1.) Give us the cool, confident, suave Bond and NOT another psychobabble "this time its personal" story. Please forget the pyschological angst.
2.) Don't give us a dour Bourne clone. Make it more serious if you will BUT don't lose the traditions, charm and special aspects of a Bond film that distinguish Bond from all other films and series.
3.) If you insist on going for an early mission Bond--don't make Bond too young. He's a seasoned Commander coming to Mi6. Make him from 31 to 36 or so.
4.) Hire an actor as 007 who ON FILM can convincingly portray an agent aged 31 to 36.
5.) Don't lose the cheek and humor elements of Bond.
6.) Please don't insist on an early mission Bond. If you make a smart clever "regular" Bond then people of all ages will flock to see it. FOCUS ON THE SCRIPT AND IDEAS--Haggis is a good step!
10.) Good luck!

2. Do not cast Adrian Paul. He may look like Connery, but he can't act to save himself. You may as well hire Clive Robertson.
3. Don't hire Clive Robertson. Or James Purefoy. They're terribly lame candidates. But you already know this.
5. Don't imitate Bourne - apart from the car chases. I want to feel Bond might actually be killed.
6. Cut back on the crappy double entendres and one-liners. Yes, you need a few. But go back and watch some of the older films - Bond is laconic. He's not a schoolboy.
7. Stop reading internet sites and get this film out.

3. Inject a measured dose of "the element of the bizarre".
4. Be brave, be ballsy, and go for it. Don't compromise for fear of upsetting some demographic. And don't apologize for the excesses of Bond-dom.

Agree with all of the above. Why hasn't Eon hired you guys: Seannery, SpyNovelFan, Bon-San?
Go back to Owen and make him a really attractive offer. The kind of offer he can't refuse. Offer him at least $20 million, plus a percentage of the gross and other perks. Yep, that's a lot of money, but you can afford it, and you get what you pay for.

If you're doing this, why not offer it to Pierce? Owen isn't worth $20mil. Let him gross over $1 billion in unwavering revenue before you offer him that. You wouldn't make a good producer, Loomis!
My tuppence worth:
i) Put some class back into it. Have a non-espionage PTS milieu - the wine auction on the Eurostar in Michael France's 1st draft of GE where Bond rumbles the fake sommelier because he serves champagne to the host, a banker, before the ladies.
ii) Vary the action. Suspense (Gumbold safe break, Meteora climb, Octopussy 90 seconds) and spectacle (a big, battle ending in an oversize imaginative and memorable set) have been missing. Bring back the quirky, bizarre, surreal imagery to the films that makes the Bond lore so memorable. Get experts back to do their specıalıst action: Remy Julienne for motor stunts, Willy Bogner for ski, B J Worth et al for aerial stunts. Ditch Vic.
iii) Less but more appropriate gadgets. No more watches and belts with improbable functions. Let the gadgets have a throwaway, multifunctional capacity like the cigarette case/lighter combo in SWLM.
iv) Give the villain an airtight caper but explain motivation, consequence and effect of said caper on the world at the end of the second act so that we know what the finale is all about. We know what's at stake. Let there be a really smart, good, tight "Mint-Julep-Moment"!
v) Give more time to dialogue and character and location. Let's see the locations and give them some character. If you have a single location, let it shine, be memorable. Infuse the film with local colour. This goes for characters too. Goldfinger is the shortest Bond film (108 minutes) and has approximately 8 minutes of action throughout. Bond films are romantic, mystery, international, action, adventure thrillers.
vi) Allow Bond to be sexy (a PTS, 1st act conquest) AND romantic (the lead girl). The leading lady should be a Hitchcock innocent, strong intelligent and capable but not always a fellow agent working with Bond.
vii) Get a new composer or back the composer you choose. David Arnold has written some magnificent Bond songs. His scores when he is allowed to use his songs, are stronger. But invite David Arnold to the same Eon gathering that James Horner attends - that'll put some lead in David's pencil.
viii) Do what you do best.
Sony, if you really want to milk Bond, you can but please do none of the following:
1 Cast an American as Bond
2 Set the Bond movie entirely in the US
3 Give Bond a young sidekick (think of the demographic spread and merchandising avenues)
4 Fill up the soundtrack with rock songs by artists who just submit songs with no reference to the films
5 Delete title sequence (a la Die Hards, Lethal Weapons, action movies du jour)
6 Cast really big, hackneyed stars as villains to play it over the top (Batman, Dick Tracy)
7 Have direct to video sequels
Now, chop, chop, go to it....
ACE
Edited by ACE, 06 September 2005 - 05:05 PM.