Posted 12 June 2005 - 08:52 PM
I have regarded Thunderball as Sean Connery's best James Bond film by far for many reasons. It clearly is one of the most outlandish and epic in scope, the box-office numbers alone show how popular and financially successful this magnificent movie is. Sean Connery is on the ball as Bond. Even though at the time he wasn't always as enthusiastic for the films as he was a few years earlier, his performance in Thunderball is spot on, and doesn't show obvious signs of boredom.
The plot itself is terrific. The idea, in 1965, to steal two nuclear warheads and then hold countries for ransom is massive and very effective. Comparing to most likely From Russia With Love and You Only Live Twice, in this film, you really see the entire SPECTRE organization at work with one of their most powerful operations.
The characters are excellent as well. Nearly all of them stand out as being some of the best. I've always thought Emilio Largo to be sometimes overlooked in favor of Auric Goldfinger, but he is just as ruthless and cruel. His torture sequence of Domino most certainly shows this. Fiona Volpe is without a doubt, one of the very best femme fatales in the series. Her chemistry with Connery's Bond is spot on and the dialogue between the two of them (in the car, bed, and during the chase for example) is riveting. Damsel in distress Domino is one of the best Bond girls in the series as well. She's beautiful, essential to the plot, and very important in bringing down Largo.
John Barry composes a master score for this film, with the blasting 007 theme used very effectively and many of his other cues as well. I like Tom Jones' title song, but I equally enjoy Dionne Warwick's version of the alternate theme just as much.
A negative aspect of the film is perhaps a few (much less than what some say) slow scenes underwater, the SPECTRE crew covering up the Vulcan underwater being the main culprit. Other than that, this film takes you on a ride and doesn't let up until the end.
The novel is a solid one from Fleming, but I think it's just a case of the film outshining it here.