was the point.
Posted 19 September 2002 - 04:47 AM
Originally posted by Blofeld's Cat
I was the initiator of the debate and I had the temerity to contradict the great and wise Zencat.[/font][/B]
Posted 22 September 2002 - 07:54 PM
Posted 22 September 2002 - 08:02 PM
Thanks YOLT. Welcome to CBn.Originally posted by YOLT
It is really great Zen, I knew that YOLT was perfect, in all ways,
Posted 01 September 2014 - 03:54 PM
I was rereading one of the great Zencat“s articles and I wonder if are they somewhere on the net nowadays?